CDs/DVDs
graham.rickson
Liszt: Piano Concertos 1 and 2; Grieg: Piano Concerto Stephen Hough, Bergen Philharmonic Orchestra/Litton (Hyperion)Liszt’s two piano concertos, particularly the subtler Second, aren’t played enough. They’re compact, dramatic, witty and cleverly structured, and it’s hard to listen to performances like these without grinning. Liszt can move from high-class schmaltz to cheesy melodrama in a flash; from the most poised romantic reverie to music which sounds as if it’s accompanying someone about to jump off a cliff. And what Stephen Hough excels at is the quick transformation, the mercurial Read more ...
Jasper Rees
What is it about Denmark? What, specifically, is it about Danish drama? I am currently fourth in the queue to borrow a box set of The Killing ( I know, I know: late), which all experts advise is as lethal as crack and to which Jennifer Saunders lately paid hilarious homage in Absolutely Fabulous. Borgen has just started trafficking across our screens, and last autumn there was the piercingly good low-budget film The Silence, partly German but also robustly Danish in its aesthetics and ethics. And now there’s In a Better World, best film at last year’s European Film Academy. And deservedly.It Read more ...
Kieron Tyler
Bergen’s going to be pretty cold in January, but Aabenbaringen over aaskammen by the Norwegian city’s Casiokids will thaw the most frozen of feet. Their twinkly, occasionally Afro-assisted, sometimes New Order-ish electropop brings a smile too.Casiokids have been on the radar for half a decade, but Aabenbaringen over aaskammen is only their second album proper, following 2006’s Fück midi. Since then, there’s been a smattering of singles and 2010’s compilation/remix album Topp stemning på lokal bar. Aabenbaringen over aaskammen's 11 tracks include a remake of “London Zoo”, first heard on a Read more ...
joe.muggs
It's become a fairly common trope for herbally enhanced rappers to hype up their individuality by referring to themselves as an “alien”, but with Wiley you could believe it. In “Can I Get a Taxi”, the odd extended skit that forms the centrepiece of this album, he inhabits various London archetypes – the yardie, the cockney wideboy, the posh bloke – but while his accents are hilarious, it all feels strange, curious, like a child poking at creatures in a rockpool, and his ever-wayward stream of thought keeps veering off course. As with so much in the decade-old career of the father of grime and Read more ...
Kieron Tyler
Watching the whole of the first series of Boardwalk Empire is like being at a fun fair, where there’s always one ride, one attraction that’s the big draw. No matter how they sparkle, no matter how loud the barkers shout, it’s the massive Ferris Wheel or the scariest ride that overshadows everything else. In Boardwalk Empire, Steve Buscemi is the bright light, the loudest voice, the scariest thrill.The series probably wasn’t meant to centre on Buscemi. Writer Terence Winter created a peerless ensemble with The Sopranos. As executive producer and Boardwalk Empire‘s sculptor, Martin Scorsese Read more ...
Thomas H. Green
Of all the unlikely and incompatible collisions of genre imaginable, thrash metal with clubland trance must be pretty near the top of the tree. One is beefy, roaring, angry and punctuated by vocals akin to a dyspeptic troll burping, the other is electronic, poppy, air-headedly euphoric and can contain divas wailing banalities. This combination, however, was the horse a young St Albans band chose to ride for their 2006 debut single “Sorry You’re Not a Winner”. It summed Enter Shikari up and – although they’ve moved on musically since – it still does; the gutsy earnestness of metal but with Read more ...
matilda.battersby
Duotone duo have hit upon a pared-down, beautifully crafted acoustic sound, which proves what richness lies in simplicity. Like a perfectly executed sponge cake, their music is light, satisfying and a delight. But, as with any confection, the sweetness can be overpowering.Barney Morse-Brown (a session cellist for The Imagined Village and Chris Wood’s Handmade Life) and James Garrett (singer-songwriter and percussionist) are supremely assured musicians. This, their second album - a follow-up to their excellent 2009 debut, Work Harder and One Day You’ll Find Her - starts brilliantly with a Read more ...
Kieron Tyler
One of last year’s finest surprises was the debut album from Rayographs, a fractured, psychedelic excursion that remains enthralling. Paper Dollhouse is the solo guise of Rayographs’s Astrud Steehouder. While A Box Painted Black isn’t quite the shock Rayographs was, it beguiles.As Paper Dollhouse, Steehouder (pictured right) sustains Rayographs’s spookiness. A Box Painted Black‘s “I Dreamt You More Than Ever” uses the cross-talking effect of vocals cutting in and out that's so effective with Rayographs. Their Amy Hurst contributes a photo to the album's booklet. Nina Bosnic is, on a couple of Read more ...
Mark Kidel
The domesticating instinct runs deep: humankind cannot bear too much animality and the wilderness shrinks daily and exponentially. We love to see animals as if they were human: we’re victims of the anthropomorphising compulsion, to coin a phrase for a new disorder. The appeal of the super-hit Frozen Planet is based on stories about humanoids who just happen to have fur, feathers or fins. They’re people, not beasts: that way we can identify with them. Project Nim’s importance as a film – quite apart from its formal brilliance – rests on its shocking indictment of our desire to cosy up to Read more ...
Thomas H. Green
I’m a fan of a child-like musical sub-genre which some call toytronica. It’s the sound of retro-futuristic electronic music mashing into playroom sounds, sometimes using actual gimmicky children’s toy instruments. In its broadest definition, it could take in anything from the bizarre surrealist Moog cheese of easy listening doyen Klaus Wunderlich to the more outré outings from Warp Records acts such as Plone, although possibly the ever best album in this vein is Anglo-Norwegian duo Toy’s self-titled 2006 debut on Smalltown Supersound. A regular and great contributor to this micro-genre, Read more ...
joe.muggs
Tunng are not as kooky as they might appear. Yes there is a preponderance of beards in their extensive lineup, and a rather byzantine tale to how that lineup has evolved over the years. And yes, their songs include bone percussion, electronic glitches, melodicas, clarinets, snippets of sampled beat poetry, collaborations with Saharan desert musicians and lyrics from the perspective of a dead man forgiving the brother that killed him (“Jenny Again”). OK, they're a bit kooky. But behind all that, behind the “folktronica” tag, exists a band that revolve around the writing and singing of really, Read more ...
Kieron Tyler
Although 2010 was undeniably a bad year for Greece, the arrival of Attenberg was a timely reminder that despite the country’s financial bankruptcy, it wasn’t culturally bankrupt. Suffused in melancholy, Attenberg nonetheless recognises that courage and facing change head on are core to the human spirit.theartsdesk has already remarked on Attenberg’s “peculiarity and pathos”. Two other things are central to Attenberg. At one point, Marina’s architect father remarks that the project he’s part of “might as well be constructing ruins”. That, and his and Marina’s strategy to cope with and organise Read more ...