BBC One
Katherine Waters
The eel is dying. Its body flits through a series of complicated knots which become increasingly grotesque torques. Immersed in a pool of brine — concentrated salt water five times denser than seawater — it is succumbing to toxic shock. As biomatter on the sea floor of the Gulf of Mexico decomposes, brine and methane are produced, and where these saline pockets collect, nothing grows. Dead creatures drop into it; live creatures that linger in it die. In this lifeless zone their bodies float preserved, a rich and dangerous larder for scavengers such as the giant mussels fringing its edges and Read more ...
Jasper Rees
How good was Howards End (BBC One)? Practically flawless. Even if it broke into a bit of an action-packed sprint towards the dénouement, it’s been a triumphant reaffirmation of EM Forster, a canonical favourite back in the 1980s courtesy of Merchant Ivory and David Lean who has since fallen out of favour with dramatists.It began with the casting. As the capable, questing Schlegel sisters Hayley Atwell and Philippa Coulthard (pictured below) rejoiced in a physical similarity which made it extraordinarily easy to believe in their mutual loyalty and intellectual compatibility – though of course Read more ...
Jasper Rees
Love, Lies & Records (BBC One) is one of those bathetic titles that are very Yorkshire. See also Last Tango in Halifax, which didn’t do badly. Sleepless in Settle is surely in development. This is the new drama from Kay Mellor, who set Band of Gold in a sorority of sex workers and Fat Friends among people mustering at Weightwatchers. With her long-established nose for a good yarn, she now moves in on that boiling cauldron of drama, Leeds city hall.It’s quite a shrewd concept. All human life is here: birth, marriage and alas death, all of them neatly packaged up into the opening episode's Read more ...
Matt Wolf
Can it really be a quarter-century since that finest of all Merchant-Ivory film adaptations, Howards End, was first released? So it is, astonishingly, which surely means the time is ripe for a fresh celluloid take on EM Forster's enduring 1910 novel about morality, love and loss in Edwardian-era England. The current outing grants the creators of this collaboration between the BBC and the American channel Starz four Sunday nights to capture what the glorious Anthony Hopkins/Emma Thompson film conveyed in half that time. The verdict so far: compelling stuff that doesn't as yet fully Read more ...
Saskia Baron
At its weakest The A Word is just Emmerdale with a twist of autism, especially when the drama swivels away from the little boy to focus on adult infidelities, a grumpy patriarch, sibling rivalries and comedy Poles wisecracking in subtitles. But at its best it captures accurately, if depressingly, the difficult feelings some parents go through when they’re coming to terms with the knowledge that their child is not standard issue.With huge viewing figures (seven million in the UK on BBC One for the first series) and mainly excellent reviews, The A Word is bound to be enormously influential on Read more ...
Adam Sweeting
Much is being made of the fact that Kit Harington is not only playing the Gunpowder Plot mastermind Robert Catesby, but is genuinely descended from him (and his middle name is Catesby). However, despite its factual underpinnings and screenwriter Ronan Bennett’s flowery 17th-century dialogue, Gunpowder is drama in a historical vein, rather than nailed-down fact.This first of three episodes (on BBC One, but all are now available on iPlayer) was broody, dark and menacing, history recycled into a Gothicky netherworld. Westminster, 1603 style, was portrayed as a stygian pile on the bank of the Read more ...
Jasper Rees
The second helping of Doctor Foster (BBC One) looked for a long time as if it would taste exactly like the first. Another plate of hell hath no fury, please, with extra bile on the side. That was essentially the plot up until the end of last week’s episode, in which Simon Foster found himself evicted for the second time. What would Lady Bracknell say? To be thrown out of your own life once may be counted a misfortune. Twice looks like plotlessness.Then came this finale in which all the supporting characters had been bulldozed off screen, and it turned out to be all about the boy. Poor Tom ( Read more ...
Adam Sweeting
Peter Moffat, author of Silk and The Village, has turned his sights on the last days of Empire for his latest series. Specifically, Moffat has mined his own memories of growing up in a British Army family in Aden in the 1960s, where his father was in the Military Police.The story begins as Captain Nick Page (Joseph Kennedy) is about to leave Aden (an unprepossessing but strategically significant port in what is now Yemen), to be replaced by the young and untried Captain Joe Martin (Jeremy Neumark Jones, pictured below with Jessie Buckley). Behind him, Page leaves a garrison Read more ...
Adam Sweeting
Apparently this is the first time an Ian McEwan novel has been dramatised for television, but whether The Child in Time was the best choice for that singular honour is open to question. It’s watchable enough, but this version (made by Benedict Cumberbatch’s production company SunnyMarch) feels like a precis of the book with a lot of the original’s resonances and nuances only glimpsed from afar.Maybe a three-part serialisation might have worked better than this 90-minute one-off, but if you’re unfamiliar with the book (which won the 1987 Whitbread Novel Award) you may find yourself scratching Read more ...
Jasper Rees
There are two Williams brothers – Jack and Harry – who are mainly known for two series of The Missing. No chance of the Williamses going missing. Quite the reverse. As of today – Monday 11 September – they seem to have cloned. Two new drama series by the Williams boys have started on BBC One and ITV at exactly the same minute, and they will both conclude at the same instant six episodes later. One can only imagine that the writers begged and pleaded one or both channels to separate them in the schedules, but it didn’t happen and here we are.On ITV there’s Liar. On BBC One, bid welcome to Read more ...
Barney Harsent
They say that living well is the best revenge. To be fair, they also say it’s a dish best served cold and I’m pretty sure they’re thinking of gazpacho, so I’m not entirely clear how much real meaning is to be found in these dictums. I’m also not sure how much real meaning is to be found in BBC One’s infidelity drama Doctor Foster, which returned to our screens for a second series and saw Suranne Jones as the titular doc left reeling by the return of her cheating hubby, Simon (Bertie Carvel) and his former fling, now wife, Kate (Jodie Comer). We’ll need to, if possible, ignore the fact Read more ...
graham.rickson
Morag Tinto’s documentary is a profile of composer Alma Deutscher, who hit the headlines at the end of last year when her opera based on the Cinderella story premiered in Vienna. What’s unusual about that, you might ask? Apart from being female, Alma was 11 years old when she finished writing it. Eleven. Think about it. I can’t recall much about my own talents at that age, apart from being able to tie my own shoelaces and build passable models out of Lego.Alma is the real deal; frighteningly talented but disarmingly likeable. We see her at the family home in Surrey, the footage intercut with Read more ...