tue 19/03/2024

2018

A Woman Walks into a Bank, Theatre 503 review - prize-winning play delivers on its promise

We’re in Moscow (we hear that quite a lot) where an ageing woman on a rare trip out of her apartment block catches sight of an advert in a bank’s window. She is soon inside and subjected to a sales pitch by a keen young bank "manager", torn between...

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The White Card, Soho Theatre review - expelling the audience from its comfort zone

We’re in New York City, in an upscale loft apartment, with that absence of stuff that speaks of a power to acquire anything. There are paintings on the walls, but we see only their descriptions: we learn that the owner (curator, in his word) really...

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The Salisbury Poisonings, BBC One review - the Cold War comes to Wiltshire

The poisoning of Sergei and Yulia Skripal with the nerve agent novichok in 2018 was one of the more bizarre episodes in recent memory, a kind of delayed-action echo of the Cold War. Sergei, a former Russian military intelligence officer who acted as...

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Capernaum review - sorrow, pity and shame in the Beirut slums

An angry little boy, in jail after stabbing someone, stands in a Beirut courtroom and tells the judge that he wants to sue his parents. Why? For giving birth to him when they’re too poor and feckless to care for him. And he wants them to stop having...

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Albums of the Year 2018: Courtney Barnett - Tell Me How You Really Feel

It’s been a great year for music: trailblazing and unforgettable EPs from Stella Donnelly and boygenius; the triumphant returns of Robyn, and Janelle Monáe; flawless albums from Kurt Vile and Tunng; stunning re-imaginings from St Vincent and...

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Best of 2018: Books

Reasons to be cheerful? A fortissimo blast of anguish and foreboding currently sounds from both those end-of-year round-ups that look back over the past twelve months, and the doomy previews that dwell on the travails of our immediate future. So, in...

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Albums of the Year 2018: Janelle Monáe - Dirty Computer

Janelle Monáe had already established herself as pop’s next great innovator with The ArchAndroid and Electric Ladyland, two albums full of earworms, high production and retro-futuristic lyrics. This all-too-brief musical career seemed in jeopardy...

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Albums of the Year 2018: Joan Baez - Whistle Down the Wind

We end 2018 “down to the wire, runnin’ out of time”, as Joan Baez sings in Eliza Gilkyson’s “The Great Correction”, the penultimate song from Whistle Down the Wind, the album which – at 77 – she says will be her last, though perhaps there’ll be a...

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Best of 2018: Film

While the Academy Awards is still searching for a host, theartsdesk's relatively controversy-free 2018 means we're ready for our end of year tributes. Superhero saturation reached breaking point, with Warner's Aquaman, Fox's Deadpool 2 and Sony's...

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Albums of the Year 2018: William Parker - Voices Fall From The Sky

A 3CD set featuring 17 singers, 34 tracks and over three hours of uniquely rewarding music, my Album of the Year, Voices Fall From The Sky by the NYC-based musician, improviser, composer, educator and author William Parker, represented an...

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Albums of the Year 2018: Fiona Monbet - Contrebande

2018. Another year when strong presences who have shaped and defined the music for decades, and whom one had fondly imagined might be around for ever, are gone from our midst. Unique vocalists Aretha Franklin and Nancy Wilson have passed...

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Albums of the Year 2018: The Prodigy - No Tourists

2018 has been a quietly encouraging year for fans of music that doesn’t kowtow to mainstream norms. There were fine debut albums from feminist art punks Dream Wife and dancehall queen Miss Red, as well as King of Cowards, a cracking sophomore set...

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