fri 01/12/2023

1930s

Dancing at Lughnasa, National Theatre review - largely ravishing Brian Friel revival

It's saying a lot when a production lives up to its gasp-inducing set. That's the happy case with Josie Rourke's loving revival of Dancing at Lughnasa, which returns Brian Friel's modern-day classic to the building, the National, where this Olivier...

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Private Lives, Donmar Warehouse review - Coward revival cuts to the quick

It's not often with Private Lives that you feel Amanda and Elyot are one step away from a visit to A&E. But such is the startling force of Michael Longhurst's Donmar Warehouse revival of arguably Noël Coward's most durable play that...

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Things to Come, LSO, Strobel, Barbican review - blissful visions of the future

Last night at the Barbican was my first experience of a film with live orchestra, which has become a big thing in the last few years. The film in question was Alexander Korda’s extraordinary HG Wells adaptation Things to Come, from 1936, imagining a...

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Hewitt, BBC Philharmonic, Davis, Bridgewater Hall, Manchester review - the classical style

Two intriguing themes and two great guest artists were offered by the BBC Philharmonic to their Saturday night audience in the Bridgewater Hall: the themes were what “classicism” really is, and the variety of music inspired by (or written for) dance...

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DVD: Babylon Berlin, Season Four

It’s coming up for two years since some of us watched the first three seasons of what’s increasingly coming to seem like television’s greatest dramatic triumph. Babylon Berlin. So we might be excused for being in a bit of brainwhirl when it comes to...

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Least Like the Other, Irish National Opera, Linbury Theatre review - the harrowing of Rosemary Kennedy

This multimedia horror revue gave me heart trouble, which is an odd kind of compliment. Not at first: the assault of abrasive music, the one singer having to leap all over the place vocally, competing with spoken word and information overload, can...

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Benedetti, Hallé, Elder, Bridgewater Hall, Manchester review - essays in transparency

Nicola Benedetti and Sir Mark Elder are both in the enviable position of being able to take audiences with them into music territory that might scare some away. So it was a gratifyingly near-capacity house that heard Szymanowski’s Second Violin...

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All Creatures Great and Small Christmas Special, Channel 5 review - life during wartime with the Yorkshire vets

As the third series of All Creatures… ended a couple of months ago, Britain had just declared itself at war with Germany and the men of Darrowby were queuing resolutely in the town square to join the armed forces. Intriguingly, as the credits rolled...

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Dolly Parton's Smoky Mountain Christmas Carol, Queen Elizabeth Hall review - Scrooge goes to Tennessee

We’ve had 75 years to get used to Scrooge McDuck, so we can hardly complain if the Americans indulge in a little cultural appropriation and send Charles Dickens’ misanthrope to Depression-era Tennessee for another whirl on the catharsis-redemption...

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All Creatures Great and Small, Series 3 finale, Channel 5 review - revived vet show still strikes a popular note

Ben Vanstone, the showrunner for Channel 5’s hit revival of All Creatures Great and Small, originally foresaw it as stretching over four seasons, but has subsequently revised his opinion. With the third series ending and the fourth already in...

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Good, Harold Pinter Theatre review - brilliant but half-baked

“The bands came in 1933.” So begins C P Taylor’s Good, a play that tries its hardest to resist being Googled. It was first performed by the RSC in 1981; this production, starring David Tennant as a mild-mannered German professor who gradually...

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Blu-ray: Kuhle Wampe

Kuhle Wampe is a fascinating curio, a blend of documentary, social realist drama and political debate which so bothered the German authorities upon its release in 1932 that they promptly banned it. The censorship board’s justification condemned the...

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