19th century
High Spirits: The Comic Art of Thomas Rowlandson, The Queen’s GalleryFriday, 20 November 2015
“High Spirits” is a multi-layered title: the caricaturist Thomas Rowlandson (1757-1827) was himself a heavy gambler and a heavy drinker, continually using up his material assets in such pursuits. His high spirits extended to the Georgian society he... Read more... |
Love, Art and Rock 'n' Roll, Rambert, Sadler's WellsWednesday, 04 November 2015
A good triple bill should have something for everyone, so Rambert have all bases covered with their latest: rare must be the person who likes neither love, nor art, nor rock 'n' roll. In fact, it's a safe bet that most people like all of them, and... Read more... |
Freddy Kempf, Cadogan HallWednesday, 04 November 2015
London foists hard choices on concertgoers. Over at St John's Smith Square last night Nikolai Demidenko was giving a high-profile recital of Brahms and Prokofiev. But since the Prokofiev CD which has had the most impact in recent years has been... Read more... |
Le Pré aux Clercs, Wexford Festival OperaWednesday, 28 October 2015
“No courtier or lady’s champion would dream of fighting a duel anywhere else…” The setting for duels, liaisons, champagne and love, Paris’s Pré aux Clercs gives its name to Ferdinand Herold’s almost-comic 1832 opera – a welcome mood-lightener in... Read more... |
Das Liebesverbot, Chelsea Opera Group, Cadogan HallMonday, 26 October 2015
Castanets in Wagner? The imperfect Wagnerite will identify them in one place only: the Venusberg ballet music of the Paris Tannhäuser. The perfect variety will know that they’re also to be found in the overture and carnival scene of Das Liebesverbot... Read more... |
The Tales of Hoffmann / Werther, English Touring OperaSunday, 25 October 2015
It would spoil the surprise to say what exactly emerges when – after a breathless build-up and a few glimpses of a seductive silhouette – the living doll Olympia finally makes her entrance in Act One of English Touring Opera’s new production of... Read more... |
Pires, Gewandhausorchester Leipzig, Chailly, BarbicanWednesday, 21 October 2015
Riccardo Chailly’s Strauss odyssey with his Leipzig orchestra peaked in Saxony last year, the 150th anniversary of the composer’s birth. I was lucky to catch a razor-sharp Till Eulenspiegel and a saturated Death and Transfiguration in Dresden’s... Read more... |
La Bohème, English National OperaSaturday, 17 October 2015
Kurt Cobain’s “Smells like Teen Spirit’ cued a realistic song and drink routine for Chekhov’s Three Sisters in a hit-and-miss update by director Benedict Andrews. This one, with a Puccini soundtrack unsupportively conducted by Xian Zhang, smells... Read more... |
Cargill, BBCSO, Oramo, BarbicanFriday, 25 September 2015
In 2007, Jiří Bělohlávek set the distinctive seal on his leadership of the BBC Symphony Orchestra and their ongoing Mahler cycle with a riveting performance of the Third Symphony. The legacy he established of a deep, well-moulded string sound... Read more... |
Jane Eyre, National TheatreFriday, 18 September 2015
Last February, director Sally Cookson shrunk Charlotte Brontë’s 400-page novel Jane Eyre down to a four-and-a-half-hour play spread across two nights at the Bristol Old Vic. Now, as this co-production finally arrives at the National Theatre, it has... Read more... |
First Person: Playing JaneTuesday, 15 September 2015
I am writing this in the sun after many days on the trot spent from morning until 11 at night in Jane Eyre’s wonderful new home at the National Theatre. During previews we work every day, refining, changing, have a quick dinner break and then... Read more... |
Prom 70: Lugansky, St Petersburg Philharmonic Orchestra, TemirkanovTuesday, 08 September 2015
Russian classics evening at the Proms? It could be what Alexandra Coghlan, writing about Prom 69, described as “another night at the musical office”. But given the masters in charge of two masterpieces fusing storytelling with symphonic sweep and... Read more... |
