jazz
peter.quinn
Recorded in 2019, released in 2020, and winner of Album of the Year at the 2021 Parliamentary Jazz Awards, it was a delight to finally witness the launch of Callum Au and Claire Martin’s spectacular album of jazz standards and American Songbook classics, Songs and Stories, albeit three years later than planned.Written by Au especially for this concert, the swirling, shape-shifting counterpoint of orchestral opener “Murmurations” featured the first of a number of towering solos from saxist Nadim Teimoori (playing soprano here), with string harmonics and a tintinnabulating celeste emerging out Read more ...
Sebastian Scotney
I can’t help enjoying the continuing elevation of the jazz pianist Oscar Peterson (1925-2007) to national monument status in Canada. A park or a square here (Montreal), a boulevard there (Mississauga), a school, a concert hall, a statue, a commemorative one-dollar coin. Now Barry Avrich’s 2021 documentary Oscar Peterson: Black + White, which is being released on DVD.It tells Peterson's story well. A wide range of archival footage, notably several interviews with the pianist, has been trawled, carefully assembled, and juxtaposed with new interviews and specially commissioned Read more ...
Kieron Tyler
Some of what’s nourishing the debut album by Sweden’s Dina Ögon is evident. A Bossa Nova jazz-pop essence evokes Brazil’s Quarteto em Cy. There’s a trip-hop undertow. Vocal lines bring to mind Free Design. Less easy to pinpoint is a melodic sensibility which seems to be derived from local traditions; echoing the sort of fusion pioneered by Jan Johansson’s Jazz på svenska and Merit Hemmingson when she reframed folk music on the Svensk folkmusik på beat albums.It’s likely Dina Ögon – the name translates as “your eyes” – are mindful of all or some of this, but what they’ve come up with doesn’t Read more ...
peter.quinn
Bolivian marching powder, sexual violence, fraud. As the actions of the present kakistocracy edged ever closer to that of a lost Brian De Palma film script, it was to music that we turned once again for beauty and the best of humanity.With stunning recorded sound plus an irresistible communion between singer and band, Lizz Wright’s Holding Space was the most transporting album I heard this year. Recorded live in Berlin on the final date of her 2018 European summer tour, the material ranged from her 2003 Verve debut, Salt, to her most recent studio album, 2017’s Grace.Cécile McLorin Salvant’s Read more ...
Thomas H. Green
Welcome to the final theartsdesk on Vinyl of 2022 which is topped off by two Vinyl of the Months, one there for seasonal jollies and the other for musical adventurousness. As ever, the rest runs the gamut from reissues of albums from decades ago to the most contemporary, cutting edge music around. Dive in!CHRISTMAS VINYL OF THE MONTHVarious The Muppet Christmas Carol (Walt Disney)Is there a more Christmassy object than a picture disc of the soundtrack to The Muppet Christmas Carol? There may be but this will do us very well. Coincidentally, theartsdesk on Vinyl’s festive film-show this year Read more ...
Sebastian Scotney
I tend to run away from all known bandwagons, but I'm on this one. Peter Quinn called Cécile McLorin Salvant’s album Ghost Song “a moving, imaginative, at times laugh-out-loud collection of songs” back in February, and it is a wonderful piece of work on every level.McLorin Salvant has gone from winning the Thelonius Monk competition in 2010 at the age of 21, to becoming a MacArthur Fellow in the class of 2020. Three of McLorin Salvant’s four albums on Mack Avenue won Grammy Awards, and this, her debut on Nonesuch, must surely win her another. It is a reminder that the greats of our time have Read more ...
Tim Cumming
There’s much fun to be had with snow, and fun things go with it, too, such as album launches in Soho on a freezing Saturday night in December, when the rest of the country is watching England depart the World Cup in the quarter finals.Downstairs at Pizza Express Jazz Dean Street, missed-penalty misery was banished, the snowfall was metaphorical, and the fun to be had was centred around singer Emma Smith, launching her Snowbound record to a full house with a fine quartet behind her, of Hammond organist Ross Stanley, the tasteful licks of guitarist Nick Costly-White, Leo RIchardson’s supple sax Read more ...
Thomas H. Green
It’s Friday night and I’ve finally arrived at 43-year-old French music festival institution Trans Musicales. Due to some dreadful nonsense, it’s taken a 12-hour train journey, two baguettes, one short Stephen King novel, six large beers, a tumbler of Bourbon, and one shuttlebus to place me at the Parc Expo, a series of giant airport hangars that house the majority of musical activity (although there’s a smattering of earlier events in Rennes itself).The music runs from 9.00 pm-ish through to shortly before dawn and Trans Musicales is renowned for ensuring that the nearly 60,000 attendees are Read more ...
Rachel Halliburton
The elation in the queue was palpable as people stood laughing and chatting in the November cold waiting for the doors of the Jazz Café to open for the latest crowd-funded event organised by Through the Noise. This 13th Noisenight – which brings major classical soloists to nightclubs – was a chance to see Sheku Kanneh-Mason and pianist Harry Baker at a key moment in Through the Noise’s history, the start of its first national tour. While much of the buzz was around Kanneh-Mason, from the moment the two musicians started playing it was clear that what was special was their Read more ...
Barney Harsent
“All of this music, it’s nothing to do with the listener,” Stormzy announced to Louis Theroux in a recent TV interview. “All I can do is feel what I feel and document that, and whatever that is, that’s what it’s going to be.”The 29-year-old rapper singer and songwriter, also known as Michael Omari, was talking about This Is What I Mean, his third album and, by some distance, the biggest departure, both musically and lyrically, since his incredible rise from the UK’s underground grime scene to stadium-filling stardom.The conversation comes after listening to a, then unfinished, version of “ Read more ...
Liz Thomson
On a dreary evening in our dark winter of discontent, a couple of hours spent in the company of The Manhattan Transfer was a joyous uplift. The sell-out audience at London’s Queen Elizabeth Hall clearly agreed, happily engaging in a sort-of call-and-response on the first encore of “Tequila” and cheering them to the echo as they took what may be their final bow in this country as a quartet… but let’s hope not. For while this 50th anniversary tour may be their last, the evident joy these musicians take from singing together surely suggests they are unlikely to resist at least a few concerts Read more ...
joe.muggs
I had high hopes for this show. After all, Eska Mtungwazi is pretty much the only singer on earth I’d go out of my way to hear sing Joni Mitchell songs.Not only does she have the necessary vocal range and control, but her own sole solo album sits exactly in the right intersection of folk, jazz and experimental songwriting to suggest she’s got the stylistic fluidity to carry it off. And she’s an amazing performer. She may have only made that one album in 2015, but her work with everyone from Grace Jones and UNKLE to Tony Allen and Matthew Herbert over many years has demonstrated that she’s one Read more ...