Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: Stephen Malkmus and the Jicks - Mirror Traffic

Produced by Beck, this is a pleasantly laid-back return to form

share this article

'Mirror Traffic': 'Made me immediately replay old Pavement records'

If Pavement fans have recovered from the excitement of last year’s reunion then they may find their pulses racing once more when they hear Stephen Malkmus and the Jick’s new album which is produced by Beck (no less).

Mirror Traffic is a pleasant, more laid-back record than Real Emotional Trash, Malkmus’s notably rocky previous offering. Erring on the conventional side, it combines an early-indie sound inviting comparisons with Blur and Grandaddy, with noticeable fine tuning to the Jicks’s quirky and complex musical arrangements for which Beck should probably be credited.

At 15 tracks long the album has some definite wheat and chaff. Among the prize kernels are the glorious “Tiger", “Gorgeous George”, a camp and playful ditty with an electric riff that sticks in your head, “Senator”, a proper Nineties throwback dissing the establishment (includes pronouncements such as “I know what the senator wants/ What the senator wants is a blow job”), and the more thoughtful-sounding, but actually wicked, “All Over Gently”.

If anybody had asked me (which they didn’t, obviously) I’d have suggested leaving out the likes of “Jumblegless”, which is purely instrumental and sounds like Muzak. Also on my scrap list would have been the infinitely forgettable “Long Hard Book”. As would track eight, which, despite being not bad, is called “Spazz”, so (in this politically correct clime) just shouldn’t be allowed.

All told, the album is a considered return to form and made me immediately replay old Pavement records after listening. Containing the diversity of styles and approach of Wowee Zowee but in more conventional packaging and pared back, perhaps by Malkmus’s age and experience, it makes for enjoyable listening.

The album also contains the best opening line I’ve heard for a long time - “I caught you streaking in your Birkenstocks/ A scary thought in the 2Ks” – which sort of summarises the abstractly middle-class, grown-up hippy ethos of the thing.

rating

0

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

A compilation made up of new tracks, fan favourites and remasters
No alcohol, but music, fun and transformation in leafy Berkshire
US prog metalheads regroup after the departure of Brent Hinds
Exhaustive box set dedicated to the North London band which briefly featured David Bowie
Glorious soundpainting from Ambrose Akinmusire and arrangements by Miho Hazama
The deep blues of Black British soundsystem music explored in elegant ways
Enlivened analogue synth-centred set that has its moments
When a new album is an adjunct of an old one
On the origins of WOMAD, music documentaries and Tarot
Super-pummelling metal that's been assembled with a refreshing sense of imagination