fri 19/04/2019

1990s

Take That, SSE Hydro, Glasgow review - capes and cameos in 30th anniversary spectacular

This year, says Gary Barlow, marks 30 years since five boys walked into a room in Manchester and auditioned for what would turn out to be the UK’s most successful pop act. It is fitting, then, that what they are billing as the Odyssey tour features...

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Mid90s review – rise of a skate gang tyro

There’s an admirable modesty in the way Jonah Hill has approached his first film as writer-director. The popular actor (Superbad, Moneyball, The Wolf of Wall Street) has taken a low-key indie approach to Mid90s, his gently humorous coming-of-age...

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CD: The Chemical Brothers - No Geography

The Chemical Brothers just keep on coming. No Geography could as well be called No Surrender. It’s the sound of two men approaching 50 but still keenly attuned to making feet move on the dancefloor. Partly made using old synths relegated to a dusty...

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CD: Norah Jones - Begin Again

There's a remarkable lightness to the way Norah Jones has glid through her career. She once told theartsdesk that even in her early 20s, faced with the global hyper success of Come Away With Me, “I think I was smart enough to know at the...

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CD: Sleeper - The Modern Age

While Oasis have so far resisted the temptation of the big pay-off that a Gallagher family reunion would ensure, plenty of other Britpoppers have been considerably less coy about getting back together since the heady days of the 1990s. We’ve already...

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Captain Marvel review – Brie Larson is the Avenger we’ve always been waiting for

There have been two relatively recent, welcome correctives in what is grandiosely referred to as the “Marvel Cinematic Universe” – a move towards diversity (Black Panther) and a sharp injection of comedy (Guardians of the Galaxy, Thor: Ragnarok...

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Derry Girls, Series Two, Channel 4 review - welcome back, gang

When Derry Girls premiered on Channel 4 in early 2018, there was little fanfare. But it’s been a whirlwind year for the four girls from Derry (and the wee English lad), capturing British hearts before conquering the US through Netflix...

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Ray & Liz review - beautifully shot portrait of poverty

Ray’s world has shrunk to a single room in a council flat. His life consists of drinking home-brew, smoking, gazing out of the window, listening to Radio 4 and sinking into an alcohol-induced stupour. There’s no need ever to leave his bedroom...

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Keith Flint, 1969-2019

It is hard to absorb the news that Keith Flint of The Prodigy has been found dead at his home in Essex. Keith Flint! The guy with the double Mohican and panda eye-liner who terrified Middle America in the video for “Firestarter”. He was ever an...

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Reissue CDs Weekly: Manchester - A City United In Music

Full marks for shoehorning-in the names of city’s two major football teams into the title of Manchester - A City United In Music. But this spiffy double-CD compendium roams further than the boundaries of the titular metropolis. Leigh, Salford,...

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Can You Ever Forgive Me? review - no page unturned in a comedy about literary forgery

What is it with all these new films based on biographies? Vice, Green Book, The Mule, Stan & Ollie, Colette… and that’s before we even get to the royal romps queening up our screens. At least Can You Ever Forgive Me? brings a lifestory...

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Reissue of the Year: Carola Baer - The Story of Valerie

Moments into “Maker of me”, it’s evident that The Story of Valerie is special. A circular piano figure accompanies a disembodied female voice singing and speaking of a relationship that’s “greater than myself.” Punctuation from a bass guitar is...

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