Reviews
Adam Sweeting
Nicky Haslam, social butterfly and interior designer to the impossibly wealthy
This odyssey of party-goer and interior designer Nicky Haslam frequently resembled a Private Eye diary by Craig Brown, who’s always at his best when lacerating narcissistic name-dropping diarists from earlier generations. We watched Haslam swapping anecdotes about Picasso with the painter’s biographer John Richardson, reminiscing about how Mae West used to sleep with two monkeys on her bed, and pointing out where Marilyn Monroe and Tallulah Bankhead used to live in New York.He’d give us their exact house numbers, he said, but he’d left his compendious address book behind. The sense of parody Read more ...
aleks.sierz
Reviving rarely performed plays is a high-risk strategy. On the one hand, there’s the chance of discovering a forgotten gem; on the other, there may be good reasons for the play being rarely performed. Nigel Dennis’s The Making of Moo was first staged at the Royal Court in 1957 with a cast that included Joan Plowright, John Osborne and George Devine, and provoked accusations of blasphemy. How has this satire on religion stood the test of time?Well, you can’t accuse it of being irrelevant. Set in an African state, the play shows what happens when Frederick Compton, a British civil engineer, Read more ...
Ismene Brown
What do you call a dancer with a fractured shoulder and only half a show to offer, who nevertheless takes you to the outer reaches of dance nirvana? It can only be Akram Khan. Now fêted as a (reasonable) contemporary choreographer, the favourite of Kylie, Juliette Binoche, Sylvie Guillem, Khan is too little celebrated for what he does at a level beyond anything most of us are ever likely to see, which is dancing in his magnificent, complex, disturbing traditional Indian form of Kathak.Four weeks ago he was intending to prepare for Sadler’s Wells a new contemporary dance premiere, Gnosis, to Read more ...
Adam Sweeting
Enid Blyton (Helena Bonham Carter) curbs her enthusiasm for long-suffering husband Hugh Pollock (Matthew Macfadyen)
Has somebody got it in for poor Matthew Macfadyen? In the recent series of Criminal Justice he didn’t even make it to the end of episode one before he was fatally stabbed by Maxine Peake. Now here he was as Enid Blyton’s adoring and supportive first husband Hugh Pollock, books editor at the George Newnes publishing house, only to find himself on the wrong end of Ms Blyton’s brutally self-centred drive for success at any price. For heaven’s sake, was this any way to treat a man who’d given you your big break in publishing and even bought you a new typewriter?Eventually he was driven to drink Read more ...
Anonymous
Melancholy light: Polish trumpeter Tomasz Stańko
There’s something of a Polish theme to the London Jazz Festival 2009, part of the “Polska! year” celebration of that nation’s art and culture. Trumpeter Tomasz Stańko is by some margin the strand’s biggest name. The man who once explained the mournful, meditative tone of his (and his country’s) music in terms of the “melancholy light” he’d known since birth took to the stage in appropriately sombre attire: suit, shirt and hat alike in any colour as long as it was black.Much of the playing was similarly noirish, in keeping with both the moody shadows of Stańko’s current publicity shots and the Read more ...
David Nice
Whether or not you rate Vladimir Jurowski among the top 10 hardest-working, most inspirational conductors in the business – I do – you have to award him the palm for enterprise. His passionate involvement in youth projects of various kinds, and a quest for innovative programming that would send most concert managements running, combined in the launch of his latest festival centred around the work of a single composer.He could have begun his exploration of Alfred Schnittke, Russia’s greatest maverick composer after Shostakovich, with full pomp in the Royal Festival Hall with the orchestra he Read more ...
sheila.johnston
Steven Soderbergh's new film has Matt Damon in a toupee! Stand-up comics in supporting roles! The most bizarre, strange-but-true of story premises! An eager-beaver, 100 per cent unreliable voice-over narration!  Perky, parping horn music! And that exclamation mark in the title! It is, just in case anyone might miss the point, a comedy. Is it funny?Based on a book by Kurt Eichenwald, it stars Damon as the real-life figure of Mark Whitacre, a biochemist and senior executive at Archer Daniels Midland in Decatur, Illinois, a huge agri-business which, though you probably haven't heard of it, Read more ...
Joe Muggs
Roberto Fonseca, demonstrating 'jazz cool'
I have seen Roberto Fonseca play before – in Havana backing Omara Portuondo and in London with the incomparable Ibrahim Ferrer - so although I was well aware of his ferocious talent I had no idea of how he would fare as a solo star. And I have seen plenty of jazz before, including Latin-style jazz – but only in venues the size of pub function rooms, generally full of nicotine-stained old men, so I had some trepidation about how it would come over in a venue as clean and swanky as the Royal Festival Hall. But before Fonseca's “jazz Cubano” came the young, cosmopolitan and – let's be frank Read more ...
aleks.sierz
At first glance, verbatim theatre is a total bore. This form of drama, which collects the words spoken by real individuals and puts them into the mouths of actors, has been a central plank of the rebirth of political theatre since 9/11, but its pleasures tend to be cerebral rather than visceral, moral rather than physical. Attending a verbatim theatre event - such as Out Of Joint's latest show, Mixed Up North - usually makes you feel good as a citizen rather than as a person. You feel worthy, but don’t usually have much fun.Written by Robin Soans, Mixed Up North (which finishes its nationwide Read more ...
edward.seckerson
Vasily Petrenko: the Russian Scouser storms London
It is quickly apparent when you are in the company of exceptional talent. In even the most hackneyed repertoire nothing is quite as you expect it to be: there’s a charge in the air, phrasings take on a different urgency, textures are opened up and newly revealed. And on this night, certain revelations concerning Shostakovich’s 5th Symphony were, under the exciting baton of Vasily Petrenko, no longer conjecture but irrefutable fact.But first there was a Night on the Bare Mountain to endure and if you thought that the tamer Rimsky-Korsakov version of Mussorgsky’s classic had ceased to Read more ...
sheila.johnston
If you would like to wallow awhile in visions of apocalypse this week, where are you going to turn to: the special effects splurgefest that is Roland Emmerich's 2012 (reviewed here) or the remorseless austerity of Michael Haneke'sThe White Ribbon? Their respective audiences may be almost entirely mutually exclusive. But, say what you like about the contemporary cinema (and some say it's going through a mini-Armageddon of its own), nobody can legitimately complain that it's not catering for all tastes.If you would like to wallow awhile in visions of apocalypse this week, where are you going to Read more ...
Joe Muggs
Londoners, we know, can be spoilt. Certainly the crowd, predominantly of nerds in rare and expensive trainers, at the Lightbox last night didn't seem to be overly bubbling with enthusiasm despite an exciting lineup of talent and astonishing surroundings. The main dancefloor area of Lightbox lives up to the club's name, being an arched space with the entire wall/ceiling surface covered in colour-changing LED lights that allow pictures and patterns to dance across the room. But the nerds – and a very few women, mainly in equally modernist trainers – seemed almost oblivious to the fabulous Read more ...