tue 11/12/2018

Barbican

Candide, LSO, Alsop, Barbican review - nearly the best of all possible...

When the biggest laugh in Bernstein’s Candide goes to a narrator’s mention of how nationalism was sweeping through Europe, you may have a problem. Still, the Bernstein Centenary has been among the best of all possible anniversary celebrations this...

Read more...

Bostridge, Pappano, Barbican review - a tough but thrilling march across the battlefield

Seldom has an encore felt so welcome. With Sir Antonio Pappano as his accompanist at the Barbican, Ian Bostridge tugged us through the mill of industrialised slaughter and the psychic devastation it leaves in an ambitious programme of song sequences...

Read more...

Kolesnikov, BBCSO, Brabbins, Barbican review - rethought masterpiece, stolid rarity

Forget the latest International Tchaikovsky Competition winner (I almost have; only a dim memory of Dmitry Masleev's playing the notes in the obligatory First Piano Concerto, and nothing else, remains from an Istanbul performance). Had Pavel...

Read more...

Thibaudet/Batiashvili/Capuçon Trio, Barbican review – a supergroup to savour

Even in a large hall, very good things can come in small packages. In advance, partisans of the Wigmore Hall or some other dedicated chamber space might have feared that the Barbican’s main auditorium would turn out to be too chilly a barn for the...

Read more...

LSO, Roth, Barbican - not enough pathos, but a remarkable step-in

Missa in Angustiis. Mass in troubled times. There was a logic in programming Haydn’s D minor Mass on the Armistice Centenary day. The final words of the mass, dona nobis pacem, would be the right ones to end this day of reflection. And to juxtapose...

Read more...

The Silver Tassie, BBCSO, Barbican review - a bracing memorial for the WW1 anniversary

In a week of flickering memorial candles and cascading poppies we’ve all been asked to contemplate the pity of war – to remember and to seek consolation in beauty and silence. But before we can earn that consolation and mourn in that silence there...

Read more...

Romeo and Juliet, Barbican review - plenty of action but not enough words

It’s clear from the start – from a Prologue that quickly dissolves familiar rhythms and words into a Babel of clamour and sound. This RSC Romeo and Juliet, newly transferred to the Barbican, isn’t much interested in what is said. Actions not words...

Read more...

Fialkowska, BBCSO, Nesterowicz, Barbican review – a cliche-free night in Poland

National feeling – in music, as anywhere else – depends on choice, not blood. This BBC Symphony Orchestra concert at the Barbican to mark the centenary of Poland’s rebirth as a nation never felt remotely like a feast of aural jingoism. In fact, its...

Read more...

Serse, Fagioli, Il Pomo d'Oro, Barbican review - a night in counter-tenor heaven

What a scrumptious spread of musical virtuosity the Barbican has laid on with the aid of its international guests this week. A couple of days after the Australian Chamber Orchestra conquered Milton Court, the ace Baroque ensemble Il Pomo d’Oro...

Read more...

Car, Australian Chamber Orchestra, Tognetti, Milton Court review - a rattlebag of happy collaborations

Presenting the last Mozart symphonies as a three-act opera for orchestra, as Richard Tognetti and his febrile fellow Australians did on Monday, was always going to be a supreme challenge. It worked, as Boyd Tonkin reported here. Since then, the...

Read more...

Macbeth, RSC, Barbican review - Shakespeare's blood-boltered tragedy, tense but flawed

It has been said before: Macbeth's reputation for bad luck has more to do with the difficulty of bringing off a successful production than the supernatural elements in the play. Even those of us who have seen dozens of interpretations can count the...

Read more...

Australian Chamber Orchestra, Tognetti, Milton Court review - brilliantly hyper-active Mozart

Think Glastonbury, not Salzburg. It struck me at Milton Court last night that the Australian Chamber Orchestra’s ebullient, rock’n’roll Mozart would go down a storm at the sort of music festival renowned for canvas more than canapes. As listeners...

Read more...
Subscribe to Barbican