1960s
Kieron Tyler
Ruthann Friedman: The Complete Constant Companion SessionsRuthann Friedman’s debut album ought to have clicked. Issued in October 1969, Constant Companion arrived after her composition “Windy” topped the US charts in 1967 when it was recorded by The Association. A consummate songwriter, she should surely have been set to parallel her similarly inclined close contemporaries Carole King or Laura Nyro, both of whose songs were hits for others before they established themselves as successful solo artists.Friedman had support and connections too. She actually lived with The Association – who Read more ...
Matthew Wright
If, like Wynton Marsalis, you’re a gatekeeper of the jazz tradition, there’s little you’ll defend more staunchly than the Blue Note back catalogue. With the Jazz at Lincoln Center Orchestra, in London on a short tour, he presented a glossy and intriguing selection of Blue Note repertoire before an ecstatic audience in last night’s Barbican concert. Technically, this was a tour de force. Where the components of some big bands lose definition and melt into a raucous fudge, JALC boasted talon-sharp brass bite, regal articulation, and a deeply golden lustre. Marsalis’ traditionalism is well Read more ...
fisun.guner
They came, they saw, they conquered. It was the Sixties and London swung, while the suburbs of Melbourne and Sydney dozed in a beery torpor. Clive James recalls the fizz of beer pumps as the dreary soundtrack of Aus, while Germaine Greer just wanted to escape to “a place of beauty”. She believed, she said, in the “great Australian ugliness”. No one mentioned the cultural cringe, at least not in the first part of Howard Jacobson’s two-part homage to his four brilliant Australians. The cringe, nonetheless, hovered in the air, unspoken, pervasive.Greer and James were joined by Barry Humphries Read more ...
Kieron Tyler
The United States of America: The United States of America – The Columbia RecordingsNothing sounded like The United States of America. The release of their only album in March 1968 must have been greeted with a lot of head scratching. Although at one with the questing spirit of psychedelia, they clearly weren’t brimming with love, peace, gentle vibes and the burgeoning back-to-the-roots movement. Their music incorporated jarring electronics and the deadpan voice of Dorothy Moskowitz, a singer even more dauntingly distant than the Jefferson Airplane’s Grace Slick.Joseph Byrd was the USA’ Read more ...
Kieron Tyler
Various Artists: NME C86, The Motown 7s Box – Rare and Unreleased Vinyl Volume 2With music – or anything really – few things develop or evolve neatly, and British grassroots music from the mid-1980s is a case in point. When, in 1986, the NME issued a cassette tape of 22 current and (hopefully) up-and-coming bands the stylistic jumps it presented were jarring. Beefheart-style herk-jerk sat side-by-side with Sixties-derived jangle pop. Dance-music polemicists battled it out with bands saturated in far too much of The Fall.The C86 cassette caught the rag-bag nature of what infested pub Read more ...
Heather Neill
Director Nadia Fall has taken that patriarchal purveyor of footwear Henry Horatio Hobson and his family out of their natural habitat - a traditional proscenium arch theatre - and into a different time, the 1960s. Does this staple of British drama, written by Harold Brighouse in 1915 but set in 1880, benefit from relocation from plush indoor environs to the open air and from the era of button boots to sling-back stilettos? Up to a point. Designer Ben Stones' delightfully exploded Salford shoe shop sits comfortably under the swaying boughs of Regent's Park; the fresh air does not diminish Read more ...
Kieron Tyler
Wayne Cochran: Goin’ Back to Miami – The Soul Sides 1965-1970With his dyed-blond pompadour, Wayne Cochran looks bizarre enough. But once he opens his mouth, the weirdness level is kicked into orbit. He sounds exactly like a wild cross between James Brown and Otis Redding. Although white, his soul music is not the smooth or sweet blue-eyed fare of a Len Barry or a Righteous Brothers. Goin’ Back to Miami convincingly makes the case for Cochran as a soul great.The compilation opens with the self-penned 1966 single and title track (watch a slightly fuzzy looking TV performance on the next Read more ...
Nick Hasted
The Kinks’ music deserves more than another jukebox musical. Joe Penhall has instead collaborated with Ray Davies on a show about the pain and compromise musicians go through to fill those jukeboxes. Most of The Kinks’ biggest hits are here somewhere. But, in the Hampstead Theatre’s first musical, they’re used in a way reminiscent of the site of two previous Davies productions, Theatre Royal Stratford East. The songs joyously reach out to the audience, even as they are shown to be rooted in a wider, difficult and daft world of class, family, professional struggle and private agony.The basic Read more ...
David Nice
Under what circumstances can Shostakovich’s Eighth String Quartet, the most (over)played of the 15, sound both as harrowing as it possibly can be and absolutely fresh? Well, the context helps: hearing it at the breaking heart of the fourth concert in the Jerusalem Quartet’s Shostakovich cycle gave it extra resonance with the works on either side of it. But above all this is a team that plays with a degree of nuance, weight, beauty and commitment that I’ve never heard even the composer’s preferred foursome, the Borodin Quartet, surpass either live or in their numerous recordings. Even if I Read more ...
Kieron Tyler
Gram Parsons: The Early Years Vol 1 & 2Without Gram Parsons, The Rolling Stones could not have transformed themselves into what they became in the late Sixties and early Seventies. The bond between the South Carolina-born walking encyclopaedia of the music of America’s south and Keith Richards changed the Stones. Without Parsons there would have been no Eagles. They emerged from what he developed with The Flying Burrito Brothers and turned it into platinum. Without Parsons, Emmylou Harris would not have had the opportunity to soar. Parsons died in 1973 and did not rejoice in the Read more ...
Russ Coffey
Jon Lord may have tickled his last ivory in 2012, but last night his spirit lived defiantly on. The great and the good from both heavy and contemporary music gathered in his memory. It was for a serious purpose - to raise funds for pancreatic cancer care. But, boy, what a time we had doing it. A revolving door of stars brought us wild solos, screaming vocals and thundering rhythms. But before all the classic rock, culminating in a set from Deep Purple, came something a little more classical.The first hour was devoted to Lord’s orchestral compositions. Our host was “whispering” Bob Harris, who Read more ...
Kieron Tyler
Social mores and the nature of what’s taboo change as time passes. The once acceptable or abhorred can become the opposite. The psychedelic-era British film Wonderwall is a case in point. Its storyline is built around a man who finds a hole in the wall between his and his neighbour’s flat. The wall becomes the wonderwall of the title as he looks through it to a naked, or near-naked, woman.And yet this was not a film about the unpleasantness of a peeping tom. It was a fantasy, a whimsy from an era when free love was a bandwagon for jumping on. It had an unexpected afterlife as Oasis’s Noel Read more ...