choreographers
Suspiria review - kindly, slow-motion grand guignolThursday, 15 November 2018
The first Suspiria was a sensation, and spectacularly, monomaniacally new. Its young heroine Susie Bannon’s ride from an innately hostile airport through eldritch woods in which a panicked girl ran from her destination, the Markos Academy of Dance,... Read more... |
Company, Gielgud Theatre review - here's to a sensational musical rebirthThursday, 18 October 2018
The most thrilling revivals interrogate a classic work, while revealing its fundamental soul anew. Marianne Elliott’s female-led, 21st-century take on George Furth and Stephen Sondheim’s 1970 musical comedy Company makes a bold,... Read more... |
Hofesh Shechter Company: Grand Finale, Brighton Festival review - politics, percussion and powerful choreographyTuesday, 08 May 2018
There is a sense of loyalty from the Brighton audience awaiting Hofesh Shechter’s new work. They have seen his company here in 2009, for the Brighton Festival commission of The Art of Not Looking Back, and the infamous Political Mother premiered... Read more... |
Ballet's Dark Knight - Sir Kenneth MacMillan, BBC Four review – hagiography and home videosMonday, 07 May 2018
If you came to this programme knowing nothing about the choreographer Kenneth MacMillan, you may have learned a few things. That he died, tragically and rather dramatically, of a massive heart attack during a first night performance of one his own... Read more... |
Obsidian Tear / Marguerite and Armand / Elite Syncopations, Royal Opera House review - an evening of high-performance mismatchMonday, 16 April 2018
One day someone will come up with an algorithm for the perfectly balanced triple bill. Until then ballet directors will have to make do with hit or miss. The Royal Ballet’s latest three-part offering would appear to tick the boxes: something old,... Read more... |
Richard Alston, Mid Century Modern, Sadler's Wells review - a master choreographer clocks up 50 yearsMonday, 26 March 2018
It took Richard Alston 10 years to start making dances to music. Until the late Seventies he preferred silence, or a Rolodex of scores that he swapped and switched. In this you might say he was a typical product of the time. The fact is more... Read more... |
Best of 2017: DanceSaturday, 30 December 2017
With forelock-tugging celebrations of a choreographer who died 25 years ago and a summer visit by the Mariinsky the highest-profile events in the calendar, 2017 may not be remembered as a vintage year for British dance. But there were striking... Read more... |
Kenneth MacMillan: A National Celebration, Programmes 2 & 3, Royal Opera House review - abhorrent to sublimeFriday, 27 October 2017
The choreographer Kenneth MacMillan was a man of many modes and moods, and it’s tempting to wonder how many more he might have revealed had he not been felled by a heart attack at the age of 62. Two retrospective programmes staged this week –... Read more... |
Michael Clark Company, Barbican Theatre review - bad boy of dance comes goodSaturday, 21 October 2017
If there were an arts award for loyalty, the Barbican Theatre would surely win it for having kept faith with Michael Clark. It’s no secret that the bad-boy image that has clung to Clark since his punk extravaganzas in the 1980s had consequences in... Read more... |
A Celebration of Sir Kenneth MacMillan, Northern Ballet review - a brave and worthy tributeSaturday, 14 October 2017
Northern Ballet do a challenging job really well: on a mid-scale touring company budget and doing all the things mid-scale touring companies have to do (tour, obviously, but also outreach and audience-building and Christmas ballets for children),... Read more... |
Symphonic Dances, Royal Ballet review - a truly interesting creationFriday, 19 May 2017
Liam Scarlett must be worked off his feet. Just at the Royal Ballet, he made a full-length work, Frankenstein, last year and is currently working on a new Swan Lake; and now last night he has premiered a new abstract work, Symphonic Dances at the... Read more... |
Mayerling, Royal Ballet review - 'every ballet fan should see this'Saturday, 29 April 2017
Sure, there are things not to like about Kenneth MacMillan's Mayerling. Confusing plot. Plethora of characters. Unsympathetic (anti-)hero. Borderline melodramatic choreography. Tense, scary dénouement. But to be at the Royal Opera House last night... Read more... |
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