Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

Album: Morcheeba - Escape the Chaos

More of the same from the trip hop perennials but delivered with tunes and ease

share this article

Flowered up

Morcheeba reach their 30th anniversary this year. The 1990s band, a unit once synonymous with phrases such as “trip hop” and “chill-out”, are up to album number 11. Their multi-million-selling oeuvre is based around a hazy combination of low-slung hip hop beats, stoned electronic atmospherics, spacey, slightly John Barry wah-wah guitar, and the luxurious voice of frontwoman Skye Edwards. Because the formula is always approximately the same, each album wins or loses dependent on whether they’ve nailed a sweet set of songs. On this occasion they do.

Morcheeba has been the duo of singer Skye Edwards and producer-instrumentalist Ross Godfrey since 2014. Reaching three decades has clearly put them in a reflective mood. A number of songs appear to mark their longevity, from a recent single, the faintly Bond-ish “We Live and Die”, a highlight, to “Hold it Down” with it’s line observing, “It’s been a helluva ride…”

Edwards is at the heart of their appeal. Her voice is velveteen, husky, capable of being sexy, as on the likeable easy listening opener “Call for Love” (“Yeah, I’m not innocent”), but also of tearing down those that deserve it, as on the unfortunate subject of “Dead to Me”. She and Godfrey build persuasive old-fashioned cinematic slow-pop that sometimes wafts off into frayed guitar psychedelia, as on “Bleeding Out” and the relatively rocky “Pareidolia”, which also has wild Colombian flute courtesy of El Léon Pardo..

The latter number also features Godfrey’s wife Amanda Zamolo, and Morcheeba are joined on two songs by Edwards’ spouse, plus her son on drums. This band build a comfortable sonic world, so that sounds about right. Even when rapper Oscar #Worldpeace lets rip on the grinding “Peace of Me”, it doesn’t upset the flow. Morcheeba aren’t here to reinvent anything. They just do Morcheeba. Again. This should irritate, yet it doesn’t. They have just enough songs to get away with it. And they do so with class.

Who knows, in a world where a thousand soothing sad girl popsters have half-inched aspects of their schtick, it may even be time for them to fly high again.

Below: Watch the visualiser for "Call for Love" by Morcheeba

Skye Edwards is at the heart of their appeal, her voice velveteen and husky

rating

3

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

A father mourned and a lover found, all in one extraordinary breath
A subtle, potent raging against the dying of the light from a low key great
The US singer-songwriter offsets glacial shimmer with a dive into electric-guitar freakiness
The genre-crossing musician brings a New Age sheen to his solo piano tribute
The London trio add toilet bowls and ugly crying to the hedonistic glamour
New York band’s blend of folk rock and psychedelia grabs attention
Northern indie four-piece offer a vim-laden snapshot of disenfranchised Britain
Ladysmith Black Mambazo and Laura Mvula shine
Garage, French House and feeling collide in latest release
A creative, inclusive, endlessly imaginative festival for families