CD: Middle Class Rut - Pick Up Your Head

Tuneful Californian noiseniks generate a contagious racket

share this article

Middle Class Rut, taking things literally

For starters, Middle Class Rut is a great name for a band. It sounds irritated, punky, full of fighting spirit. Happily the duo from Sacramento California, live up to it. Their second album is an impassioned roar, occasionally a howl of disgust, grounded somewhere between punk and heavy rock, but smeared with distortion and MCR’s own take on the wall of sound.

What really sets them apart are their drums. Sean Stockham attacks his kit with ferocity but also precise rhythmic bite. At least half the songs recall the Beastie Boys’ use of Led Zeppelin’s “When The Levee Breaks”. They’re not hip hop, though – guitarist-singer Zack Lopez bellows his lyrics, teetering between tunefulness and gut anger, clearly audible amidst the hurricane the pair create. On one song, the album’s best, “Dead Eye”, Stockham takes over on the mic and changes the mood with a plaintive existential ballad over a martial beat - “Try not to waste your life thinking about the end,” he sings affectingly. The song was apparently inspired by the recent deaths of friends and family, and it sounds like it.

Elsewhere the ghost of glam, notably Slade’s battering stomp, raises its gaudy head, notably on the bangin’ “Leech” and “Weather Vane”, but MCR are also capable of machine-like attack, especially on the excellent “Cut The Line” which conjurs notions of a robot army on the march. They're a band with a belligerent noisiness atypical of their peers, and it’s a treat. They have arrived on the bottom rung of the rock’n’roll ladder, having played with big names such as Muse and Them Crooked Vutures, yet like Black Keys before them – although not sonically – there’s a raw edge that sets them apart. Pick Up Your Head is, consequently, a propulsive yet secretly poppy jackhammer of an album that demands attention.

Watch the video for "Aunt Betty"

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
They're a band with a belligerent noisiness atypical of their peers, and it’s a treat

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

Red Hot Chilli Pepper’s solo album is a great success that strays far from the day job
The youthful grandaddies of K-pop are as cyborg-slick as ever
Life after burnout and bad decisions for the Buenos Aires duo
In memory of the legendary band's riffing heartbeat for more than 30 years, we revisit this 2013 interview in which he talks Johnny Cash, Hawkwind and, of course, Lemmy
The trio have recently returned after a hiatus of more than a decade
A love letter from Portland’s favourites to the songs and bands that inspire them
First-ever collection dedicated to the musical polymath’s latterly defined golden years