mon 06/07/2020

fantasy

The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.7500 ★★★★ Debut thriller will have you avoiding airports for goodA...

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Artemis Fowl review - flash bang nothing

It’s taken over 18 years for Artemis Fowl to reach the big screen, with Miramax originally buying the rights in 2001. Finally, Disney have brought the world’s youngest criminal mastermind to life, but was it worth the wait? Well, the fact it’s...

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Krabi, 2562 review - a trance-like visitation

Have you ever visited a destination you saw on film, only to realise it’s not quite how you imagined? Filled with tourists, the scars of mass visitation, and caught between its own culture and staying commercially attractive. The Thai city of Krabi...

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Wise Children, BBC online review – beautifully bizarre

Reviewing theatre now means reviewing film. Knowing that Emma Rice’s Old Vic 2018 production of Wise Children, her typically rambunctious version of Angela Carter’s last novel, published in 1991, has been recorded by The Space immediately raises...

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The Iron Mask review - preposterous multi-national fantasy

Director Oleg Stepchenko’s follow-up to his 2014 yarn Forbidden Kingdom swaps the latter’s Transylvania for a fantastical computer-generated frolic round 18th century Russia and China, as pioneering cartographer Jonathan Green (Jason Flemyng) sets...

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Rumpelstiltskin, Sadler's Wells Digital Stage review - spins an engaging yarn for young audiences

The latest in Sadler’s Wells’ Digital Stage programme – an impressively assembled online offering to keep audiences entertained during the shutdown – is balletLORENT’s family-friendly dance-theatre production Rumpelstiltskin. It was...

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Four Kids and It review – a family friendly yarn that needs more magic

With over one hundred books to her name and several hugely popular TV spin-offs, including the Tracy Beaker adventures, Jacqueline Wilson takes a no-nonsense approach to children’s fiction that reflects the realities of jigsaw families, mental and...

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Onward review - do you believe in magic?

Welcome to New Mushroomton: a fantasy land that’s forgotten itself. This is how we’re introduced to Pixar’s Onward, which is set in a Dungeons & Dragons daydream of suburbia. Director Dan Scanlon’s film is a tribute to his late father, but it...

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The Ocean at the End of the Lane, National Theatre review - terrifying, magical coming of age story

This scary, electrically beautiful adaptation of Neil Gaiman’s book about living on the faultline between imagination and reality is a fantastically alternative offering for the festive season. While the parameters of the story are dark, it’s an...

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Frozen II review - the allure cools off

Frozen is possibly the most beloved Disney movie since the studio rediscovered its mojo in the 1990s. While picking up a couple of Oscars and laying waste to box office records, it had young girls immersing themselves in favourite characters...

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Mary Poppins, Prince Edward Theatre review - a lavish but old-fashioned revival

It’s been 15 years since Cameron Mackintosh’s stage musical version of P. L. Travers’ Mary Poppins made its West End debut. Now, the magical nanny returns to the Prince Edward Theatre, with Zizi Strallen (who also headlined the UK tour) succeeding...

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His Dark Materials, BBC One review - generic TV fantasy with ready-made twists

The good news is that television's serial slow burn will allow for a lot more original Pullman to make its way to screen than was possible in the one and only instalment of the intended film trilogy, The Golden Compass. Its virtues were many,...

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