adaptation
Heathers The Musical, Theatre Royal Haymarket review - a sardonic take on teen angstThursday, 20 September 2018
This London premiere of Kevin Murphy and Laurence O’Keefe’s 2010 musical (based on Daniel Waters’ oh-so-Eighties cult classic movie, starring Christian Slater and Winona Ryder) had a development period at The Other Palace – no critics allowed... Read more... |
Wanderlust, BBC One review - an unflinching look at stale sexWednesday, 05 September 2018
What signals the end of a relationship? The loss of attraction? Infidelity? Or is it, as Wanderlust explores, something more innocuous? The opening episode of BBC One's latest show packed in enough domestic drama to sustain most series, but found... Read more... |
Vanity Fair, ITV review - seductions of social climbingMonday, 03 September 2018
Emcee Michael Palin, as William Makepeace Thackeray himself, introduces us to the show: “Yes, this is Vanity Fair; not a moral place certainly; nor a merry one, though very noisy.” All his major characters – or “puppets” – are riding a fairground... Read more... |
Yardie review - Idris Elba shoots straight in his directorial debutFriday, 31 August 2018
The first significant British film to explore the influence of Jamaican sound systems in London was Babylon. Shot in 1980, its street patois was deemed impenetrable enough to merit subtitles. Times change. Yardie revisits the same world and era – it... Read more... |
Blu-ray: A Gentle CreatureTuesday, 28 August 2018
“To our enormous suffering!” There are many macabre vodka toasts, accompanied by some appropriately gruelling visuals, in A Gentle Creature, but that one surely best captures the beyond-nihilist mood of Sergei Loznitsa’s 2017 Cannes competition... Read more... |
A Sicilian Ghost Story review - a beautiful, confusing journeyTuesday, 31 July 2018
Childhood is an inimitable experience – the laws of the world are less certain, imagination and reality meld together, and no event feels fixed. A Sicilian Ghost Story recreates this sensation in the context of real world trauma, producing a... Read more... |
King Lear, Duke of York's Theatre, review - towering Ian McKellenFriday, 27 July 2018
Jonathan Munby's production starring Ian McKellen, first seen last year in Chichester and now transferred to the West End, reflects our everyday anxieties, emphasising in the world of a Trump presidency, the dangers of childish, petulant... Read more... |
DVD/Blu-ray: Peter RabbitFriday, 27 July 2018
That this Peter Rabbit took more money in the UK than Disney's sublime Coco is a tad depressing. I know I’m no longer a member of the film’s target demographic, but I can imagine many under-tens being underwhelmed by Will Gluck’s family comedy... Read more... |
Exit the King, National Theatre review - vivid, brilliant production that somehow leaves you feeling emptyThursday, 26 July 2018
The image of a raging, narcissistic tyrant, convinced that he can crush even death into oblivion, has all too many resonances these days. So this visually spectacular National Theatre resurrection of Ionesco’s 1962 play, adapted and directed by... Read more... |
A Monster Calls, Old Vic - wild, beautiful theatre that beguiles and bruisesThursday, 19 July 2018
A raw pagan vitality animates this extraordinary story about a teenage boy wrestling with tumultuous emotions in the face of his mother’s terminal illness. Director Sally Cookson has taken the potent blend of myth and realism in Patrick Ness’s book... Read more... |
Classical CDs Weekly: Berio, Maderna, Mozart, Matthew GeeSaturday, 14 July 2018
Mozart: Piano Concertos nos 12 and 13, Double Concerto in Eb Marie-Pierre Langlamet and Joan Rafaelle Kim (harps), Varian Fry Quartet (Indésens)Mozart himself adapted three of his piano concertos for soloist and string quartet. Here, two of them are... Read more... |
Picnic at Hanging Rock, BBC One review - camp girls' school gothicThursday, 12 July 2018
How many people were watching Picnic at Hanging Rock as it took its bow on BBC One? This opening episode happened to be preceded by a rival attraction on ITV. The premise of the story, set in Australia in 1900, is that almost no one sees three girls... Read more... |
