Donmar Warehouse
Midnight Your Time, Donmar Warehouse online review – intimate and quietly movingThursday, 14 May 2020
During lockdown, some of the best online theatre has been shows that are specially created for this digital format. Much better than dull records of dramas that might have worked well on stage, but now seem sadly moribund and exceedingly slow on the... Read more... |
Theatre Lockdown Special 4: Little-known Lloyd Webber, prize-winning Shakespeare, and starry David MametThursday, 07 May 2020
Has anyone else noticed how fulltime this streaming thing has become? Those who were of a mind to (and who never slept) could find enough cultural output to satisfy 24/7, especially if one adds to the free offerings that crop up by the week... Read more... |
Far Away, Donmar Warehouse review - one for the devoteesThursday, 13 February 2020
Caryl Churchill, Britain's best living playwright, is enjoying a spate of high-profile revivals of her classic work. Last year, the National Theatre staged her Top Girls, and an upcoming production of A Number is coming soon to the Bridge Theatre.... Read more... |
Teenage Dick, Donmar Warehouse review - a fearlessly acted, well-intentioned messFriday, 13 December 2019
If good intentions were everything, Teenage Dick would be the play of the year. As it is, this British premiere at the Donmar of an Off Broadway entry from summer 2018 grants centre-stage, and not before time, to two disabled actors, one of whom... Read more... |
[Blank], Donmar Warehouse review - strong but dispiritingFriday, 18 October 2019
Clean Break, the theatre company that specialises in working with women in the criminal justice system, is doing a lot of celebrating. It's the 40th anniversary of this unique female organisation and already this year they have put on a variety of... Read more... |
Appropriate, Donmar Warehouse review - fraught family reunion blisteringly toldFriday, 23 August 2019
You can’t fail to feel the ghosts in Appropriate at the Donmar Warehouse: they are there in the very timbers of the ancient Southern plantation house that is the setting for Branden Jacobs-Jenkins’s fraught – and often very funny – family... Read more... |
Europe, Donmar Warehouse review - timely, tender, brutal and brilliantFriday, 28 June 2019
In the middle of the current decade, there was a mild vogue for reviving a handful of the great plays of the 1990s, such as Mark Ravenhill's Shopping and Fucking and Patrick Marber's Closer. Now the Donmar Warehouse's new artistic director, the... Read more... |
Sweet Charity, Donmar Warehouse review - Sixties style over substanceThursday, 18 April 2019
For her swansong, departing Donmar Artistic Director Josie Rourke goes Swinging Sixties in this stylish but flawed revival of the Cy Coleman, Dorothy Fields and Neil Simon musical. From the numerous Andy Warhol homages to Charity’s silver minidress... Read more... |
Berberian Sound Studio, Donmar Warehouse review – improves the originalFriday, 15 February 2019
Two men called "Massimo" face the audience, one very tall, one very, well, minimo. The tall Massimo (Tom Espiner, pictured below) sports wavy shoulder length blond hair and an exuberant pearl rosary, the minimo Massimo (Hemi Yeroham) has dark hair,... Read more... |
Best of 2018: TheatreSunday, 30 December 2018
Will pride of place amongst theatre productions every year go in perpetuity to the work of Stephen Sondheim? One might be tempted to think so given the preeminence during 2017 of Dominic Cooke's breathtaking revival of Follies (due back in the... Read more... |
Sweat, Donmar Warehouse review - America at once fractured and fractiousThursday, 20 December 2018
A tremendous year for American theatre on the London stage is resoundingly capped by Sweat, the Lynn Nottage Pulitzer prize-winner that folds the personal and the political into a collective requiem for a riven country. But the wounding if sometimes... Read more... |
Measure for Measure, Donmar Warehouse review - Shakespeare twice-over packs a partial stingTuesday, 16 October 2018
Shakespeare exists to be refracted and filtered through the age in which he is presented. So there's every good reason for the Donmar's artistic director Josie Rourke to approach the eternally problematic Measure for Measure as a twice-told tale... Read more... |
