sat 18/05/2024

Liszt

Maurizio Pollini, Royal Festival Hall

Their bicentennial years may have been and gone, but even Mazeppa’s wild horse wouldn’t be able to stop the world’s top pianists playing Chopin and Liszt almost every month. Last night Maurizio Pollini and his aristocratic art returned to the Royal...

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Classical CDs Weekly: Beethoven, Britten, Liszt, Vaughan Williams

 Beethoven: The Nine Symphonies Vienna Philharmonic/Christian Thielemann (Sony)Another Beethoven symphony cycle, released hot on the heels of Chailly’s Leipzig set. That Decca box earned rapturous praise. I’m not sure that Christian Thielemann’...

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Hough, London Philharmonic Orchestra, Alsop, Royal Festival Hall

Poor old Stephen Hough. The Liszt double. Again! Was he not at all Liszted out after last year's epic bicentenary? Were we not Liszted out by last year's epic bicentenary? Hough has been living, breathing and eating these two pieces for the past...

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Anne Schwanewilms, Charles Spencer, Wigmore Hall

Now that Margaret Price is no more and Kiri's well past her heyday, whose is the most limpid soprano of them all? "The beautiful voice" was a label slapped by PR on Renée Fleming, but that fitfully engaging diva is all curdled artifice alongside...

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Khatia Buniatishvili, Wigmore Hall/ Pierre-Laurent Aimard, Queen Elizabeth Hall

Before his slightly over-extended majesty drops behind a cloud at the end of this bicentenary year, and following Louis Lortie’s light-and-shade monodrama on Sunday, Franz Liszt has moved back to left-of-centre in two ambitious midweek concerts. In...

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Louis Lortie, Wigmore Hall

It was Chopin time when I last heard Louis Lortie, and a typical London clash of scheduling allowed me to catch his effervescent Op 10 Études before pedalling like crazy north of the river for the second half of Elisabeth Leonskaja’s even bigger all...

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Dmitri Hvorostovsky, Ivari Ilja, Barbican Hall

Tchaikovsky songs, the most obvious missing link in Olga Borodina's all-Russian programme a couple of Fridays back, formed a spare but unforgettable apex to this second recital in the Barbican's Great Performers series. That in itself, and unusual...

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Limen/Marguerite & Armand/Requiem, Royal Ballet

The cool physical activity of McGregor’s Limen, the crimson passions of Ashton’s Marguerite and Armand, the symbolic sculpture of MacMillan’s Requiem - the weekend's new triple bill at Covent Garden shows three faces of British ballet-making over...

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The Last Night of the Proms, Bullock, Lang Lang, BBCSO, Gardner

Stately females sailed the corridors like grand multicoloured liners. Grown men in boaters and Union Jack waistcoats raced balloons to the Royal Albert Hall ceiling. Beachballs. Streamers. Flags. Fancy dress. One St George's Cross read "...

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BBC Proms: Lazić, Budapest Festival Orchestra, Fischer/ Audience Choice Prom

"Don't expect polish," announced Ivan Fischer apologetically. "Things vill go rrrong. We may start pieces again." The tuba had been turned into a tombola. The percussionists were playing their buttocks. Someone else was blowing a Hungarian...

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BBC Proms: Douglas, BBC Symphony Orchestra, Dausgaard

Thomas Dausgaard: a febrile, fluent presence striking his own path through Wagner and Brahms

Having been away in remote mountain places, I hadn't heard that the BBCSO's chief conductor Jiří Bělohlávek was taking a month off to recover from a virus. So it was a bracing last-minute shock to find the man stepping up to the podium to conduct...

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Yevgeny Sudbin, Wigmore Hall

Yevgeny Sudbin: shining a brilliant light on complex works

Older pianomanes may lament the passing of the great Russian schooling that gave us the likes of Sofronitsky, Yudina and Richter. I'm not so sure. The younger generations may have dropped the mystic torch, but their more even-tempered approach can...

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