Reviews
Jenny Gilbert
Double bills at the ballet don’t often come as neatly gift-wrapped. Each of the works in question was made just before or during lockdown, arriving at its premiere by the skin of its teeth. Each went on to win a Critics’ Circle National Dance Award for best choreography.And each leans heavily on orchestral music – one a glorious swirl of Rachmaninov, the other a showreel of memories from a musical life: Elgar, Beethoven, Schubert, Fauré and more Rachmaninov. Placed side by side for the first time the two works fit as snugly as a pair of ballet slippers.The Cellist, choreographer Cathy Marston Read more ...
Hugh Barnes
The first casualty of war is not truth, as the saying goes, but humanity – and not just in the sense of collateral damage. Media reporting turns victims into news items, along with satellite images of wrecked buildings or tanks crawling through a desert.It happens every time. This morning, on BBC News, the Palestinian journalist Taghreed El-Khodary patiently explained what the Israeli blockade of Gaza means in terms of journalism. No reporter can reach the scene of the catastrophe to bear witness. “The human stories are missing,” she added.The same was true of the Iraq War and now, two Read more ...
Sarah Kent
The enormous volume of Tate Modern’s Turbine Hall has overwhelmed many of those invited to exhibit there, but Ghanaian artist El Anatsui responded to the challenge with magnificent hangings that tame the huge, industrial space.Made from thousands of bottle tops and slivers of metal sewn together by an army of helpers, the cloths are monumental yet intricately detailed. Suspended just inside the door is a billowing sail, pinkish red on one side and golden yellow on the other. Glinting under the spotlights, tiny reflective surfaces create a shimmering impression of movement.Above the bridge is Read more ...
David Nice
Young French soprano Clara Barbier Serrano has everything it takes to shine in an overcrowded singers’ world, including vivacious communicative skills – I witnessed those for the first time last Tuesday, when she performed at the Oxford International Song Festival without the score in front of her – attention to detail and a knack of forging unusual programmes beyond the usual song-recital round, commissions included.This often mesmerising event in the City Literary Institute’s recital room towards the end of the Bloomsbury Festival harnessed the talents of a fellow former student at the Read more ...
Sebastian Scotney
As a cultural destination, Salzburg really is hard to beat. Each year, a million and a half tourists descend on this compact city with its baroque architectural delights, and a population of just 150,000. The city of Mozart and of the Salzburger Festspiele was also once home to Paracelsus, Heinrich Biber, Stefan Zweig, Georg Trakl, and more recently – of course – The Sound of Music and Red Bull.The city’s setting and its skyline are breathtaking. One can marvel at the way buildings more than three centuries old were hewn into the sides of the rocky outcrops. There are churches everywhere; I Read more ...
David Nice
Eighteenth century Sweden is the nominal setting for A Masked Ball, but its essence is a unique mixture of Italian testosterone and French opéra-comique elegance. If this concert performance brought it closer to the indiscriminate vitality of early Verdi rather than the experimental shades of the middle period, there was still a huge amount to enjoy, and one stellar performance.I’d hoped to find more finesse, and more obvious co-ordination with the singers, than we got from veteran Anthony Negus; from previous encounters, it’s clear that the semi-professional Chelsea Opera Orchestra musicians Read more ...
Guy Oddy
Despite playing together for almost 25 years, Rodrigo y Gabriela are still taking chances in the live arena and refusing to take the easy path. They certainly didn’t put on a heritage act set in Birmingham this weekend.The Mexican guitarists’ show comprised wholly of tracks taken from their recent In Between Thoughts… A New World album and a handful of unrecorded tunes that have been composed since recording this disc. So, there was no “Diablo Rojo” and none of their flamenco nuevo-tinged covers of “Creep”, “Stairway to Heaven” or even their magnificent take on Pink Floyd’s “Echoes”, not that Read more ...
Kieron Tyler
Marilou lies on the ground. She’s been bludgeoned to death by a fire extinguisher. Its foam covers her body. Her murderer is a forty-something man who has become obsessed with her. She shampoos hair in a barbers, where he first comes across her. Their affair turns sour after he finds her in bed with two other men. After the murder, her killer ends up in a mental hospital.This depraved, sordid story is told on a song-by-song basis by its provocative creator Serge Gainsbourg on his 1976 album L'Homme à tête de chou. The narrative of the album whose title translates as “the man with the cabbage Read more ...
Helen Hawkins
It was interesting, in the same week that the England football team trounced Italy 3-1 in a Euros qualifier, to see Dear England again, the National Theatre smash that has just embarked on a West End run at the Prince Edward Theatre.One of the three goals was a penalty scored by captain Harry Kane. England manager Gareth Southgate’s task of fixing the England team's woeful record on that score seems to be complete: England have overcome their fear of penalties. No England fan would be that confident, however, and James Graham’s play, among other things, spells out why. Buried under all Read more ...
Robert Beale
The signal achievement of this production of La Rondine may be that James Hurley (director) and Kerem Hasan (conductor) have rehabilitated it to its proper place, against the perception that it’s the least successful of Puccini’s mature operas.Even Tito Ricordi, the composer’s publisher, apparently called it “bad Léhar”, and subsequent commentators have found an incongruity in its marriage of an Italian late-romantic lushness with a succession of waltz tunes that seem reminiscent of Austro-German operetta – and also the fact that the plotline seems over-dependent on ideas from Die Fledermaus Read more ...
Thomas H. Green
Patterns is a small, low-ceilinged, underground, seafront venue. Tonight it would be a feast for any passing ancient succubae who happens to feed on raw human energy. From 7.00 PM until 10.00 PM, the room plays host to a package tour of three rising bands. Their short, vim-filled sets are hard-wired to a thrilling, relentless punk intensity.First up is Brighton four-piece Monakis (pictured left), fronted by bare-topped tattooed, bass-playing James Porter, who has a touch of Bon Scott about him. The band have just driven down from Glasgow, he tells us, and are glad to be home. They ramraid Read more ...
Veronica Lee
Recovery from alcoholism is now standard fare in stand-up comedy; so too are living with ADHD, OCD, depression and anxiety. It's the last of those conditions, combined with becoming sober, that 2017 Edinburgh Comedy Award winner John Robins has fashioned into a striking and affecting show, Howl, which I saw at the Gulbenkian Theatre in Canterbury.“Issues” don't always lend themselves to sparkling comedy, but Robins weaves an involving tale which begins, innocuously enough, with his venture to buy a slotted spoon. As he details precise dimensions of said utensil, descriptions of the Read more ...