mon 11/08/2025

adaptation

101 Dalmatians, Regent's Park Open Air Theatre review - puppets rule in patchy musical

There's further training, shall we say, still needed on 101 Dalmatians, the much-delayed show that marks the second consecutive musical this summer at the Open Air Theatre, Regent's Park, following their revisionist Legally Blonde.A busy, bustling...

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Jack Absolute Flies Again, National Theatre review - fluffy as a cloud but hugely entertaining

Can a comedy have too many jokes? That may seem an odd question, but one that applies to this latest high-octane, eager-to-please outing by Richard Bean, which flies out of the hanger at such high velocity that it’s in danger of crashing before it...

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The Dance of Death, Arcola Theatre review - hate sustains a marriage in new version of Strindberg classic

Rebecca Lenkiewicz's adaptation of August Strindberg's 1900 paean to the power of loathing over loving uses the now familiar trick of dressing characters in period detail while giving them the full range of the 21st century's argot of disdain and...

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Like Water for Chocolate, Royal Ballet review - confusing and ill-conceived

When George Balanchine said that “there are no mothers-in-law in ballet”, he wasn’t just stating the obvious. He meant that there are some things that simply cannot be expressed in dance. Emotion and nuance are a story-ballet’s native territory;...

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Girl on an Altar, Kiln Theatre review - machismo, murder and motherhood in mesmerising myth

Playwrights return to classical myths for two main reasons – to shine a light on how we live today and because they're bloody good yarns.Marina Carr's re-telling of Clytemnestra's story is boldly innovative in its conception and execution, but...

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Bliss, Finborough Theatre review - bleak but tender

When Bliss, a new play adapted from an Andrei Platonov short story by Fraser Grace, made its debut in Russia in early 2020, Cambridge-based company Menagerie were told that their production was “very Russian”.I’m no expert on Russian culture, but I...

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Zorro the Musical, Charing Cross Theatre review - struggling to find the right tone

Zorro (what a name!) is back, swashing and buckling his way into the West End, 13 years after he left and now not the only one wearing a mask. He’s also an entertainer turned political leader, inspiring his people to resist an evil martinet. Well,...

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DVD/Blu-ray: Nineteen Eighty-Four

"Disgusting", "depressing", "sheer horror from start to finish", a "filthy, rotten, immoral play". Such were the comments from viewers published across a spectrum of British newspapers following the BBC transmission, on 12 December 1954, of Nigel...

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The Merchant of Venice, Sam Wanamaker Playhouse review - enormous empathy

The Merchant of Venice is a comedy, you say? Shakespeare, as ever, refuses to be confined to convenient boxes, his best plays’ extraordinary pliability and longevity a testament to the piercing eye he cast towards the slings and arrows that assail...

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But I'm A Cheerleader: The Musical, Turbine Theatre review - two cheers for feelgood show

We open on “Seventeen is Swell”, the antithesis of Janis Ian’s 70s angsty anthem, “At Seventeen”. Megan is living it large as the cheerleader’s leader with her football captain boyfriend, two loving if strict parents and a golden future of all-...

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Saturday Night Fever, Peacock Theatre review - crowd-pleaser stays true to its roots

Wind the clock back 45 years and the Big Apple was bankrupt, the lights had gone out and many native New Yorkers were packing their bags. Gangs controlled whole neighbourhoods, drugs were the currency of choice and, for a kid with no college,...

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Broken Wings, Charing Cross Theatre review - new musical fails to fly

Somewhere in the world right now, one can hear Mister Mister's AOR hit, "Broken Wings" on an MOR radio station, capturing mid-Eighties synth pop perfectly. Few listeners will know that its inspiration is a 1912 autobiographical novel by Lebanese-...

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