disco
Kieron Tyler
Ian Dury: Lord Upminster / Ian Dury & the Music Students: 4,000 Weeks HolidayAs a single, "Spasticus Autisticus" was never going to be an easy sell. Ian Dury's reaction to the United Nation’s declaration of 1981 as the International Year of the Disabled was caustic and confrontational. Witty too. The BBC decided it was in poor taste and gave it no airplay. Yet it featured in the opening ceremony of last year’s Paralympic Games and the BBC broadcast it. Dury would have appreciated the irony."Spasticus Autisticus" was the first single released by Dury after he had left Stiff Records. Read more ...
Joe Muggs
A wise man once said: DON'T BELIEVE THE HYPE. It's a simple concept, but it seems so very hard to grasp, even – or especially – in a supposedly media-savvy world. The oddest thing of all is that it seems to be the people who consider themselves the most resistant to, or able to rise above, hype campaigns who have been caught up the most in the frenzy around this album.I have been consistently boggled and slightly saddened by the number of people who should know better that I have seen tripping over themselves to explain how “bland” or “disappointing” or “derivative” or “cynical” or "shallow" Read more ...
graeme.thomson
It was one of those entirely unverifiable "facts" that music documentaries increasingly prefer over genuine insight: early on in this serviceable but routine overview of a truly stellar talent, we were told that Nile Rodgers’s guitar has “played on two billion dollars' worth of hits”. Who really knows? Who actually cares? You don’t measure the sheer joy of Chic’s “Good Times” or Sister Sledge’s “We Are Family” by counting the cash or doing the math. You simply use your ears.As Johnny Marr pointed out, Rodgers is responsible for countless records “you’d have to be made out of stone not to be Read more ...
Thomas H. Green
Ke$ha’s presentation is very shrewd. When she first appeared a couple of years ago, she seemed to be trashy, binge-drinking progeny of the Lady Gaga phenomenon. As time passed, the 25-year-old Californian singer tempered this version of herself with a musical self-awareness contrary to tabloid reports of global boozing and bum-flashing. Notably, she worked with Wayne Coyne of space-pop alt-rockers The Flaming Lips, contributing a track to, and appearing on the cover of, The Flaming Lips and Heady Fwends. More recently she’s been telling anyone who’d listen that her second album, Warrior Read more ...
Joe Muggs
It's a truism in dance music culture that “everyone's a DJ nowadays”. It's generally meant in a flip, pejorative sense – suggesting that cheap technology means every man Jack and his dog can put a sequence of records together and the role is somehow devalued. But it hides a rather more positive truth, which is that dance culture is intrinsically participative, that the line between industry and punters is so blurred as to be non-existent, that those punters truly are easily as important as the hallowed DJs they look up to.Certainly at the Dimensions Festival, the boundaries seem pretty fluid Read more ...
Dylan Moore
Adrian Burley MP would probably call In Water I’m Weightless “leftie multicultural crap”. I’d like to bestow similar praise. In common with Danny Boyle’s Olympic opening ceremony, director John McGrath’s exploration of issues facing disabled people is a bit of a mess, a bit of a tick-box exercise and thoroughly enjoyable.The play is a rallying cry for the civil rights of the disabled, and wears its politics somewhat heavily. But despite some meanderings in the middle, by the time we reach writer Kaite O’Reilly’s epic final monologue, a paean to the “gen of the genome”, “the glorious freak[s] Read more ...
Kieron Tyler
It was the right venue. Frankie Valli is New Jersey royalty. He might not have been crowned, but appearing in The Sopranos is as good as any coronation. As he leaned into the audience, shaking hands, he spread his magic. Even Jimmy Page had come along for this rare London show by one of pop’s greatest, most distinctive voices.The real shock was that live, Valli sounds exactly like Frankie Valli. Exactly. To hear for real the sharp falsetto was a thrill. Opening with a forceful “Grease” couldn't disguise the fact that, despite the billing, it was instantly obvious this was not Frankie Valli Read more ...
Kieron Tyler
The death of Robin Gibb was announced last night. He had been diagnosed with cancer following surgery for a blocked intestine in 2010, when it was discovered that he had cancer of the colon. This April, it was announced he had contracted pneumonia. His death leaves brother Barry as the only surviving Bee Gee.Although influenced by The Beatles, The Bee Gees did, in time, become as big. From the beginning, Robin’s distinctive, soulful and emotional voice was always crucial to their edge. Scissor Sisters' Jake Shears said of Robin, “You are and forever will be a massive influence and inspiration Read more ...
Adam Sweeting
Being pigeonholed as "disco" became the kiss of death for many of the genre's lesser lights, but a select handful were able to transcend its limitations. Chic and the Bee Gees managed it, and so did Donna Summer, disco's so-called "First Lady of Love" whose career stretched over four decades. Having hooked up with Giorgio Moroder to help define the hypnotic, hedonistic message of disco, Summer was subsequently able to embrace pop, rock and gospel music. Her powerful, soulful voice lent conviction wherever her musical explorations led her.Her background and upbringing had left her equipped to Read more ...
Natalie Shaw
Scissor Sisters’ breakout cover of Pink Floyd’s “Comfortably Numb” was so downright preposterous it looked likely to doom the New Yorkers to one-hit wonder status; it’s the kind of balls-out release that comes along only very infrequently. Thankfully for everyone, however, they’ve gone on to become one of our most treasured pop acts - headlining arena tours in the UK, enjoying life at the top of the charts and attracting fans from across the board.That gaiety, slink and uncompromised cultural slant have remained consistent throughout their nine-year reign in the mainstream. On the verge of Read more ...
theartsdesk
The Human League: Dare (Deluxe Edition)Thomas H GreenLast year, when I interviewed The Human League for theartsdesk, singer Susan Sulley said of Leonard Cohen, “He’s got a personality voice. It’s not a voice that’s going to pass the auditions on The X Factor but you wouldn’t mistake him for anyone else on the radio.”You would never mistake The Human League for anyone else either, a unique band born of Sheffield, punk and a love of Kraftwerk. It’s hard to credit that their hugest song, “Don’t You Want Me”, and its massively successful parent album Dare, were put together with little Read more ...
Adam Sweeting
The final section of The Joy of Disco illustrated how disco music grew into a vast global phenomenon. It had been brought to the popular mainstream by the success of Saturday Night Fever, was enjoyed by grannies at Pontins, and even prompted 70-something showbiz veteran Ethel Merman to make a disco album.But the central theme of the film was the way that disco represented the triumph of social groups who had been deemed to fall outside the prevailing social norms. Blacks, gays and Hispanics flocked to join the scintillating Church of Disco as it blossomed through the Seventies, and it became Read more ...