Donmar Warehouse
Sweet Charity, Donmar Warehouse review - Sixties style over substanceThursday, 18 April 2019
For her swansong, departing Donmar Artistic Director Josie Rourke goes Swinging Sixties in this stylish but flawed revival of the Cy Coleman, Dorothy Fields and Neil Simon musical. From the numerous Andy Warhol homages to Charity’s silver minidress... Read more... |
Berberian Sound Studio, Donmar Warehouse review – improves the originalFriday, 15 February 2019
Two men called "Massimo" face the audience, one very tall, one very, well, minimo. The tall Massimo (Tom Espiner, pictured below) sports wavy shoulder length blond hair and an exuberant pearl rosary, the minimo Massimo (Hemi Yeroham) has dark hair,... Read more... |
Best of 2018: TheatreSunday, 30 December 2018
Will pride of place amongst theatre productions every year go in perpetuity to the work of Stephen Sondheim? One might be tempted to think so given the preeminence during 2017 of Dominic Cooke's breathtaking revival of Follies (due back in the... Read more... |
Sweat, Donmar Warehouse review - America at once fractured and fractiousThursday, 20 December 2018
A tremendous year for American theatre on the London stage is resoundingly capped by Sweat, the Lynn Nottage Pulitzer prize-winner that folds the personal and the political into a collective requiem for a riven country. But the wounding if sometimes... Read more... |
Measure for Measure, Donmar Warehouse review - Shakespeare twice-over packs a partial stingTuesday, 16 October 2018
Shakespeare exists to be refracted and filtered through the age in which he is presented. So there's every good reason for the Donmar's artistic director Josie Rourke to approach the eternally problematic Measure for Measure as a twice-told tale... Read more... |
Aristocrats, Donmar Warehouse review - fresh but unevenFriday, 10 August 2018
Chekhovian is a rather over-used word when it comes to describing some of the late Brian Friel's best work, but you can see why it might apply to Aristocrats, his 1979 play which premiered at the Abbey Theatre in Dublin before becoming a... Read more... |
Julius Caesar, BBC Four review - electrifying TV launch of all-women Shakespeare trilogyMonday, 18 June 2018
Who would have thought, when Phyllida Lloyd's Donmar Julius Caesar opened to justified fanfare, that two more Shakespeare masterpieces would be sustained no less powerfully within the women's-prison context over the following years? Faced with the "... Read more... |
The Prime of Miss Jean Brodie, Donmar Warehouse review - Lia Williams makes an iconic role her ownThursday, 14 June 2018
Lia Williams can be said to have been in her prime ever since the double-whammy several decades ago when she appeared onstage in fairly quick succession in Oleanna and then the original, and unsurpassable, production of Skylight. But she's rarely... Read more... |
The York Realist, Donmar Warehouse review - a miniaturist masterpieceWednesday, 14 February 2018
Peter Gill has been a quiet if invaluable mainstay of the Donmar over time. But the Welsh playwright-director has rarely been better served than by this emotional stealth bomb of a revival of his 2002 Royal Court play, The York Realist, presented... Read more... |
'Why we understand each other': Peter Gill on The York RealistMonday, 12 February 2018
Fingers on buzzers… Question: What’s the connection between Days of Wine and Roses, Small Change, Making Noise Quietly and Versailles? Answer: They’re all past Donmar productions directed by Peter Gill.But it’s not just his directing skill – no one... Read more... |
Best of 2017: TheatreSaturday, 30 December 2017
Year-end wrap-ups function as both remembrances of things past and time capsules, attempts to preserve an experience to which audiences, for the most part, have said farewell. (It's different, of course, for films, which remain available to us... Read more... |
Belleville, Donmar Warehouse review - prickly and unnervingFriday, 15 December 2017
The city of love provides a backdrop for marital discord and worse in Belleville, Amy Herzog's celebrated Off Broadway play now receiving a riveting British premiere at the Donmar. The director, Michael Longhurst, is rivaling Dominic Cooke (of... Read more... |
