Reviews
Veronica Lee
Groomed Pleasance Dome ★★★★“How can a truth be told? How can a secret be spoken?” Patrick Sandford asks in Groomed, his searingly honest account of his experience of abuse by a teacher at primary school several decade ago. Over 50 minutes he recounts his tale, weaving in other stories to illuminate his own.At first it’s not clear why there is a saxophonist on stage (playing music by Simon Slater) providing an intermittent soundtrack. But as we hear about the accident-prone Belgian inventor Adolphe Sax and a Japanese soldier who didn’t surrender until long after the Second World War was Read more ...
Simon Thompson
It’s an everyday story of festival folk. The festival’s Queen’s Hall concert on Wednesday morning was meant to be a song recital from Günther Groissböck, but he cancelled at (I’m told very) short notice due to illness and the festival team had to scrabble around to find a replacement pronto.Luckily, Edinburgh hosts several good singers at this time of year, not least thanks to the fact that the Scottish Chamber Orchestra are rehearsing The Magic Flute for this weekend. Step forward Turkish tenor Ilker Arcayürek, who will sing Tamino on Saturday. He stepped into the breach to sing alongside Read more ...
Hugh Barnes
The war in Ukraine, which Russia’s President Vladimir Putin insists on calling a “special military operation”, may have given fresh urgency to George Orwell’s warning in Nineteen Eighty-Four of the dangers of totalitarian newspeak. Yet, as Masha Karp shows in a new book, the kind of cognitive dissonance induced by Big Brother’s slogan “War Is Peace” was already familiar to generations of Russian readers long before the country actually transformed itself into Orwell’s Oceania in the months after 24th February 2022.Orwell was ever alert to propaganda but otherwise ignorant of Russian society Read more ...
David Kettle
FOOD, The Studio ★★★There’s no denying it: Los Angeles-born Geoff Sobelle is a theatrical magician (quite literally – it’s how he began his career). Through a string of visually spectacular shows on the Fringe and more recently at the International Festival, he’s unleashed wildlife into the streets of Edinburgh, drawn aeons of history from a cardboard box, and even constructed an entire house on stage.So it’s perhaps no surprise that, for his new FOOD unveiled this year, Sobelle has transformed the Festival Theatre’s smaller Studio space into the setting for an immense dinner party Read more ...
Helen Hawkins
Emanuele Crialese’s latest, L’immensità, is an oddity. It’s perfectly formed, yet still feels as if its final reel went missing. Its title – usually translated as “infinity” – is typical of this enigmatic quality. “L’immensità” turns out to be a hit Italian pop song from the late 1960s, which finally plays over the end credits; its lyrics are about being just a speck in an infinite universe, though one that perhaps will turn into a butterfly, redeemed by the love of somebody special. If you aren’t au fait with the song, Crialese makes you wait a long time to have the title unpacked. Read more ...
Veronica Lee
Amos Gill Gilded Balloon ★★★★Amos Gill used to be a human rights lawyer and describes himself as a lefty progressive. But some of his views – or at least those delivered here to great comedic effect – might suggest otherwise. In his hour of take-no-prisoners comedy in In Pursuit of Happy (ish), the Australian holds forth on mental health, euthanasia, marriage and sex – and bits of it are not for the faint-hearted.Gill is an energetic presence on stage and also an equal-opportunities offender, and starts by winding up the locals in the crowd to talk about what he sees as Scotland’s Read more ...
Kieron Tyler
“Sky at Night” begins Radio Red. Its brooding atmosphere is shared with Saint Etienne’s “Hobart Paving.” Also, a sinuous sense of melody is at one with Todd Rundgren’s finest ballads. Melodic filigrees suggest Laura Nyro or Brighton band The Mummers. It’s some album opener.Subsequently, the Shipley-born, London-dwelling Laura Groves’ first album under her own name takes in gently soulful reflections and floating creations – mostly built around an electric piano and her multi-tracked voice – which are hard to pin down. Perhaps she’s been listening to The Carpenters, maybe Tin Drum-era Read more ...
Adam Sweeting
Presented to you by Channel 4’s industrious Walter, Enemy of the People is a punchy Finnish drama which makes some smart and timely observations about life in the age of digital money and poisonous social media.It’s the story of an ambitious and dogged investigative journalist, Katja Salonen (Kreeta Salminen). She has written an article suggesting that football hero Samuli Tolonen (Jussi Partanen) has failed to make a financial investment in the local FC Tampere football stadium, after promising to do so.This earns Katja a tsunami of online messages dripping with bile, sexism and hatred, but Read more ...
David Kettle
Heaven, Traverse Theatre ★★★★★It’s a rare show that combines form and content to quite such devastatingly potent effect. The storyline of two-hander Heaven from Dublin-based Fishamble theatre company might seem simple: a middle-aged couple return to their former home town, where they encounter old (and new) flames, leading to a reassessment of their partnership, love and hopes.Despite the narrow focus of the material – examined in forensic detail in Eugene O’Brien’s penetrating script – there’s nonetheless a mythic quality to these two everypeople, buffeted by forces greater than Read more ...
Veronica Lee
Krystal Evans, Monkey Barrel @The Hive ★★★★American comic Krystal Evans (now living in the UK) tells us she has a “resting sarcastic voice” but after five minutes in her company you realise she’s just naturally, hootingly funny. Which is a good thing because Krystal Evans: The Hottest Girl at Burn Camp describes a horrific childhood incident in which her younger sister died, and a less funny comic might not be able to pull it off.Evans begins her tale by describing her chaotic upbringing. Her family lived in a mobile home in Washington State – “Nirvana, rain and heroin, just like Read more ...
Saskia Baron
Popped straight out to the streamers, Nicole Holofcener’s new film has apparently been labelled as insufficiently marketable for a theatrical release against the juggernaut of Barbenheimer. Surely by now a movie that doesn't feature either Ryan Gosling or Florence Pugh’s bare chests could be allowed in the cinema?Some of us might be craving dialogue we can hear and a 90-minute running time, or a script that doesn’t yammer on about the patriarchy while smothering us in pink. It's hard to believe that You Hurt My Feelings wouldn't have sold a few tickets in the cinemas that cater for Read more ...
India Lewis
I approached Henry Hoke’s fifth book, Open Throat, with some trepidation. A slim novel (156 pages), it seemed, at first glance, to be an over-intellectualised prose-cum-poetical text about a mountain lion.But the novel was so much more: an odd but wryly astute social commentary from an animal that has been forced to move from nature to where the humans are – and he doesn’t wholly hate it. It’s also (loosely) based on the famous P-22 mountain lion, who also lived in LA, and whose story at times intersects with that of the protagonist of Open Throat.The lion, whose name, we are told, is Read more ...