CDs/DVDs
Nick Hasted
This story drops down the rabbit-hole so fast, you doubt it’ll ever hit bottom. Kiwi TV presenter David Farrier’s human interest items of the That’s Life/One Show sort led him to feature “competitive tickling” videos. His interest drew disproportionate, homophobic legal wrath from their mysterious maker, and this crowd-funded documentary is Farrier and co-director Dylan Reeve’s stubborn response. If revelations aren’t quite on the level of Searching for Sugar Man or The Imposter, the layers of deceit it reveals are grippingly unexpected.The tickling leagues, like their maker’s loopy Read more ...
Tom Birchenough
A welcome antidote to the mood of a time which seems hell-bent on closing borders and building walls, The Music of Strangers is about a unique musical collective that breaks through division and reaffirms the potential of culture to unite. Subtitled “Yo-Yo Ma and the Silk Road Ensemble”, Morgan Neville’s film is about the band that came into being at the beginning of the millennium on the initiative of the great Chinese-American cellist, giving us snapshots from its history, as well as the stories of some of its many and varied members.It focuses on the lives of these individuals of diverse Read more ...
Guy Oddy
Those with an ear open to loud experimental music of a certain stripe may already be aware of some of the members of Sex Swing. Despite being debutants here, all players already have day jobs knocking out tunes with a variety of cult noiseniks including Part Chip, Mugstar, Dead Neanderthals, Dethscalator and the mighty Earth.To call Sex Swing a “supergroup”, however, would stretch anyone’s definition of the term but it is something special when a group of musicians, with a myriad of other projects to keep them busy, turn out such a powerful collaboration. Like an improvisation on the Read more ...
Tim Cumming
It’s a been a good year for the Stones as they play into their sixth decade – a free festival audience in Havana in March, preceded by an adulatory South American trek that saw some of the band’s best performances in recent times – down at the crunchy bottom end of Keef and Ronnie’s two-guitar dynamic, heard best on the new Havana Moon set, where the Cuban audience of one million warm-blooded souls see the Stones raise their game to make Havana their best live outing on record since the Love You Live set from the Seventies.It’s as if the over-produced, over-choreographed big tours of the Read more ...
Matthew Wright
Performance poet Hollie McNish and composer Jules Buckley specialise in taking their respective art forms to new audiences. They’ve gone for a double whammy with this enterprising collaboration, the brainchild of producer Kwame Kwaten, bringing poetry to music fans and vice versa. The album was launched last week at Cadogan Hall, at a free event sponsored by ASOS Supports Talent, attracting the kind of young, female audience the venue usually can only dream of.Buckley wrote the music himself with Chris Wheeler from the Heritage Orchestra. Accompanying a solo speaking voice, there are obvious Read more ...
Kieron Tyler
In 1970, The Who opened their Live at Leeds album with “Young Man Blues”, a hefty version of a song its composer Mose Allison recorded as “Blues” in 1957. Back then, it was the only vocal track on Back Country Suite, an otherwise instrumental blues-jazz album, the Mississippi-born pianist's debut long player. Allison had moved to New York in 1956 and a string of releases followed. The Who weren’t the only British band cocking an ear: in March 1965 The Yardbirds first recorded Allison's “I’m Not Talking”, plucked by them from 1964’s The Word From Mose.Mose Allison’s music was integral to the Read more ...
Graham Fuller
Robert Wise directed the 1959 bank heist thriller Odds Against Tomorrow after the classic film noir cycle had ended, but it's an exemplary noir nonetheless. In its day it was an important transitional work – a race-relations allegory, less well-known or hopeful than Stanley Kramer's 1958 The Defiant Ones, that played its part in the burgeoning Civil Rights movement. Harry Belafonte initiated the project for his production company and hired the blacklisted screenwriter Abraham Polonsky to adapt the novel by William P. McGivern (author, too, of The Big Heat). The loot Read more ...
Thomas H. Green
Three years ago a debut album, The Future Through a Lens, by Hastings duo Vile Electrodes, announced the arrival of an A-league synth-pop talent. The pair have since appeared on stages around Europe supporting everyone from Eighties pop heroes Heaven 17 to Krautrock mainstay Manuel Göttsching, but they’ve remained a cult phenomenon, the analogue electro-pop musicians’ analogue electro-pop musicians. They deserve better for, as their second album shows, Anais Neon and Martin Swan’s ability to craft atmospheric productions with pristine depth and skill has only grown in the interim.In the Read more ...
Tim Cumming
Way back in 1996 Robert Earl Keen issued an unexpected career bestseller in No 2 Live Dinner, and this new double live set marks a joyous, star-stacked return to John T Floore’s place, 20 years later, drawing on three decades of songcraft, alongside live cuts from his most recent studio set, 2015’s Happy Prisoner: The Bluegrass Sessions.Floores Country Store in Helotes, Texas, is a honky-tonk, barbecue café and bar dating from the 1940s, set on the Old Bandera Road up in the hill country north of San Antonio. As such, a line of cold beers, a quart of chili and a Saturday night crowd would be Read more ...
Barney Harsent
Everything about Xam Duo’s debut album, out earlier this month on Sonic Cathedral, has a wonderful sense of self-indulgence: from the freeform, experimental feel, the stretched-out tones and resulting melodies that exist almost by implication, to the mournful squall of the saxophone, buoyed by a stubborn sea of sound.The project, a collaboration between Hookworms’ Matthew Benn and Christopher Duffin of Deadwall, was born when the former was looking to expand what had, up until then, been a solo project. Much of this album is formed of the pair’s very first, completely improvised, session Read more ...
graham.rickson
What to do if you’re a despotic leader with an underperforming film industry? Hiring better directors and actors wasn’t an option for Kim Jong-il in the late 1970s, so he took drastic action: luring South Korea’s biggest female star Choi Eun-hee to Hong Kong on false pretences and having her abducted. Her ex-husband, the South’s leading filmmaker Shin Sang-ok, did the honourable thing and went in search of her, only to suffer the same fate. What happened next is the subject of Rob Cannan and Ross Adam’s engrossing documentary.Shin was a financially inept directorial maverick, whose production Read more ...
Guy Oddy
Kuro is the brainchild and debut album of classically-trained violinist Agathe Max and bass-playing noisenik Gareth Turner, he of wigged-out psychedelicists Anthroprophh. If this seems an unlikely partnership, a shared love of “the drone” is where their sonic worlds collide, and from this collision has come a spaced-out opus of quite uncommon beauty.Drawing on a sonic pallet that takes in the repetitive minimalism of Steve Reich, the drone of Sunn O))) and Ulver’s Terrestrials collaboration and dashes of Alice Coltrane’s trippy meditations, Kuro avoids easy pigeonholing. Its melancholy but Read more ...