Thamar/ Sheherazade, Les Saisons Russes, London Coliseum | reviews, news & interviews
Thamar/ Sheherazade, Les Saisons Russes, London Coliseum
Thamar/ Sheherazade, Les Saisons Russes, London Coliseum
So-called Diaghilev tributes show a signal failure of taste in the producers
Thursday, 14 April 2011
Irma Nioradze as Thamar: Laser light show and see-through pink leopard spots all part of the new Diaghilev experience
We’ve been so well educated or so roundly brainwashed to expect a certain high standard of Russian ballet that to experience the first two programmes of the three offered by the “Russian Seasons" team at the Coliseum, so-called tributes to Diaghilev, is more than a shock - it’s a brain injury.
We’ve been so well educated or so roundly brainwashed to expect a certain high standard of Russian ballet that to experience the first two programmes of the three offered by the “Russian Seasons" team at the Coliseum, so-called tributes to Diaghilev, is more than a shock - it’s a brain injury.
Thamar is like an extended lap-dancing act by a once-reputable ballerina sheathed in a pink leopard-spot body with rhinestones over her tits and a lime-green laser light show
Share this article
more Dance
All You Need Is Death review - a future folk horror classic
Irish folkies seek a cursed ancient song in Paul Duane's impressive fiction debut
MacMillan Celebrated, Royal Ballet review - out of mothballs, three vintage works to marvel at
Less-known pieces spanning the career of a great choreographer underline his greatness
Carmen, English National Ballet review - lots of energy, even violence, but nothing new to say
Johan Inger's take on Carmen tries but fails to make a point about male violence
WAKE, National Stadium, Dublin review - a rainbow river of dance, song, and so much else
THISISPOPBABY serves up a joyous tapestry of Ireland contemporary and traditional
Swan Lake, Royal Ballet review - grand, eloquent, superb
Liam Scarlett's fine refashioning returns for a third season, and looks better than ever
First Person: Ten Years On - Flamenco guitarist Paco Peña pays tribute to his friend, the late, great Paco de Lucía
On the 10th anniversary of his death, memories of the prodigious musician who broadened the reach of flamenco into jazz and beyond
Dance for Ukraine Gala, London Palladium review - a second rich helping of international dancers
Ivan Putrov's latest gala was a satisfying mix of stars and young hopefuls
Nelken: A Piece by Pina Bausch, Sadler's Wells review - welcome return for an indelible classic
A new generation of gifted performers for us to get to know
Dark With Excessive Bright, Royal Ballet review - a close encounter with dancers stripped bare
The Royal's Festival of New Choreography launches with an unforgettable walk in the dark
La Strada, Sadler's Wells review - a long and bumpy road
Even the exceptional talents of Alina Cojocaru can't save dance adaptation of Fellini film
First Person: pioneering juggler Sean Gandini reflects on how the spirit of Pina Bausch has infiltrated his work
As Tanztheater Wuppertal Pina Bausch's 'Nelken' comes to Sadler’s Wells, a tribute from across the art forms
Manon, Royal Ballet review - a glorious half-century revival of a modern classic
Fifty years on, Kenneth MacMillan's crash-and-burn anti-heroine is riding high
Add comment