Reviews
howard.male
Oliver Sacks, peerless explorer of the human brain, has today died of cancer aged 82. Inspired by case histories of patients suffering from neurological disorders, Sacks's eloquent musings on consciousness — which he termed 'neurological novels' — included The Man Who Mistook His Wife For a Hat and Awakenings, the former adapted into a Michael Nyman opera, the latter an Oscar-nominated film. His combination of intellectual rigour, philosophical expressiveness and powerful compassion illuminated numerous conditions for a readership extending far beyond the medical Read more ...
Sebastian Scotney
Last night's Proms performance of Sibelius's Kullervo symphony was radiant, unforgettable, but there has also been a pure coincidence this past week which is simply too good to pass over unremarked: Thursday also saw the first-time publication of J.R.R. Tolkien's version of the same narrative, The Story of Kullervo.What has struck me with force in the past few days is that a dark, violent Nordic tale, the same section of Finland's national epic the Kalevala, not only cast a spell but also proved decisive at the early stages of two very different creative lives. It was the first Read more ...
Kieron Tyler
The Isley Brothers: The RCA Victor & T-Neck Album Masters (1958–1983)Head straight for Track 14, Disc 10’s quadrophonic mix – which plays fine on a normal stereo – of The Isley Brothers’ version of Seals & Crofts’ “Summer Breeze”. It’s an instant head-turner as it highlights melody lines in the vocal which were not apparent on the familiar single. The jazzy piano is also more to the fore. Then nip to Track 11, Disc 13’s instrumental version of “Harvest for the World” which, shorn of its vocals, reveals the complex arrangement and intricate, lush production of this seemingly Read more ...
Christopher Lambton
This was a performance laden with contradictions. After last weekend’s gargantuan Grande Messe des Morts, the standard issue Edinburgh Festival Chorus seemed much smaller – but not really small enough. The Scottish Chamber Orchestra was in its augmented format, almost up to symphony orchestra size, but playing in its increasingly popular authentic style with very little vibrato and the crunchy sound of natural brass instruments. Off to one side an organist struggled manfully to be heard on a chamber instrument no bigger than a celesta, and probably quieter. I can appreciate that for a true Read more ...
David Nice
It’s hardly surprising that at the grand old age of 86 Bernard Haitink can pack them in at the Albert Hall so that there’s no room left in the Arena and those still queueing 10 minutes before the concert have to go up to the Gallery. But he was also doing it back in 1978, when I went to hear my first Mahler “Resurrection” and found myself too late in the queue for the best standing-place in the hall, stuck in the rafters for the one and only time (never again). The Chamber Orchestra of Europe wasn’t even born then. For the decade after its foundation in 1981, it was a young orchestra; no more Read more ...
Veronica Lee
Kieran Hodgson, Voodoo Rooms ★★★★When Kieran Hodgson was growing up in West Yorkshire in the early years of the century, he was obsessed with two things – cycling and Lance Armstrong, then the greatest cyclist the world had ever seen.In 2003, where the engaging and very funny Lance begins, 15-year-old Kieran is preparing for a cycling challenge organised by the scout troop he and his best mates Simon and Matthew belong to, run by Rob.As he tells the tale, Hodgson, wearing a yellow cycling jersey, hops on and off a static bike, and moves seamlessly among a large cast of vividly realised Read more ...
alexandra.coghlan
In 2007, a tiny British theatre company called 1927 staged their first ever show at the Edinburgh Fringe – the darkly reimagined collection of fairytales and fables Between the Devil and the Deep Blue Sea. Now, almost a decade on, they are back where it all began – not at the Fringe but the Edinburgh International Festival, with their acclaimed Komische Oper production of The Magic Flute.If you’ve seen any of 1927’s recent theatre work – The Animals and Children Took to the Streets or Golem – you’ll be familiar with an aesthetic that blends live action and animation to create dystopian worlds Read more ...
graham.rickson
Hugi Guðmundsson: Calm of the Deep The Hamrahlíd Choir/Þorgerður Ingólfsdóttir, Nordic Affect/Guðni Franzson (Smekkleysa)Calm of the Deep introduces us to contemporary Icelandic composer Hugi Guðmundsson. Who sees his music as “a dialogue between old and new, past and present”. There are many magical things on this disc. Like To This My Thoughts Turn All My Days, based on an anonymous melody first notated in 1742. Guðmundsson's brilliant recasting treats the tune with utter respect. The harmonies are often disarmingly simple, though the best moments have the melody confidently floating above Read more ...
Jasper Rees
“I can hardly be cross with something that happened before we existed.” Andrew Haigh is a two-hand specialist intrigued by the space between lovers. His much praised debut Weekend told of two young homosexuals getting to know each other on a Saturday and a Sunday. In 45 Years, based on a story by David Constantine, he has shuffled the deck. The question of retrospective jealousy is the spark for a quietly devastating portrait of two old heterosexuals getting to unknow each other between a Monday and a Friday.Charlotte Rampling and Tom Courtenay play Kate and Geoff Mercer, in whose apparently Read more ...
Hanna Weibye
New Edinburgh Festival director Fergus Linehan has made it clear he wants to offer things people actually want to see. So including Wayne McGregor - prolific, popular, energetically self-promoting doyen of contemporary dance - in the dance programme for the first time makes plenty of sense. Since McGregor's frequent collaborator, contemporary composer Max Richter, was also being given his EIF debut this year, the chance to stage the UK première of one of their joint offerings, Kairos (2014) set to Richter's "Recomposed Vivaldi - Four Seasons", was obviously irresistible.That Kairos had Read more ...
Richard Bratby
Two dramas of sex, sleaze and death in the postwar London underworld: to outsiders, this double bill of chamber operas by Charlotte Bray and Thomas Hyde might look like an unlikely opening night for the annual Presteigne Festival. That would be to overlook the artistic direction of George Vass, whose commitment to new music has made this short, spirited festival just a couple of valleys over from Hay-on-Wye a chamber-sized successor-in-spirit to Cheltenham. This year’s programme features a residency by Matthew Taylor, premieres by David Matthews and Peteris Vasks and music by Piers Hellawell Read more ...
Veronica Lee
Joseph Morpurgo, Pleasance Courtyard ***** In Soothing Sounds For Baby, Joseph Morpurgo uses found objects - vinyl LPs with content so esoteric you would swear he had invented them - and the framework of Radio 4's Desert Island Discs to fashion an ingenious and wonderful show. Morpurgo is supposedly Kirsty Young's guest on the radio show - although in his painstaking cut and paste clips of the programme, Young's questioning becomes increasingly fractious so we know something is up. Each of his song choices leads into a tableau using a soundscape, visual gags, music, Read more ...