wed 19/09/2018

CD: Willie Nelson - My Way | reviews, news & interviews

CD: Willie Nelson - My Way

CD: Willie Nelson - My Way

Sinatra standards delivered with unforced ease by the country don

60 years in the spotlight

Of all the great country superstars of his era, Willie Nelson is truly the last man standing (as was made clear by the title of his last album… Last Man Standing). In his mid-80s his output has, if anything, become more prolific. However, if his 1970s outlaw persona could peek into the future and see what 2018 Willie was up to, he might be surprised. His latest album, a tribute to his old pal Frank Sinatra, has wandered far off into the world of late night jazz bar shuffling.

In truth, Nelson has form in this area. A couple of years ago he released a set of George Gershwin standards – and even as far back as 1978 he was covering Sinatra-friendly cuts such as “On the Sunny Side of the Street” in a jazz style – but My Way still seems especially mellow, bow-tied and urbane.

The truth is these versions of well-worn songs are not vital or necessary but, by the same token, Nelson’s ease with them makes listening likeable. He doesn’t amp up the croon factor or melodrama like so many young Bublé wannabes. He simply inhabits the songs, his voice, with its distinctive quaver, giving the appropriate lived-in feel to cuts such “One for My Baby (and One for the Road)”. His very age brings forth the emotional content of numbers such as “Young at Heart”, the ever-poignant genius of Ervin Drake’s timeless classic “It Was a Very Good Year”, and even lends the hackneyed, over-played “My Way” a little charm.

A commercial selling point may be the appearance of Norah Jones on a rather throwaway version of “What Is This Thing Called Love” but, on the other hand, the album is most especially aided by fine instrumental work, from the 3.00 AM rustling drums to the orchestration of Buddy Cannon and Matt Rollings. Most exceptional of all is some stunning guitar work, both jazzily virtuosic and lazily lovely. By the time the listener reaches the closing “Blue Moon”, even a cynic like this writer, entirely sick of predictable Alexander Armstrong-style “American songbook” bollocks, may be somewhat persuaded by Nelson’s effortless take on it all.

Below: watch the video for "Summer Wind" by Willie Nelson from My Way

 
The truth is these versions of well-worn songs are not vital or necessary but, by the same token, Nelson’s ease with them makes listening likeable

rating

Editor Rating: 
3
Average: 3 (1 vote)

Share this article

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.

To take an annual subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters