Holocaust
Anselm Kiefer Pour Paul Celan, Grand Palais Éphémère, Paris review - an installation of rare profundityTuesday, 21 December 2021The exhibitions of the German artist Anselm Kiefer have always been spectacular: large works with a numinous presence, often breath-taking and always mysterious. His new installation in Paris’s Grand Palais Ephémère, the temporary structure at the... Read more... |
Love and Other Acts of Violence, Donmar Warehouse review - snappy and tightly intelligent but flawedTuesday, 19 October 2021This is simultaneously a love story and an archaeology of hate, a sparky, spiky encounter between two individuals whose chemistry proves as destructive as it is explosive.Love and Other Acts of Violence opens with a comedic encounter on a dance... Read more... |
DVD/Blu-ray: Mr KleinTuesday, 14 September 2021Joseph Losey’s career covered a great deal of ground, and several continents. From The Boy with the Green Hair, a noirish sci-fi film from 1948, through to his richly psychological collaborations with Harold Pinter, The Servant (1963), Accident (... Read more... |
The Champion of Auschwitz review - Polish movie based on a boxer's memoirWednesday, 08 September 2021It’s a little hard to tell if this film was really intended for an international release, given that its heart is so set on making Polish movie-goers proud of their countrymen. The Champion of Auschwitz recounts the true story of Tadeusz "Teddy... Read more... |
DVD/Blu-ray: The Fifth Horseman is FearTuesday, 07 September 2021One of several 1960s Czech films which explicitly addresses the Holocaust, Zbyněk Brynych’s 1964 thriller The Fifth Horseman is Fear ( …a pátý jezdec je starch) wrong-foots us from the first frame. There’s Jiří Sternwald’s jagged, brittle score, and... Read more... |
Misha and the Wolves review - tricksy documentary about a child survivorSunday, 05 September 2021It has become so hard to find funding for non-fiction films that many documentary makers now feel compelled to sell their stories as racy detective yarns, larded with dramatic scores and sneakily obfuscating narratives. There’s a piece of deception... Read more... |
Blu-ray: The PawnbrokerTuesday, 17 August 2021The shadow of the Holocaust and the horror of the camps haunts literature and the cinema: from The Reader to The Night Porter, from Schindler’s List to Son of Saul. For some, the subject was beyond authentic representation – and perhaps only a... Read more... |
Psappha, Phillips, Hallé St Peter’s, Manchester online review - Turnage world premiereFriday, 30 April 2021Manchester’s Psappha have been proudly flying the flag of new and radical music right through the year of lockdown, and last night’s livestream, with two-and-a-half world premieres, one of them by Mark-Anthony Turnage, showed they haven’t given up... Read more... |
Persian Lessons review - confusing Holocaust dramaSaturday, 23 January 2021This is an odd film, made even odder by a caption near the beginning, which claims it is "inspired by true events" but doesn’t elaborate. Produced in Belarus, it’s a Holocaust drama based on a novella by the veteran East German screenwriter/director... Read more... |
The Flying Lovers of Vitebsk, Bristol Old Vic/Kneehigh/Wise Children online review – ravishing vision of Chagall's early lifeSaturday, 05 December 2020One of Marc Chagall’s last commissions was for a stained-glass window in Chichester Cathedral, which channelled his characteristically exuberant spirituality into a response to the verse from Psalm 150, “Let everything that has breath praise the... Read more... |
Blu-ray: The Painted BirdTuesday, 17 November 2020Václav Marhoul’s The Painted Bird (Nabarvené ptáče in Czech) comes with a lot of baggage, a critics’ screening at the 2019 Venice Festival punctuated by mass walkouts but finishing with a ten-minute standing ovation. Then there’s the supposedly... Read more... |
Little Wars, Union Theatre online review - richly emotional, but formulaicTuesday, 03 November 2020Feuds make good theatre. I mean, look at the furious 1970s spat between playwright Lillian Hellman and critic Mary McCarthy. Yikes. So far, I’ve counted three recent stage versions: in 2002 there was Nora Ephron’s Imaginary Friends, followed in 2014... Read more... |