country
Liz Thomson
Close your eyes and be transported. Not just to Greenwich Village, New York and America’s west, but to Copenhagen, Belfast and Swansea, from whence Dylan Thomas – dedicatee of “The Sparrow of Swansea” – set out on his adventures. The album was recorded in Austin, Texas, and the spirit and the sound of such country music greats as Johnny Cash, Marty Robbins and Roy Orbison permeate the music.Russell is an architect of “Americana” and his mighty fistful of albums includes a series of folk operas, including the much-lauded Rose of Roscrae. His songs have been recorded by Cash, Doug Sahm and Read more ...
Thomas H. Green
For the last four years US pop superstar Kesha has had a huge but miserable media presence. Her bitterly fought court battle to be released from her contract with producer/alleged Svengali Dr Luke, which involved allegations of abuse and sexual assault, created reams of headlines and social media conjecture, but gave the lie to the notion that “all publicity is good publicity”. And there’s been almost no music in that interim. Now, however, minus the dollar sign that used to make up the “s” in her name, Kesha returns with all guns blazing, and the best of her third album takes the listener by Read more ...
Thomas H. Green
August is often a quiet month on the release front but theartsdesk on Vinyl came across a host of music deserving of attention. Now that even Sony, one of the biggest record companies in the world, are starting to press their own vinyl again, it’s safe to say records aren’t disappearing quite yet. On the contrary, the range of material is staggering in its breadth. So this month we review everything from spectral folk to boshing techno to the soundtrack of Guardians of The Galaxy 2. Take the plunge.VINYL OF THE MONTHFOS Captain Free (Near The Exit Music)London-based Greek artist Katerina Read more ...
Kieron Tyler
Hoyt Axton’s songs were heard most widely when recorded by others. Steppenwolf recorded his “The Pusher” in 1967. It featured on their early 1968 debut album but was most pervasive in summer 1969 after it was included on the soundtrack of Easy Rider. Axton himself didn’t release a version until 1971, when “The Pusher” appeared on his Joy to the World album. The title track, another of his best-known compositions, had charted earlier that year for Three Dog Night. Back in early 1963 "Greenback Dollar", which Axton had co-written, was a US hit for The Kingston Trio.While his songs could have Read more ...
Tim Cumming
He’s in his ninth decade, but with no signs of slowing down on stage or in studio, and the good news is that, while God's Problem Child may be no essential release, it remains hugely enjoyable – and that’s mainly down to the lucky seven new songs from Willie, cowboy koans co-written with producer Buddy Cannon.Less compelling are the half dozen written by others, some of which tend towards the cliched and over-egged. Willie sings them well enough – he could do that in his REM sleep – but they are not a patch on what he brings to the party himself. The likes of “Lady Luck”, “Still Not Dead Read more ...
Russ Coffey
Best Troubadour is Bonnie Prince Billy's musical tribute to his "forever hero", country singer Merle Haggard. Haggard was best known for his song "Okie from Muskogee", a wry homage to small-town Southern values. Students of country music, however, remember a different Merle – the armed robber turned musician and iconoclast. In his own bohemian way Bonnie Prince Billy, aka Will Oldham, is another sort of radical. And on Best Troubadour he interprets Haggard's artistic vision through 16 of his lesser-known songs.The album opens with "The Fugitive", whose Read more ...
Kieron Tyler
In the second week of September 1979, Nick Lowe’s “Cruel to be Kind” entered the Top 40. A month later, it peaked at number 12. The commercial success was belated validation for a song with a history. In May 1978, an earlier version was the B-side of his “Little Hitler” single. Fans with long memories heard another, even earlier, “Cruel to be Kind” when his old band Brinsley Schwarz recorded it for the BBC’s John Peel Show in February 1975. It was co-written by Lowe with fellow bandmember Ian Gomm.Now, the story of “Cruel to be Kind” is pushed back further. The new Brinsley Schwarz release It Read more ...
Katie Colombus
My ears are doing the time warp. If I close my eyes, I'm in high-heeled jelly shoes, wearing silver lipstick, and with my hair in Bjork buns – back when a satin slip dress over a T-shirt was cool as opposed to vintage. The first track of Sheryl Crow's new album Be Myself has propelled me backwards into the Nineties, when Tuesday Night Music Club battled with Alanis Morrisette's Jagged Little Pill to etch permanent marks on my young heart.There's a sensible reason for my nostalgia. For the first time in a long while, Crow has re-connected with her original 1990s productiom team of Jeff Read more ...
Liz Thomson
As Imelda May releases her fifth CD, it can’t but help that Bob Dylan has come out as a fan – it was, she wrote, "like being kissed by Apollo himself". No doubt his buddy T Bone Burnett passed him a copy of the album, for he produced it in Los Angeles, where it was recorded over seven days, with guest appearances from guitarist Jeff Beck and pianist and band leader Jools Holland, on whose TV shows May has guested several times.Life. Love. Flesh. Blood is the fifth studio outing for the girl from Dublin’s Liberties, and it's full of emotion, polished and stylised. May has performed with Read more ...
Kieron Tyler
In May 1956, the Texan label Starday issued a wild rockabilly single by Thumper Jones. Its top side, the kinetic “Rock It”, was primal, uncontrolled and wild. The flip, “How Come It”, was less frenzied but still driving and infectious. Original pressings of the two-sided pounder in either its 45 or 78 form now fetch at least £200. This is not your usual rockabilly rarity though. The record’s label credited the songs to a Geo. Jones. Thumper Jones was a pseudonymous George Jones (1931–2013), who was cashing in a hip style: the only time he did so with rockabilly.At this point – the Thumper Read more ...
Liz Thomson
An album to please old fans and make new ones, Windy City is a peach – even at first playing it feels like slipping in to a worn-in pair of jeans or boots, a comfy ol’ fit. And that’s because the songs are country classics and in our musical DNA.Alison Krauss might have grown up in Decatur, Illinois but she surely has Tennessee blood in her veins. Windy City finds her paired up with Buddy Cannon, a state native who’s produced albums by the likes of Willie Nelson, Merle Haggard and Billy Ray Cyrus. Her debut for Capitol, it’s her first solo outing in almost 18 years and she’s backed by some of Read more ...
Matthew Wright
The heartbreak of poor, rural America has an urgent topicality for the first time in decades. Wisely, country singer Courtney Marie Andrews has left her views on the Mexican wall unspoken, but on the other staples of folkloric woe she proves to be unexpectedly eloquent. Still only in her mid-twenties, this is technically Andrews’ sixth album, though her first in the limelight. It’s a gem.Musically, the sound is conventional, perhaps self-consciously so, with giddy portions of pedal steel, glistening close-harmony backing vocals, and Andrews' own bubblegum drawl. The album’s Read more ...