New music
Russ Coffey
Sometimes it seems that Eric Clapton’s versatility and musical range still remain underappreciated. How during the Slowhand era, for instance, he mixed elements of country with a fine ear for West Coast sensibilities. Then there was Unplugged, almost two decades later, which, most agree, practically defined the whole genre. Even Clapton's Eighties power-pop possessed an infectious lightness of touch. All of which makes it harder to understand why I Still Do's musical digressions fall so flat.The record starts off on safe ground – “Alabama Woman Blues” is the kind of track Read more ...
Thomas H. Green
Tinchy Stryder (b. 1986) has had a successful pop career since 2009, including two chart-topping singles (“Number 1” and “Never Leave You”). Born Kwasi Danquah in Ghana, his family moved to London’s East End when he was nine and, in the early years of the new millennium, he established himself as a rising talent of the grime scene and member of the Roll Deep Collective. He was one of the first grime artists to make a successful transition to mainstream pop and has worked with artists ranging from Calvin Harris to Pixie Lott to Taio Cruz.Tinchy Stryder has also pushed entrepreneurial interests Read more ...
Guy Oddy
The solo album can present a tricky prospect for many mature artists as they drift in and out of the public consciousness. Do they make a stab at a variety of styles to display their artistic depth; do they get on the latest bandwagon to show they’re still down with the kids; or do they stay true to their original vision and stick doggedly to it? For his first album in 10 years, the man once known in the Oasis camp as Captain Rock has plumped for the first alternative and sunk pretty much a bit of everything into These People.There may be an expected whiff of The Verve here and there and this Read more ...
Thomas H. Green
The Norwegian DJ-producer Kyrre Gørvell-Dahll – AKA Kygo – rose to prominence a couple of years ago on the back of “tropical house”, a club sub-genre that, at its best, meant hazy, Balearic and/or indie-dance grooves, but on Kygo’s watch became saccharine Costa del Crap EDM-house with his synth software permanently set to some simple-minded, nursery rhyme melodic arrangement only toddlers should find euphoric.Confronted by the debut album from this permanently baseball-capped, baby-faced, 24-year-old dance-pop star, I honestly started to feel a little nauseous. It's the sonic equivalent of Read more ...
David Flack
"Wouldn't it be great if you were playing a concert and you looked out and everyone is a dog?" Laurie Anderson mused, almost a decade ago, waiting backstage with cellist Yo-Yo Ma. Anderson has realised her outlandish dream, creating a most unusual concert, apparently tailored to the canine ear. When the opportunity to attend came up I jumped at the chance, as did Paddy, our black Labrador-New Zealand Huntaway cross.The 20-minute performance features music only audible to dogs and includes other sounds for their human companions. It was first performed at the Sydney Opera House, then again in Read more ...
peter.quinn
Compered by Jazzwise magazine’s gregarious editor-in-chief, Jon Newey, the winners of this year's Parliamentary Jazz Awards were announced last night in the Terrace Pavilion at the House of Commons.Now in their twelfth year, the Awards, organised by the All Party Parliamentary Jazz Appreciation Group (APPJAG) and sponsored by the music licensing company PPL, are one of the most important dates in the UK jazz calendar.In his opening speech, Newey cited both the ups and downs of the previous year, with the former including “more excellent young jazz musicians emerging and carving out spaces at Read more ...
Kieron Tyler
The first reaction to Introducing Karl Blau is to wonder whether it’s an overlooked album from the late ‘60s or early ‘70s. It opens with a creamy smooth voice that’s close to cracking with emotion. The song being sung is a version of country singer-songwriter Tom T Hall’s “That’s How I Got to Memphis” which sounds as though it was recorded at Alabama’s FAME studios at least 45 years ago. With gently funky guitar, shuffling drums and a slightly deeper vocal register, the next track, “Six White Horses”, bears the influence of Tony Joe White.As the album progresses it becomes clear that each Read more ...
caspar.gomez
In the whole of Britain there are only seven music journalists who are officially designated, card-carrying “Non-Fans of Radiohead”. In 2007 three of them were banished by the National Council of Music Writers to a small Crofting community in Caithness where they write occasional apologetic blogs for their anti-Yorke-ist stance. I know one of the other guys. He has a very hard time of it. When he didn’t care about the recent, internet-breaking video for “Burn the Witch”, his colleagues locked him in a broom cupboard with Kid A playing endlessly on a loop. He told me he welcomed this Read more ...
joe.muggs
It's peculiar seeing any band come back together after a serious length of time, but when that band were part of your adolescence the cognitive dissonance is exponentially increased. Along with the likes of Ride and Slowdive, Lush were a band linked to the “shoegaze” indie sound born in the Thames Valley at the very end of the Eighties, and my main experience of them was at ear-bleed volume in dangerously packed-out, toilet-stall-sized venues around the area, my fringe covering my face and all the hormonal intensity of youth amplifying the effect of the sound. So to see them after a gap of Read more ...
joe.muggs
Skepta (aka Joseph Adenuga Jr) and James Blake provide a fascinating parallel as voices of the UK's “generation bass”. Both are from north London, and both have come from a grounding in the subsonic undercurrents of London's early 21st century underground genres – Skepta mainly in grime, Blake in dubstep, although each reached into the other's scene a little via early collaborations – and both have risen to international success, in particular becoming influential on the American mainstream.Skepta has attracted the patronage of premiere league US hip hop stars, particularly Drake, A$AP Read more ...
bella.todd
Tindersticks certainly know how to instill a mood. Outside the Dome Concert Hall the start of the Brighton Festival is in full swing, with a proliferation of tents, parades and shiny happy tourists drinking in the sun. Inside, Stuart Staples is singing “don’t let me suffer” in a wracked warble to a video of a lone woman floating naked in a distorted swimming pool.Masters of all kinds of musical melancholy – creeping kinds, seething kinds, billowing kinds and above all achingly beautiful kinds – Tindersticks are currently touring their tenth studio album. Each song on The Waiting Room Read more ...
Kieron Tyler
Any appreciation of Scotland’s The Associates is coloured by the knowledge that Billy MacKenzie took his own life at age 39 in January 1997. More than his band’s voice, he personified their unique approach to music. Between 1979 and 1982, with collaborator Alan Rankine, he created a string of vital records which defy genre pigeonholing and define their vehicle The Associates as one of Britain’s most wilful pop acts. Rankine split from MacKenzie in 1982 at the point when they had broken into the charts. MacKenzie, despite continuing to record as The Associates, solo and in collaboration, never Read more ...