fri 19/07/2019

Lloyd Webber

Joseph and the Amazing Technicolor Dreamcoat, London Palladium review - bright, brash, largely irresistible

Cheeky and broad and (for the most part) as entertaining as seems humanly possible, this embryonic entry from the collaborative pen of Tim Rice and Andrew Lloyd Webber is back at its onetime London home, the Palladium. It's a production far...

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Jesus Christ Superstar, Barbican review - Andrew Lloyd Webber's musical lives again

Andrew Lloyd Webber and Tim Rice’s 1970 musical had a heavenly resurrection at Regent’s Park Open Air Theatre three years ago, with an encore run the following summer. It’s soon heading off on a US tour, but first there’s another chance for...

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Aspects of Love, Southwark Playhouse review - discourse keeps passion at bay

“Love Changes Everything”, as immortalised by Michael Ball, is the most enduring feature of Andrew Lloyd Webber, Don Black and Charles Hart’s 1989 musical – a moderate West End success, and a Broadway flop. Jonathan O’Boyle’s production, seen last...

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Whisper House, The Other Palace review - 'a delicately calibrated human story struggling to be heard'

It used to be said that the devil had all the best music. But the devil seems to have lost his touch in this ghost-story rock musical from Duncan Sheik, composer of the stage version of American Psycho and the award-laden Spring Awakening. If the...

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School of Rock: The Musical, New London Theatre

When's the last time you heard an Andrew Lloyd Webber musical described as a gas, a hoot, an unpretentious delight? All those qualities, and more, are there for the savouring in School of Rock, which has reached the West End a year on from its...

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Jesus Christ Superstar, Regent's Park Open Air Theatre

London’s West End may be the envy of the world, but when it comes to musicals the big-hitting theatres might have to up their game a bit if they’re to keep up with the city’s rival offerings. Compare the summer’s biggest opening, Aladdin (currently...

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Sunset Boulevard, London Coliseum

Could the fascination of Glenn Close's Norma Desmond transcend the frequent bathos of Lloyd Webber? Would they have sorted out the miking which wrecked last year's first choice of semi-ENO musical, the infinitely superior Sweeney Todd? Yes, to...

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Dominic Sandbrook: Let Us Entertain You, BBC Two

Critic and popular historian Dominic Sandbook understands the power of the soundbite, so he supplied one of his own to sum up his new series: "We do still make one thing better than anybody else – we make stories."This is a companion piece to...

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Evita, Dominion Theatre

Like their divisive protagonist, Andrew Lloyd Webber and Tim Rice could reasonably be accused of valuing style over substance: indelible extravaganza Evita subscribes to the cult of celebrity without truly interrogating it, nor are we given enough...

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Forbidden Broadway, Vaudeville Theatre

“It takes a star to parody one,” wrote theartsdesk’s Edward Seckerson, nailing the essence of this immortal spoof-fest’s last incarnation at the Menier Chocolate Factory. Star quality was assured given the presence of Damian Humbley, peerless in...

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Stephen Ward, Aldwych Theatre

Unlikely subjects can make for great musicals. (Assassins, anyone?). Just as great subjects can make for terrible ones (the Broadway Breakfast at Tiffany’s comes to mind). Sadly Andrew Lloyd Webber’s latest project can’t redeem itself on either...

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The Story of Musicals, BBC Four

As the series ended, it remained at great pains to repeatedly point out that this was the story of the British musical, its post-War success and how Oliver and Jesus Christ Superstar conquered Broadway. Yet it was hard not to sigh as episode three...

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