Caetano Veloso and Teresa Cristina, Barbican | reviews, news & interviews
Caetano Veloso and Teresa Cristina, Barbican
Caetano Veloso and Teresa Cristina, Barbican
Veteran Brazilian idol and new samba star warm up the Barbican
Caetano Veloso is a unique figure in world popular music. As bright as the likes of David Byrne and Brian Eno, but also a genuine pop star, beloved by “chamber maids and taxi drivers” as well as the intellectual liberal élite. In the late 1960s, he reinvented Brazilian pop music with friends like Gilberto Gil in the Tropicalismo movement.
His last tour was with fellow radical Gilberto Gil, but this tour paired him with a seemingly more conservative choice, Tereza Cristina, who opened the evening at the Barbican accompanied by guitarist Carlinhos Sete Cordas ( “Carlos Seven Strings”). She showcased some numbers from her recent album, which comprises songs by Brazil's beloved Angenor de Oliveira, known as "Cartola" (Portuguese for top hat), an album of old-style samba, performed on stage with elegance and grace. There are numerous adventurous modern Brazilian female singers like Céu or Luisa Maita who would have proved a more obviously adventurous choice. Samba can sound informal and raw, as in samba de roda, but this was the more urban, classy version, if anything too sophisticated in its gentility.
Veloso himself accompanied himself on guitar, and this was a way to hear songs like “Os Passistas” or his song of exile “London, London” stripped down. Some of his songs were anyway were recorded minimally like the immortal “O Leozinho” (about, of all things, a small lion). The most startling moment of the evening was his a capella version of Cole Porter’s “Love for Sale” while he flirted with kitsch with the old Mexican standard “Cucurrucucu Paloma”.
A packed-out audience rose in acclaim after he had finished the show with some duets from Tereza Cristina. For many Brazilians Veloso's songs are more than just music, but a soundtrack to their lives. With this tour being a mammoth global trek, and with his oldest friend Gilberto Gil reportedly suffering from health issues and unable to sing, there was gratitiude and celebration for a singular artist who reinvigorated and renewed Brazilian music,
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