tue 21/09/2021

Edinburgh Fringe

Edinburgh Fringe 2021: Still

Ageing Mick wakes up on Portobello beach with two gold rings in his pocket, and embarks on the bender to end all benders in order to work out what or who they’re for. Young Gilly has a poorly pug named Mr Immanuel Kant, but can’t face having it put...

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Edinburgh Fringe 2021: Fear of Roses / Myra's Story

Fear of Roses Assembly Roxy ★★★One of the more disconcerting aspects to this year’s Fringe is different venues’ contrasting reactions to the easing of Covid restrictions. Some – like Army @ The Fringe and the Traverse Theatre – maintain...

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Edinburgh Fringe 2021: Doppler

There’s always a tricky balance to be struck with site-specific theatre. What’s more important: the show itself, or its unusual setting? And to what extent does its location enrich or even impact on the essence of the text? Edinburgh-based site-...

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Edinburgh Fringe 2021: Tunnels / Dandelion

Tunnels Army @ The Fringe ★★★ As has already been noted, it’s a funny old Fringe this year: only a fraction of its normal size; with audiences that seem either Covid-wary or disconcertingly enthusiastic; with some venues taking...

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Desiree Burch, Soho Theatre On Demand review - fantastical storytelling

You may have seen Desiree Burch, a Californian now living in London, on The Mash Report on BBC One. She's an engaging and energetic storyteller and Desiree's Coming Early, her 2019 Edinburgh Fringe show directed by Sarah Chew, is a fantastical tale...

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Collapsible, Bush Theatre review - a high-wire solo engagement

There’s such remarkable symbiosis between material and performance in Irish dramatist Margaret Perry’s Collapsible that you wonder how the hour-long monologue will fare in any future incarnation. I don’t know how much Perry had the performer...

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Lou Sanders, Soho Theatre review - feminism and dodgy massages

Lou Sanders has named her latest show (which debuted at the Edinburgh Fringe) Say Hello to Your New Step-Mummy. But, as she tells us in her opening comments, she's not a mother or stepmother, and hasn't yet met a father she likes, but “by the end of...

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Edinburgh Fringe 2019 reviews: The Red/ Gone Full Havisham

The Red Pleasance Dome ★★★★Comic Marcus Brigstocke has spoken in the past about his addictions and now he has written this two-hander, which he directs, that goes some way to explain the constant internal dialogue he and others like him...

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Edinburgh Fringe 2019 review: How Not to Drown

Urgent, fast-paced, seemingly never pausing for breath, How Not to Drown is a real-life boy’s own adventure, an appeal for compassion towards refugees, and an interrogation of nationality and identity. That’s quite a mix for a show of 100 minutes....

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Edinburgh Fringe 2019 review: Arabella Weir - Does My Mum Loom Big In This?

If nothing else, Arabella Weir quips, she can thank her mother for providing the material for her first Fringe show. For Does My Mum Loom Big In This? (see what she did there) is the Fast Show and Two Doors Down actor/comedian’s reflections on...

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Edinburgh International Festival 2019 review: Roots

A fat cat who gobbles up everything in sight. A king who tests his wife’s fidelity with increasingly horrific trials. A man whose flatmate is Poverty. It’s hard to ignore the scathing contemporary resonances in theatre company 1927’s sly, witty new...

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Edinburgh Fringe 2019 reviews: Darren McGarvey AKA Loki: Scotland Today / Scottee: Class

Darren McGarvey AKA Loki: Scotland Today The Stand's New Town Theatre ★★★★★   Darren McGarvey (aka Loki the Scottish Rapper) won the Orwell Prize for political writing in 2018 for his book Poverty Safari, a startling,...

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