Barbican
A Midsummer Night's Dream, Barbican TheatreWednesday, 29 February 2012
Love it or hate it Christopher Alden’s A Midsummer Night’s Dream at English National Opera last year made quite the impact, banishing any fey woodland glades and general waftiness from Benjamin Britten’s opera and embracing a rather more astringent... Read more... |
Song Dong: Waste Not, The Curve, BarbicanWednesday, 29 February 2012
A remarkably tidy parade of thousands upon thousands of objects, neatly grouped into their categories – soap, plastic bottles, cooking pots and utensils, empty cardboard boxes, shoes, flower pots, gloves, string, to name but a few – Waste Not is a... Read more... |
La Clemenza di Tito, Barbican HallSaturday, 25 February 2012
To Charles Rosen it was a work of "rarely redeemed dullness". The wife of Emperor Leopold called it "German rubbish". It's pretty obvious why so many have objected to Mozart's final opera La clemenza di Tito. Tunes (memorable ones) are by and... Read more... |
'Tis Pity She's A Whore, Barbican TheatreWednesday, 22 February 2012
Another week, another tragedy, and another wedding dance routine set to a thumping soundtrack. But while The Changeling buckled under the pressure Joe Hill-Gibbins applied at the Young Vic a few weeks ago, Cheek by Jowl’s ‘Tis Pity She’s A Whore... Read more... |
Mutter, London Symphony Orchestra, Previn, Barbican HallMonday, 20 February 2012
It’s over 30 years since André Previn left his post as principal conductor of the London Symphony Orchestra. But once you’re part of the LSO’s treasured ‘family of artists’, the orchestra never lets go, year upon year inviting you back for Christmas... Read more... |
New York Philharmonic, Gilbert, BarbicanFriday, 17 February 2012
The problem with being the closest major European capital to the United States is that touring American orchestras always visit us first or last. When they hit London, they're exhausted. This was very noticeable the first time the New York... Read more... |
Naturally 7, BarbicanWednesday, 08 February 2012
Naturally 7 represent the point where close-harmony singing, beatboxing and spookily accurate instrumental imitation meet. The US septet call it "vocal play" - the voice as instrument - and last night they sent dopamine levels soaring in the... Read more... |
The Devil and Mr Punch, Improbable, The PitWednesday, 08 February 2012
Dickens has been getting all the press in his 200th year, but there is another performer, even older, who celebrates: in 2012, Mr Punch, of Punch and Judy fame, is 350 years old, and Improbable, in revitalising the old showman’s tradition, has given... Read more... |
Orchestra Baobab and Baloji, BarbicanTuesday, 31 January 2012
Last night was one of those occasions when I found myself looking forward to seeing the support band more than the main act. This wasn’t because Senegal’s sublime Orchestra Baobab haven't delivered a transportive heart-warming set of Cuban and... Read more... |
Spence, London Symphony Orchestra, Adès, Barbican HallMonday, 16 January 2012
Last Tuesday night saw the London Symphony Orchestra celebrating 20th century English music under the baton of Antonio Pappano, launching proceedings with a stylish (and more than a little sexy) rendition of the dance suite from Thomas Adès’ Powder... Read more... |
Survivor, Hofesh Shechter & Anthony Gormley, Barbican TheatreFriday, 13 January 2012
Empty vessels make the most noise. That pithy old aphorism floated into my head a scant few minutes into the much-heralded new work by the undoubtedly talented, but here way off-beam, Hofesh Shechter. And again, a few minutes later. And again, and... Read more... |
Regional Opera, 2012 SeasonThursday, 12 January 2012
Popular operatic love stories by Puccini, Wagner and Mozart dominate the regional scene in 2012, but key talents like producer Tim Albery in Leeds, Lothar Koenigs in Cardiff and David McVicar in Glasgow all promise significant stage experiences.... Read more... |
