CDs/DVDs
Russ Coffey
It used to be said that singer-songwriting was one style of music that would never go out of fashion. In the past few years, however, a glut of insipid twanging – Ben Howard and James Morrison, hold up your hands – has been sending many dedicated music fans elsewhere. The common complaint is that a genre that once brought so much real soul-baring is now reduced to drippy navel-gazing. And this backlash is a real shame for Jon Byrne. He may sound, on occasion, a bit like Paolo Nutini but he’s considerably more interesting.But what makes Byrne intriguing is not necessarily what his record Read more ...
Karen Krizanovich
“I hate these kids. Hate ‘em,” says Tanner (Jeffrey Dean Morgan), a handsome, mature commando who wants to help a bunch of high school football players save America from, yes, a North Korean invasion in the 2012 remake of John Milius’ and Kevin Reynolds’ 1984 right-wing fightfest Red Dawn. Competently directed by second unit/experienced stunt coordinator Dan Bradley, Red Dawn was shot then shelved before being recut by the studio marketers. This means Red Dawn never had a chance to shine. Hence, it has little to recommend it in any department – not music, direction, makeup, production design Read more ...
Thomas H. Green
There is something eminently smug and punchable about Robin Thicke. Born into a showbiz dynasty of US TV celebrities (media geek fact: his dad also composed the theme to Diff’rent Strokes), he appears to have lived a cossetted existence, writing slick, plastic sex songs for a multitude of stars from an early age while heavily involved in the epic artifice of TV talent shows. What’s not to loathe? Except that you don’t get signed to The Neptunes’ label or have Jay-Z work with you on the basis of dilettante dabbling. No, Thicke, punchable or no, can navigate his way around a pop song.His latest Read more ...
Lisa-Marie Ferla
Watching Adam Stafford at work can only be described as magical. Thanks to his ingenious use of loop and effects pedals, the Falkirk-born songwriter can spin intricate, layered compositions using nothing but his voice and a couple of bars on guitar. At last week’s Glasgow launch show for his latest album, he ended the night with a ten-minute monster from Awnings, a 2009 experimental a capella album. Cue an audience literally stunned by a noise as wild and intense - and yet, as strangely controlled - as that from a full orchestra.It stands to reason that some of the immediate impact of Read more ...
Tom Birchenough
Nikita Mikhalkov’s Burnt by the Sun was one of the few good news stories in Russian cinema in the Nineties. Made with his longterm scriptwriter Rustam Ibragimbekov, it picked up a main prize at Cannes in 1994 and the Best Foreign Film Oscar the following year. Its small Chekhovian story - adapted later by Peter Flannery for a successful run at London’s National Theatre - resounded far above its weight.Red Army hero-general Sergei Kotov (Mikhalkov himself, a fine actor, main picture) felt the chill winds of the Stalinist 1930s. The reappearance of Mitya (Oleg Menshikov), a friend now turned Read more ...
Kieron Tyler
Like a child’s crude drawing of a crime they’ve witnessed, the cover image is of two adults: one female, one male. The female is bent forward, holding what looks to be an axe. Below waist height, the male is holding a linear object spewing something towards her. It may be a gun, it may be his penis. Phrases strew the image: “psychiatric shopping mall”; “I don’t think you should be around people”. Whatever’s inside the sleeve of Nadine Shah’s debut album isn’t going to be cuddly-wuddly tomfoolery.On Love Your Dum and Mad’s highlight “Runaway”, Shah sings “I still have that red silk dress, Read more ...
Kieron Tyler
Public Image Ltd: Public Image – First Issue“I’d like to kill Jimmy Savile, I think he’s a hypocrite. I bet he’s into all kinds of seediness that we all know about, that we’re not allowed to talk about. I know some rumours.” This bombshell comes 46 minutes into the hour-long interview on the bonus disc of this reissue of the debut album by Public Image Ltd, John Lydon's post-Sex Pistols combo. Recorded for the BBC in October 1978, it was edited for broadcast.It’s hardly surprising the former Johnny Rotten had strong views, but the real eye-opener is that this outsider figure – then such Read more ...
joe.muggs
This is not an easy record to get a handle on. When I first got it, I bounced through a couple of tracks idly, and it felt like it was coming from the messy genre fusions of the mid-90s – somewhere between trip-hop, indie-dance, rap-rock and mildly crusty festival-dub. There are growling guitars, indie-rock basslines, anthemic reggae horns, and frontman Joshua Idehen's voice, which lies somewhere between rapper, poet, singer and orator, all making it sound like a livelier take on Tricky, or maybe Roots Manuva fronting a rock band.But idle listening is not enough for this record. For one thing Read more ...
bruce.dessau
Neil Tennant and Chris Lowe's twelfth studio album sounds strangely familiar. I thought for a moment they had already released an album with the same title and then I realised that I was thinking of the Tennant/Johnny Marr/Bernard Sumner collaboration Electronic. There is definitely an air of deja vu about Electric though. But in a good way. Sorry, make that a great way.This is certainly an improvement on their last album, Elysium. If that was all about end-of-an-era melancholy, there are no such comedowns here. From the Moroder-ish opener "Axis" through to the forthcoming single "Vocal Read more ...
Graham Fuller
There is a burgeoning of Scottish films that refuse to romanticise the Highlands and islands. Writer-director Scott Graham’s feature debut Shell does not satirize the capitalistic exploitation of the nation's heritage culture as do several of the movies directed by Ken Loach and written by Paul Laverty. However, the braes and mountains surrounding Shell's single location, a remote petrol station by a loch, have a bleaker and more implacable presence than is usual in Scottish cinema. Yoliswa Gärtig's spare, wintry cinematography makes no concessions to pictorialism or iridescence Read more ...
Kieron Tyler
Darren Hayman isn’t a chap who stands still. The former Herfner frontman’s last-but-one album, Lido, was a series of mood-music compositions inspired by open-air swimming pools. In 2011 came The Ship’s Piano, a collection of piano pieces. Rather than being a follow-up to his most recent album The Violence, Bugbears complements it. While researching East Anglia’s Civil War-era witch trials for The Violence, he was compelled to dig further into the 17th and 18th century’s songs. Bugbears is the result.Instead of being a straight folk album, or even trying to recreate the sound or ambience of Read more ...
Lisa-Marie Ferla
Every so often, an album comes along that reminds you why you love the medium: not because it’s a simple collection of individual songs, no matter how good they are, but because it’s a carefully curated statement of artistic intent. Taken individually Emily Barker’s clear voice and pretty melodies are pleasant enough, but what sets her fourth album apart is its immersive flow.It’s there right from the album’s seductive opening notes: Barker, close to unaccompanied, intoning the album’s title and opening words; crooning and cajoling the “dear river” to lead her away from her Australian Read more ...