21st century
Jill Chuah Masters
Netflix’s Sex Education has returned to our screens and streams. The show made waves last year for its refreshing take on the teen comedy-drama. It took on abortion, consent and female pleasure — subjects strikingly absent from our actual high school educations. The result was a show that was always bingeable, sometimes educative, and oozing with sex-positive delights. Not everyone liked it. But those of us who did — teenagers all over again — could not stop talking about it. These are high expectations for a show going into its sophomore season. But thank God and thank Laurie Nunn: this is a Read more ...
Sarah Kent
“From today, painting is dead.” These melodramatic words were uttered by French painter, Paul Delaroche on seeing a photograph for the first time. That was in 1840 and, since then, painting has been declared dead many times over, yet it refuses to give up the ghost.Even now, when so many artists are choosing photography, film or video over paint on canvas, artists like Glenn Brown, Marlene Duma, Peter Doig and Jenny Saville continue to expand the possibilities of the archaic medium and prove there’s plenty of life in it.The Whitechapel Gallery's new show Radical Figures: Painting in the New Read more ...
Marianka Swain
With counter-terrorism an urgent concern – and specifically how best to find, track and use the data of suspected threats, without sacrificing our privacy and civil liberties – it’s excellent timing for a meaty drama about the surveillance state. And the second half of this debut full-length stage work from Al Blyth, helmed by Hampstead AD Roxanna Silbert, comes excitingly close to being that play for today.However, you do have to wade through an overlong first half which, unfortunately, trips into every genre cliché going. The GCHQ computer whizzes who supply the security services with Read more ...
Mark Kidel
Israel isn’t generally kind to the Jews who have come from somewhere other than eastern Europe and Russia. Music has provided one of the avenues through which this despised and often culturally Arab minority has been able to make itself recognised.El Khat is a band led by an Israeli of Yemeni origin, the astonishingly inventive composer and musician Eyal El Wahab. Their first album, Saadia Jefferson is typical of a new wave of dis-placed music, with a DNA that draws from ancestral roots – in this case the music of Yemen, but with a world-attuned sensibility that references David Bowie, the Read more ...
Marianka Swain
Steven Levenson, Benj Pasek and Justin Paul’s Tony and Grammy Award-winning musical Dear Evan Hansen is an institution in the States, running on Broadway since 2016 and currently on its second year of a national tour. It also made a star of original leading man Ben Platt, now appearing in Netflix’s The Politician – and this long-awaited West End production could well do the same for the exceedingly talented 21-year-old Sam Tutty.Tutty plays the titular Evan, a 17-year-old high school senior suffering from debilitating social anxiety. His well-meaning, divorcée mother, Heidi (Rebecca Read more ...
Thomas H. Green
Massively successful Irish trio The Script could, loosely speaking, be called a rock band. But they aren’t really, are they? Their sixth album is an indictment of the kind of music they play. It’s packed with over-produced post-Coldplay anthem-pop featuring lyrics calibrated for a generation gnawed by social media anxiety. Listening to it is an edgeless, squeaky clean experience. The buzz, if there is one, is all sugar rush and no sharp edges. Who could have known a quarter century ago that a key genetic ancestor of 21st century “rock” would be the Benidorm-friendly Euro-cheese of Read more ...
Tom Baily
Half a billion dollars is what the top five most lucrative estates of deceased musicians earned last year. The figure represents the cunning work of a few people to turn “legacy” into its own immortal industry. To watch a program on this theme is to peek through the keyhole of a locked cabinet. How does the “RIP business” work? How much – so goes another question – are we really allowed to see?Host Ana Matronic guides us through five case studies in posthumous wealth management. Some are success stories, others cautionary tales. Elvis was the King. The fan stardom that has accumulated since Read more ...
Robert Beale
Mahler’s Fifth Symphony is a repertoire piece nowadays, probably as familiar to as many listeners as to orchestral players, which means you look for something distinctive in any performance to identify its essential quality against all the others.With Portuguese conductor Joana Carneiro in charge, concluding the BBC Philharmonic’s concert at the Bridgewater Hall last night, it was the soulful obbligato horn solo in the Scherzo (superbly played by guest principal Itamar Leshem) and the immediately following passage that became the emotional heart of the piece. The movement itself had been Read more ...
Richard Bratby
There’s nothing like practising what you preach. “I say straight out that I regard all so-called 12-tone music, so-called serial music, so-called electronic music and so-called avant-garde music as utter rubbish, and indeed a deliberate conning of the public” said the composer Ruth Gipps to her biographer Jill Halstead. And sure enough, her Second Symphony – premiered by the then City of Birmingham Orchestra in 1946, and the opening item in this fascinatingly left-field programme from Mirga Gražinytė-Tyla – is unmistakably the work of what Arnold Bax would have called a “brazen Romantic”.It’s Read more ...
Mark Kidel
Rachid Taha, sadly felled by a heart attack just over a year ago, has come back from the dead! He could not sound more lively than on this vibrant posthumous offering, definitely not something cooked up from tasty leftovers, but a well thought-through album, which, in his usual vein, draws together the sounds of the Maghreb and rock’n’roll.At his very best (and he could be erratic) Taha, born in Algeria, having lived the difficult childhood and adolescence of an Arab immigré in Lyon, was a volcano of energy, pacing around the stage with fury and joy. Inevitably, only a fraction of this can Read more ...
Katherine Waters
With power comes responsibility. One without the other is sickening -- and both iterations are on show in Emma Kinane's searing new play about a child runaway in New Zealand. Social worker Anahera (played by Acushla-Tara Kupe, pictured above right) is at the house Liz and Peter (played by Caroline Faber pictured above left and Rupert Wickman), the parents of seven year-old Imogen and eleven year-old run-away Harry, while social services attempt to find him. In Emily Bestow’s canny design it's a clean, formal house. A square marble table occupies a washed rug. An orchid sits sculptural Read more ...
Saskia Baron
The intense relationship between a single parent and a single child is ramped up to its highest level when it involves a mother whose daughter has learning disabilities. From that dynamic, writer Ben Weatherill has crafted a warm, engaging and moving play about Kelly and her mum Agnes. We meet them on their daily walk along the beach in Skegness, poking at a dead crab and discussing what to wear to work. When Kelly (Sarah Gordy) takes too long fussing with her trainers, Agnes (Penny Layden) goes to help her and is met with "I’m 27-years-old, I can put my own shoes on", but she can’ Read more ...