20th century
Adam Sweeting
Hitherto, it has been routine for the average citizen to observe that while they could understand the causes of World War Two, getting a grip on why the world went to war in 1914 has been like trying to learn Mandarin while blindfolded and riding a bicycle. 37 Days, an account of the fateful few weeks leading up to the outbreak of war, has ambitions to change all that.In the first of three parts over three nights, we began (of course) with the assassination by Serbian agents of the Archduke Ferdinand in Sarajevo on 28 June 1914, then were whisked away to the palaces and chancelleries of Read more ...
David Nice
Nature declined to reveal the Northern Lights over a long winter weekend in Iceland. My hotel was geared up to the spectacle, offering the option of a phone call any time in the night should they appear; but no call came. I only hope the tourists who packed the outward-bound plane hadn’t booked just for that. They’d surely not be disappointed in this most spectacular of lands so long as the weekend package-tour selling point wasn’t an idée fixe, and in any case I suspect half had come to club the night away.Our own Aurora Borealis was simulated in one of the halls of Olafur Eliasson’s Read more ...
Sebastian Scotney
This was the first of three Royal Festival Hall concerts during the first half of 2014 from the Royal Philharmonic Orchestra and its principal conductor Charles Dutoit, all three programmes consisting entirely of French music. The other two will be in May. In between the Swiss-born conductor, a sprightly 77-year-old, will have picked up a Lifetime Achievement gong at the International Classical Music Awards in Warsaw.The relationship between the RPO and Dutoit seems to work well, not least because the repertoire he is working with them on is abolutely his home territory. These were the works Read more ...
Adam Sweeting
World War One overkill - if you'll pardon the expression - is a clear and present danger as the centenary commemorations gather pace, but this investigation of the roles of the interlinked royal families of Europe in the onrush of hostilities was as good a chunk of TV history as I can remember. Informative and detailed but always keeping an eye on the bigger picture, it made me, at any rate, start to think about the road to 1914 in a different light.The pivotal figure was Queen Victoria, whose influence we could see reaching far beyond the immense era named after her and onwards into the Read more ...
David Benedict
“Mind that door.” With the hurricane howling outside it’s no wonder the locals gathered in Auntie’s pub are yelling... but there is no door. Instead, a stage-wide sheet of corrugated iron rears up to let in Stuart Skelton’s storm-tossed Peter Grimes. Enlarging naturalistic, close-up detail into full-blooded, expressionist drama is typical of this frankly electrifying revival of David Alden’s revelatory production of Britten’s masterpiece. The fusion of sound and stage action in the very first moment makes it immediately clear that this production is operatic in the best sense. With the Read more ...
Caroline Crampton
In many ways, the darkness is the most memorable aspect of this production. It's so deep and all-encompassing that your eyes start to play tricks on you, seeing spots of light and shadow where there is only blackness. Because of this, when Lisa Dwan's mouth is slowly illuminated eight feet up on the stage, it's easy to dismiss it at first as just another trick of the dark. The only light in the theatre seems to emanate from the mouth itself, as it begins to gasp before tumbling into the breakneck stream of consciousness monologue that is Beckett's Not I.First performed at the Royal Court by Read more ...
Lisa-Marie Ferla
For a drama as committed to the exploration of the changing role of women in post-war Britain, The Bletchley Circle isn’t above a little sleight of hand. The second series of the critically acclaimed whodunnit began with a flashback to 1943 and to Alice Merren (Hattie Morahan), a bright young codebreaker who quickly solves a puzzle that the menfolk have been bamboozled by for the past two days. It’s a three-character shift in the cypher, she says, noting that even if the enemy were to build the most complicated machine in the world, “it would still be run by people”.It’s people and the Read more ...
judith.flanders
It has been said that Mozart, so prodigiously talented so young, seemed to be merely a vessel through which God, or the music of the spheres, or whichever higher being one chooses, channelled the sounds of heaven. So, too, sometimes, does Balanchine appear to be a vessel through which music is channelled, to take solid form in front of our eyes. And never more so when the music in question is Tchaikovsky.Jewels can be a tricky piece to get right. In less than 90 minutes, it covers 150 years of dance in three plotless acts: mid-19th century French Romanticism, via Fauré, for Emeralds; American Read more ...
graham.rickson
When you're young, you think that liking Elgar is a habit you'll grow into later in life, like buying a set of golf clubs or following The Archers in detail. As I shuffle into middle age, I find that I'm beginning to love this music more and more. I've given up making excuses to younger, hipper friends. Richard Farnes' intense account of Elgar's disconcerting Second Symphony was a great performance, one in which intense dynamism served to accentuate the score's lingering, fin de siècle nostalgia.Elgar's own recordings are strikingly fast; Farnes (pictured below by Clive Barda) was a pretty Read more ...
Humphrey Burton
The most intensive period of music-making I’ll ever experience, celebrating the 100th birthday of Benjamin Britten in and around his home town, ended on Sunday. I’m an Aldeburgh resident and I attended everything on offer. I thought the best way to provide an overview was to compile a diary of the past four days with a line or two about each event. Thursday 21 November (eve of the birthday) 3pm A stiff North-East wind is blowing down Crag Path and the rain is near horizontal: the Storm Interlude from Peter Grimes comes to mind. A brisk walk up the hill to pay respects in the Read more ...
David Nice
“Translated Daughter, come down and startle/Composing mortals with immortal fire.” So W H Auden invokes heavenly Cecilia, patron saint of music, and it seems she did just that with Benjamin Britten, who set Auden’s text for unaccompanied choir and happened to be born on the saint’s day 100 years ago.On the day itself, this Hymn to St Cecilia was the one piece that cried out to be heard, so last night I headed up to Islington to hear The Sixteen – in this case The Twenty-Two plus harp and piano - in the atmospheric surroundings of the spooky Union Chapel, commandeered as part of the Barbican Read more ...
David Nice
You may have noticed an unholy silence from theartsdesk in the immediate aftermath of Sir John Tavener’s death a week ago today, just under three months short of his 70th birthday. Three of us in the classical team felt we just didn’t know his music well enough in the round, or care enough, to give an authoritative judgement.There were the early achievements – his trailblazing 1968 cantata The Whale, for instance – and then what felt like an increasing law of diminishing musical returns as Tavener took up the mantle of the Russian Orthodox Church. What ideas there were seemed spread thin over Read more ...