feminism
Ava review - Sadaf Foroughi powerhouse drama about teenage rebellionSaturday, 22 August 2020
Canadian-Iranian director Sadaf Foroughi offers up a gut-wrenching tale of adolescent rebellion set against the strictures of an oppressive Middle Eastern society. It rivals the work of Asghar Farhadi in quality, telling the story of a 17-year-old... Read more... |
Blueprint Medea, Finborough Theatre online review – well-meaning but clunky updateThursday, 16 July 2020
Medea is the original crazy ex-girlfriend: the wronged woman who takes perfectly understandable revenge on the man who made her life hell. In Blueprint Medea, a new adaptation premiered at the Finborough Theatre in May 2019 and available on YouTube... Read more... |
Mrs America, BBC Two review - how a conservative revolutionary scuppered the Equal Rights AmendmentThursday, 09 July 2020
In the midst of our increasingly confrontational politics of race and gender, it was a timely move to make this series (on BBC Two) about Seventies radical feminism and the battle over the Equal Rights Amendment (ERA) in the USA, even if some of the... Read more... |
On the Record review - #MeToo turns its lens to the music industry, gives the mic to women of colourFriday, 26 June 2020
On the Record, the latest documentary from Kirby Dick and Amy Ziering (acclaimed directors of The Hunting Ground), dives into the sexual misconduct allegations against music mogul Russell Simmons, the so-called ‘Godfather of Hip Hop.’ It... Read more... |
Album: Nadine Shah – Kitchen SinkThursday, 25 June 2020
Why don’t you have children? Why aren’t you married? Why don’t you own your own home? Why are you a failure? These are the societally enforced questions that, as a 34-year-old woman, Nadine Shah finds inescapable. Much like the rest of us. When... Read more... |
The High Note review - Tracee Ellis Ross shines in so-so music dramedyThursday, 28 May 2020
Nisha Ganatra’s musical dramedy, penned by first time screenwriter Flora Greeson, isn’t going to win any prizes for originality and is almost unforgivably corny. But the feel-good vibes and winning combination of Tracee Ellis Ross and Dakota Johnson... Read more... |
Women Make Film: Part Two review - two steps forward, one step backFriday, 22 May 2020
The second half of Mark Cousins’ documentary on films by women filmmakers starts with religion; it ends with song and dance. This is a second seven-hour journey through cinema. It reconfirms Women Make Film as a remarkable feat of excavation and... Read more... |
Women Make Film: Part One review - a mesmerising journey of neglected filmThursday, 21 May 2020
Equally ambitious in scope as his 900min ode to cinema The Story of Film: An Odyssey, Mark Cousins’ latest work, Women Make Film, is a fourteen-hour exploration of the work of female film directors down the decades.Cousins’... Read more... |
New Music Lockdown 5: Foals, Claptone, Luke La Volpe, Minecraft's music festival and moreWednesday, 06 May 2020
Way into lockdown now and, as the music world adjusts, so what artists are attempting becomes, in some cases, more sophisticated. In others, many impressively make the most of whatever tech they have to hand. Either way it’s always fascinating to... Read more... |
Aditi Mittal, Soho Theatre On Demand review - cows, mothers and fempowermentWednesday, 22 April 2020
“There are places in India where it's safer to be a cow than a woman” is a seemingly innocuous statement, but for Indian comic Aditi Mittal it was a dangerous one to make in a comedy show. It led to her arrest after a man complained that it was... Read more... |
Helen McCarthy: Double Lives - A History of Working Motherhood review – doing it for themselvesSunday, 19 April 2020
Want to enact mass social change? Make it about children. About their health, their prosperity, their future. Make it about men; their security, their wellbeing. Make it about society. What benefits are there for the economy, the home? Just for God’... Read more... |
Jane Eyre, National Theatre at Home review - a fiery feminist adaptationFriday, 10 April 2020
The National Theatre’s online broadcasts got off to a storming start with One Man, Two Guvnors – watched by over 2.5 million people, either on the night or in the week since its live streaming, and raising around £66,000 in donations. Let’s hope... Read more... |
