electropop
Thomas H. Green
Doubters presume Kesha’s multi-million-selling success derives mainly from a decade ago, the time of her monster hit, “Tik Tok”? Since then, the thinking goes, after the gruelling, much-publicised sexual abuse court cases with Dr Luke, she’s more a figurehead for #MeToo, than an actual pop star. Not true. Kesha’s last album, her third, 2017’s Rainbow, was a chart-topper in the States and a Top Five hit here. Now she follows it with an even more ebullient outing. Given her usual bawdy, potty-mouthed, exuberance, that’s saying something.Rainbow was quirky, eccentric, angry in places at what she Read more ...
Katie Colombus
2019 has been quite the year. Amongst other difficulties being a grown-up hurls at you on the reg, I lost my guiding light (may her adventures on the other side of this universe be everything and more). And the testing times that ensued sees me now, not only into the new decade but into a big fat birthday that ends with a "0". So I am looking back while trying to move forwards, doing things like wondering what advice I might have given to my younger self to prepare for the future – which means Sharon Van Etten’s Remind Me Tomorrow is hugely relevant; often giving hope, occasionally terrifying Read more ...
Kieron Tyler
Despite their name, U-Bahn are from Melbourne. Instead of looking to Germany for their musical inspiration, their minds are on a vintage band from Ohio. “Beta Boyz”, the first track on their eponymous debut album, reassembles the key elements of Devo’s version of “(I Can’t Get no) Satisfaction”. The chicka-chicka tick-tock guitar is present. So too are the throat-swallowing Mark Mothersbaugh vocals, the rotating tin-can drums and primitive synth.Next up, “Turbulent Love” does a similar job by hybridising Devo’s “Mongoloid” and “Whip it”. “War of Currents” borrows from the de-evolutionist's “ Read more ...
joe.muggs
In the eight years since theartsdesk last spoke to Carl Craig, a lot has happened. He moved from his native Detroit for a sojourn in Barcelona (partly for ease of access to his summer DJ residencies in Ibiza), then recently returned. He's reinvented tracks from his back catalogue for orchestra, in a style he dubbed "action and adventure" - certainly more John Williams than Debussy - and has performed them as such around the world. He's successfully built the Detroit Love brand for compilations and club nights via his Planet E label, featuring the city's unsung heroes like Stacey Pullen, Read more ...
Owen Richards
Beck stands on the front cover of his new album Hyperspace with a vintage Toyota and Japanese text resplendent above. It’s the perfect scene setter for an album you could easily imagine soundtracking a midnight drive through Tokyo. Or if the lyrics are anything to go by, an intergalactic voyage. Following on from 2017’s excellent Colours, Beck has settled into a reliable late-career groove that mixes deceptively simple songwriting with intricate production. The best example of this is the aptly-named “Chemical”, creating sounds that wash over your synapses like a psychoactive compound. Read more ...
Lisa-Marie Ferla
Pumarosa picked the perfect time of year to launch their second album into the world: its skittish drums, claustrophobic melodies and haunted vocals are the perfect soundtrack to witching season. But the horrors that inspired Devastation are far more personal: frontwoman Isabel Muñoz-Newsome was diagnosed with cervical cancer the week the band’s 2017 debut was released, with the band playing Glastonbury mere weeks after her surgery.With that back story in mind, you’d be forgiven for thinking tracks like “Fall Apart”, “Lose Control” and “Devastation” are primed to tell a particular story - but Read more ...
Lisa-Marie Ferla
Considered logically, releasing an album as heavy on guest features as Charli XCX’s newest should present particular logistical problems when it comes to recreating the tracks on tour. Charli’s approach is the opposite: no gimmicks or trickery, just minimalist techno hedonism powered by nothing but strobe lights and sheer charisma.Charli XCX is the full package: MC, singer and her own hype man; number one, to butcher the title of her 2017 mixtape, in a hall full of angels on hand to contribute additional vocals when needed. Latest album Charli, released just last month, is both a party record Read more ...
Jonathan Geddes
Familiarity evidently does not breed contempt, at least in the case of Hot Chip and Glasgow. This was the band’s third appearance on Glaswegian soil since April, and what a glorious, life-affirming evening it was. They arrived with a fine new album to promote in the shape of “A Bath Full of Ecstasy”, and both new and old songs alike were imbued with fresh energy here, aided by a crowd evidently buzzing on Saturday night adrenaline (and in some cases, quite possibly certain other substances).The band themselves were hardly reticent either. They still look a mild mannered bunch, albeit ones Read more ...
Kieron Tyler
Spaghetti Western guitar, rumbling bass, a rattling keyboard pulse and an unyielding forward thrust combine to delineate Somebody's Knocking’s opening cut “Disbelief Suspension”. Then there’s that growling yet melodic voice delivering sinister lines like “gonna fly to the sun in a helicopter…you wanna take a ride.” Recognisably, it’s Mark Lanegan. Equally perceptibly, his new album is another winning episode in the purple period he’s been enjoying over the last four years or so.The album’s PR material finds him declaring his fondness for Depeche Mode and New Order, a predilection first Read more ...
Katie Colombus
There comes a time for reflection in everyone’s lives – perhaps for Canadian indie-pop duo Tegan & Sara this is it. Harking back to the 1990s, they have found and re-worked tracks written in their teenage years, taking grains of truth from their own once lost lyrics and melodies, trussing them up with fancy production values and a new wave retro-pop sound.The album is launching just after the twins’ memoir, “High School” – a coming of age story of growing up in Calgary. Hey, I’m Just Like You feels like the musical accompaniment that should have been tucked into its sleeve.Created with an Read more ...
joe.muggs
Since the mid-2000s, Anders Trentemøller has been a major part of the European live circuit. A long time indie rock musician in his native Copenhagen, he had actually come to prominence as a fairly commercial electro-house remixer, but it was his 2006 album The Last Resort that cemented his position. Blending a subtler version of his dance production tricks with British shoegaze guitars and a bleak and eerie widescreen sweep, it was the perfect encapsulation of a particular kind of Nordic noir aesthetic: hints of dark doings in bleak forests and the cold sublime of unpopulated Read more ...
Thomas H. Green
Swedish singer Tove Lo appeared at a time when female physical sexuality was being used as a raw, blunt weapon in pop, when porno chic reached an apex in music videos. Half a decade ago was the time of Nicki Minaj’s “Anaconda” and Miley Cyrus’s “Wrecking Ball”, thus Lo’s overt displays of sexual bravado seemed part of the same and she had big hits with songs such as “Habits (Stay High)” and “Talking Body”. Her output since, however, has proved her sensual agenda to be more than a passing foible.The bisexual Lo has pushed for a more emancipated Scandinavian attitude to sex. Her last Read more ...