Barbican
Anything Goes, Barbican review - an explosion of joyThursday, 05 August 2021
"Times have changed", we're informed in the cascadingly witty title number of the Cole Porter musical Anything Goes, now in revival at the Barbican and bringing with it a pandemic-clearing tsunami of joy.Few I am sure would dispute the notion that... Read more... |
LSO, Rattle, Barbican review - songs and dances in a room with an audienceWednesday, 19 May 2021
It began with a sense of wonder, not just from the Barbican's socially distanced audience but also from the stage, at “that sound you make with your hands”, as Simon Rattle put it in what he said was a novelty speech before a performance. What... Read more... |
Das Lied von der Erde, Kožená, Staples, LSO, Rattle, Barbican online review - more joy than sorrowTuesday, 11 May 2021
The drunkard in spring; the lonely man in autumn; the long goodbye. Mahler’s last song-cycle often seems to embody solitude; a resigned, earthly counterpart to the transcendent rapture of his previous work, the Eighth Symphony, as a superstitious... Read more... |
Benjamin Grosvenor, Barbican online review - black magic and golden-age gorgeousnessTuesday, 13 April 2021
I can’t deny that it’s great to be able to experience a recital by Benjamin Grosvenor live from the Barbican despite lockdown, streamed into your own home. The filming of this performance on Saturday night was superb, clear and well paced; we could... Read more... |
Best of 2020: Visual ArtsTuesday, 29 December 2020
Unhappy as it is to be ending the year with museums and galleries closed, 2020 has had its triumphs, and there is plenty to look forward to in 2021. Two much anticipated exhibitions at the National Gallery were delayed and subject to closures and... Read more... |
Not-quite-solitude on the 34th floor: violinist Maxine Kwok on the short film 'Rising'Thursday, 03 December 2020
2020: a year that at some point felt like the end of live performance for the world of the performing arts, certainly for the foreseeable future. Artists spent months without any form of collaboration, leading to a serious lack of motivation due to... Read more... |
Hutchings, Britten Sinfonia, Paterson, Barbican online review – saluting an American classicThursday, 19 November 2020
When Aaron Copland wrote his most beloved work, Appalachian Spring, in 1943/44, he gave it the unfussy working title of “Ballet for Martha” – Martha being the choreographer Martha Graham, for whom he’d written the score. It was only shortly before... Read more... |
City of London Sinfonia, Southwark Cathedral / Kanneh-Masons, Barbican review - soaring teamworkSunday, 25 October 2020
“Live music is back,” runs the Barbican's latest slogan, so treasure it and get out there while you can. Thursday evening in London offered an embarrassment of riches. I chose the City of London Sinfonia live in Southwark Cathedral over the Kanneh-... Read more... |
The Divine Comedy: Live from the Barbican review – thirty years of great songsSaturday, 17 October 2020
If “things” hadn’t intervened, September would have seen the Divine Comedy play a five night residency at the Barbican, playing their entire back catalogue, two albums a night, to mark 30 years since the band was started. Instead we got just one... Read more... |
Michael Clark: Cosmic Dancer, Barbican Art Gallery review - mould-breaker, ground-shakerMonday, 12 October 2020
It must be tough being Michael Clark, subject of one the largest retrospectives ever dedicated to a choreographer still living. Post-punk’s poster boy is that curious thing, a creative figurehead who defined a very particular anti-establishment... Read more... |
Bryn Terfel, Britten Sinfonia, Barbican review – a moment of re-connectionMonday, 05 October 2020
This concert by Sir Bryn Terfel and the Britten Sinfonia, the very first concert given at the Barbican in front of an audience since 15 March, was surely in need of some stronger explanation than that offered by the blurb for the evening, namely “... Read more... |
Album: Larkin Poe - Self Made ManThursday, 11 June 2020
Larkin Poe are an American blues-rock band fronted by the Lovell sisters, Rebecca and Megan, both mainstays of the US Americana scene since their teens, at the start of this century. Best known in Europe for their fired-up gigs and festival... Read more... |
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