improvisation
peter.quinn
With her third recording for Mack Avenue, Grammy Award-winning vocalist and songwriter Cécile McLorin Salvant has delivered a vocal jazz album for the ages. A 2CD set recorded live at NYC’s renowned Village Vanguard, the fascinating track list juxtaposes jazz standards, vaudeville songs, blues and more. A number of studio recorded originals sprinkled throughout, featuring the exquisite playing of the Catalyst Quartet, offer an intriguing commentary on the live material.Having immersed herself in early jazz and blues, it’s no surprise to see McLorin Salvant dusting down the glorious “You’ve Read more ...
peter.quinn
Hearing the London Metropolitan Orchestra ripping a hole in the silence with the impassioned opening theme of the three-movement "Developing Story", I’m not entirely convinced that the New Zealand-born, US-based pianist, composer and arranger Alan Broadbent doesn’t have any Russian blood flowing through his veins, despite the two-time Grammy winner's assurances to the contrary when I interviewed him last year.For its sheer beauty of sound, from hushed simplicity to breathtaking climaxes – not to mention superb performances from both orchestra and Broadbent's jazz trio featuring Read more ...
peter.quinn
Denys Baptiste's deep dive into the mid-1960s work of jazz icon, sax player and composer John Coltrane also serves to mark 50 years since Coltrane's shockingly early death at the age of 40. The saxist's core quartet features two long-standing collaborators, double bassist Gary Crosby and drummer Rod Youngs, plus Jazz FM Instrumentalist of the Year, pianist Nikki Yeoh.One of Coltrane's most captivating melodies, Youngs opens up a suitably vast canvas on "Living Space" with temple bell and cymbal strokes (and what sounds like a wind machine), before Baptiste’s incantatory Read more ...
peter.quinn
Two of the most impressive young musicians on London’s jazz scene, tenor saxist Binker Golding and drummer Moses Boyd hoovered up every award in sight following the release of their debut album Dem Ones, including a brace of gongs at the Jazz FM Awards 2016 (for UK Jazz Act of the Year and Breakthrough Act of the Year) plus Jazz Newcomer of the Year at the 2016 Parliamentary Jazz Awards.Recorded live direct to tape over two days in July 2016 – with no edits, drop-ins or studio trickery of any kind – the duo’s follow-up Journey to the Mountain of Forever is a big sprawling beast of an album, a Read more ...
joe.muggs
There comes a point in any experimental music festival when you have to accept the silliness and go with it. And at Borealis, that point comes very early. Only a couple of hours off the plane in Bergen and we're in a pedestrian tunnel under the bus station, where a crowd surrounds Slovakian musician Jonáš Gruska who is sitting cross-legged on the floor with a laptop, directing the whirs, rumbles and cascades of bleeps that are emanating from different sections of the tunnel wall and ceiling. Through all of this, Bergen's Friday evening commuters bustle, variously perplexed and amused, many of Read more ...
Veronica Lee
The UK Pun Championships have quickly become a fixture of the Leicester Comedy Festival, and this year the organisers installed a boxing ring at De Montfort Hall to underline the event's competitive element.The eight contestants – a mixture of established acts on local club circuits and relative newcomers – were of varying ability and there was the odd cove among some obvious talent. While it was great fun, it was rather laidback and lacked much competitive edge until the final, and connoisseurs of slam poetry might have found proceedings rather tame despite the pugilistic setting.Jason Byrne Read more ...
Barney Harsent
Everything about Xam Duo’s debut album, out earlier this month on Sonic Cathedral, has a wonderful sense of self-indulgence: from the freeform, experimental feel, the stretched-out tones and resulting melodies that exist almost by implication, to the mournful squall of the saxophone, buoyed by a stubborn sea of sound.The project, a collaboration between Hookworms’ Matthew Benn and Christopher Duffin of Deadwall, was born when the former was looking to expand what had, up until then, been a solo project. Much of this album is formed of the pair’s very first, completely improvised, session Read more ...
Matthew Wright
There was an Italian flavour to the EFG London Jazz Festival programme at Kings Place on Thursday night. Enrico Rava is an eminent statesman of European jazz, who emerged in the 1960s as a disciple of Miles Davis. He was collaborating with young pianist Giovanni Guidi, also recorded on ECM, though best known for diaphanous soundscapes rather than free jazz at its most raw and bloody. They were joined by electronic music pioneer Matthew Herbert, who now has a distinguished presence across opera, theatre, film and books, as well as improvised electronica. Last night’s gig was the first Read more ...
Barney Harsent
Super Furry Animals front man Gruff Rhys is a quietly prolific talent. Every few years or so, there’ll be another album, complete with the kind of thought-through concept that gives lift to his literate and expressive story songs and colours them with context.“Literate” is word very much at the centre of his latest project, a soundtrack to the 2014 film Set Fire to the Stars, which details Dylan Thomas’s time in New York in the 1950s. Recorded around the same time as Rhys’s wonderfully expansive ode to another Welsh traveler to the Americas, the explorer John Evans, American Interior, Read more ...
Matthew Wright
Bitch ‘n’ Monk is a duo of London singer and guitarist Heidi Heidelberg and Colombian flautist Mauricio Velasierra. They make work of uncompromising novelty - dense but exhilarating collages of soaring vocals, restless guitar and intricate, percussive flute, spiced with loops and effects. It sounds as though there are at last four of them, and although the pair’s commitment to their own sound is palpable, their idealism lives happily alongside much passion, humour and melody, which makes the listening experience more charm than offensive.Their first LP, Fulafalonga, was widely admired two Read more ...
peter.quinn
Ludic, ironic, kaleidoscopic, highly stylised, this follow-up to the Elliot Galvin Trio’s acclaimed 2014 debut, Dreamland, packs an exhilarating feast for the ears into its shortish 38-minute time frame. Like that greatest of musical magpies, Igor Stravinsky, who was able to creatively distort any style that appealed to him, from medieval music to the music of the Second Viennese School, Galvin similarly dips in at will to the endless resources of jazz, classical and pop music history to create a sound-world entirely his own. Punch, the trio’s debut for Edition Records, sees the pianist Read more ...
Veronica Lee
At least half the audience for this live version of the short-form improv show, which was shown on Channel 4 between 1989 and 1998, couldn’t possibly have seen Whose Line Is It Anyway? when it was first broadcast, so one assumes they must have become fans via YouTube or rerun channels – testimony to the idea that good comedy is timeless and ageless.The West End version of Dan Patterson and Mark Leveson's creation is an appealing melding of old and new. The acerbic and quick-witted Clive Anderson is back as master of ceremonies, and producers maximise his presence by giving him a 15- Read more ...