Let me lay a friendly fiver that many critics will rubbish this film, for the following reasons. It’s a romcom, and a Hollywood one at that, the lowest form of cinematic life for many (most often male) critics; it stars Catherine Zeta-Jones, whose career has gone from British television mediocrity to Hollywood royalty, a heinous crime for some; and its story, about a 40-year-old mother of two who falls in love with a guy 15 years her junior, is a reverse parallel of Zeta-Jones’s own personal life (her husband, Michael Douglas, is 25 years older than she). Just listen to those knives being Read more ...
Film
neil.smith
The 15 years since Disney released the original Toy Story have seen a seismic boom in the computer animation field that has prompted every major movie studio to get in on the act. Relatively cheap to make, accessible to both adults and children and easily converted to 3D, these digital cash cows have become as much a part of a Hollywood balance sheet as the action-packed thriller, low-brow comedy or all-star contemporary reboot.Yet while its chief rival DreamWorks has shown few qualms in turning their animated hits (Shrek, Madagascar, Kung Fu Panda) into serial franchises, pack leader Pixar Read more ...
anne.billson
Sex, blood and shocking - these are the things Catherine Breillat does well. So long as she's busting taboos wide open you can forgive her the longueurs, the wilful refusal to attend to fundamental principles of storytelling, her characters' inclination towards such dreary soliloquising you feel like yelling, "For heaven's sake, shut up and get back to the full-frontal fornicating!" At first glance, the story of Bluebeard would appear to be right up her street.This, after all, is the director whose specialities include explicit tumescence and in-your-face childbirth (Romance), rape and murder Read more ...
Nick Hasted
Inception is as lucid and heartfelt as summer blockbusters get these days. It is a rigorously built action spectacle about the persistence of memories and ideas, with an intelligent, committed cast led by Leonardo DiCaprio. It returns writer-director Christopher Nolan to the themes of his already classic, low-budget breakthrough Memento (2000), except that, after making The Dark Knight, he has at his beck and call every resource of Hollywood, Orson Welles’s “best train set a boy could have” – to the extent that an actual train is slalomed down an LA street.For a film set largely inside people Read more ...
Nick Hasted
The friendship between level-headed Sarah (TV’s Hustle star Kelly Adams) and impulsive Zoe (Lucy Evans) is the emotional core, as Zoe dumps her college course to surprise teacher boyfriend Malcolm (David Horton) in his flat and declare her undying love. There is a vague sense of unease in glimpsed locations, apparently in East London, where a bag lady squawks Cassandra-style warnings. But Watson can find no cinematic use for the city, and we’re soon stuck in Malcolm’s flat, along with wheelchair-bound Declan (Jonathan Rhodes) and his Goth girlfriend Kendra (Calita Rainford).Declan is the Read more ...
Tom Birchenough
Give any masterpiece of classical music a central role in a film - and everything else straightaway faces the highest standards of comparison. In Radu Mihaileanu’s The Concert, it's the Tchaikovsky violin concerto, and from the opening frames the music delivers everything it should – though whether it’s enough to hide other noises (clunking in the script department being only one of them) is another matter.First-half depictions of contemporary Russia work more assuredly on the comedy front, even if this concert’s brand of humour quickly slips considerably south of Moscow to lodge somewhere in Read more ...
Jasper Rees
But the theme of not knowing is by no means confined to the agony of uncertainty. Brenda Blethyn plays Elizabeth, a mother who sees the 7/7 bombings on the news and instinctively picks up the phone to check, as millions of other parents will have on that day, if her daughter is alive and well. When no reply comes to several increasingly anxious messages, she comes to London and is gradually forced to confront the truth that she no longer has any idea who her daughter is, nor what sort of changing society she lives in.London River is in effect a two-hander, but one in which the characters Read more ...
David Nice
Fifty years ago this April, a city-loving film-maker already internationally famous for such masterpieces as The Seventh Seal and Wild Strawberries took the ferry from Gotland to the windswept, still snowy island of Fårö (the nearest we can get in terms of pronounciation might be "Four-er"). While resisting Svenska Film's attempts to deflect him from filming his latest project, Through a Glass Darkly, on Orkney, Ingmar Bergman saw Fårö and - to shed the ironic parentheses he insists upon in his marvellous autobiography The Magic Lantern - he fell in love. Not only did he make his next Read more ...
anne.billson
It's the eternal human-vampire-werewolf triangle, and at times it feels as though it really will go on for ever and ever. The story so far: in the small North-West Pacific town of Forks, where the sun hardly ever shines, a teenage girl called Bella loves Edward, a 100-year-old vampire who is perfect in every way, except of course that he drinks (non-human) blood, and has a tendency to sparkle on those rare occasions when the sun does come out. But, as we all know, girls like sparkly things, so that's OK.But hey, it's complicated, because Bella also loves Jacob, a Native American of the Read more ...
Matt Wolf
Kristin Scott Thomas possesses an altogether singular beauty: classical yet faintly wistful, intimidating at times but equally capable of enormous warmth. And because this English rose has professionally blossomed not just in the Anglo-American cinema (and theatre) but also in France, there's something faintly "other" about her. That, in turn, has been useful to this actress's stage turns in Chekhov and Pirandello and accounts for her infinite variety on screen. After all, not everyone could move with ease from John Lennon's Liverpudlian aunt to her latest film role as a French doctor's Read more ...
Nick Hasted
The original Predator from 1987 is perhaps best remembered for taking Schwarzenegger’s borderline homoerotic body-fetishism to new heights, as he stripped naked to mud-wrestle the titular alien hunter. It was among the more efficient of the big, dumb action movies which defined Arnie in the Eighties. But for this fourth sequel, Sin City director Robert Rodriguez, producing here, has convinced himself he is returning to a rich, iconic mythos, and lured a cast led by Oscar-winner Adrien Brody to prove it.Predator benefitted from the post-Star Wars trend for science-fiction movies to have their Read more ...
Jasper Rees
No one understands escapism like Willy Russell. Either side of 1980, he wrote two plays about working-class Liverpool women in flight from a humdrum existence. In one a young hairdresser seeks fulfilment through a literary education with the Open University. In the other, a middle-aged housewife has an island-holiday romance. As films, Educating Rita and Shirley Valentine earned Oscar nominations for, respectively, Julie Walters and Pauline Collins. As plays, they have barely been off the stage in productions all over the world. The Menier Chocolate Factory shrewdly revived the pair of them Read more ...