Barbican
Mouse on Mars, Oval, Stockhausen, BarbicanSaturday, 26 November 2011
Stockhausen’s Gesang der Jünglinge (Song of the Youths), composed in 1956, is, in many ways, the mother of all electronic music. I can remember discovering it in the 1960s, before I had acquired my first pair of Koss headphones, lying on the floor,... Read more... |
Manhattan Minimalism and Rock'n'RollSaturday, 26 November 2011
This weekend’s three-day Minimalism festival at Kings Place comes to an end tonight looking at the cross-over between rock and new music in New York in the Seventies. It seems to me that the collision between popular and high-art music produced some... Read more... |
Josh T Pearson: the man comes to townWednesday, 23 November 2011
“My first album was a personal love letter to God,” Josh T Pearson tells me, looking like a cross between Johnny Cash and Moses. No wonder, then, that it took him 10 years to record another. On this year's release, Pearson had moved on, talking... Read more... |
Jazz Voice, London Jazz Festival, BarbicanSaturday, 12 November 2011
It would be difficult to imagine a more impressive curtain-raiser to the London Jazz Festival than Jazz Voice, and this year's vintage was the finest yet. One sensed from the very opening bars of Gregory Porter and Ian Shaw's a cappella duet, “... Read more... |
Rysanov, BBC Symphony Orchestra, Bělohlávek, Barbican HallFriday, 11 November 2011
When telling a complex musical story, handle with care. Interpreters need have no fear of composers who find selective, tone-friendly angles in their literary sources, like Janáček with Gogol’s Taras Bulba in last night’s searing finale, or... Read more... |
Festen, Barbican Pit TheatreFriday, 11 November 2011
Family occasions can be fraught affairs, as playwrights from Harold Pinter to Alan Ayckbourn have convincingly proved, but the mother of all family meltdown dramas must be Thomas Vinterberg’s Danish Festen, a Dogme 95 film made in 1998. Soon after,... Read more... |
Davies, London Symphony Orchestra, Zhang, Barbican HallThursday, 10 November 2011
Highly finished literary tales of doomed nixies, like Hans Christian Andersen's The Little Mermaid, seem to have prompted reams of bad art but plenty of mellifluous music. Not even all of that is on the same level. Viennese late-Romantic Zemlinsky's... Read more... |
Jeanne d'Arc au Bûcher, London Symphony Orchestra, Alsop, Barbican HallSaturday, 05 November 2011
Honegger's gaudy 1935 meditation on the life of Joan of Arc - which we witnessed in concert last night at the Barbican - is an untidy flea market of meretricious musical ideas. The work's only value lies in it being able to make one understand why... Read more... |
Komsi, BBC Symphony Orchestra, Oramo, Barbican HallSaturday, 29 October 2011
With Riccardo Chailly's Leipzig Beethoven series well into its capacious stride, another cycle of symphonies keeping unusual company begins. This one featuring the BBC Symphony Orchestra will take longer and features six conductors, four of them... Read more... |
Beethoven Cycle, Concert 2: Leipzig Gewandhaus, Chailly, Barbican HallWednesday, 26 October 2011
Of all the Beethoven symphonies the Seventh is the one that can seem to whizz along under its own steam. At any rate, the impression Riccardo Chailly gave last night was of having fine-tuned his sleek Leipzig machine, turning on the engine and... Read more... |
Beethoven Cycle, Concert 1: Leipzig Gewandhaus, Chailly, Barbican HallTuesday, 25 October 2011
There are many ways of breathing new life into Beethoven. Carlos Kleiber used to do it through imagery. He once famously asked his Viennese double basses to play like monkeys during a rehearsal of Beethoven's Seventh. Riccardo Chailly's tactic for... Read more... |
The music man who kept them dogies rollin'Tuesday, 25 October 2011
On Thursday the London Symphony Orchestra plays a night of epic movie music by the man who gave America’s cowboy heroes their most stirring tunes. Dimitri Tiomkin was one of Hollywood’s film-score giants, John Wayne’s choice as composer for The... Read more... |
