Not everyone likes Lee Evans and his bespoke brand of simian gurning and jerky rubberised motion. But he is very much to the taste of a majority of the comedy-going classes. Few other stand-ups – you can count them on one hand – could spend a season touring the UK’s soulless edge-of-town arenas and not have to worry about performing to empty banks of raised seating. Evans tore into two sets of an hour each last night at Wembley Arena without, apparently, a thought of conserving any energy for the five nights still to come and the long list of bookings beyond. Such is his hypnotic hold that for an encore he even sang a sad song at the piano about a funny man and (almost) nobody left.

Stephen Merchant has played the sleeping partner for so long in his professional relationship with Ricky Gervais that it was perhaps inevitable he would address the issue at the top of the show. The good thing about going on tour, apart from meeting ladies, is, he says, that he doesn't have to share the profits with "you know who".

From the long shot of the suburban London semis onwards, I couldn’t help but think of the 1960s BBC sitcom Not in Front of the Children which similarly focused on a middle-class couple with three children. There’s no laughter track on Outnumbered but there’s also no escaping the fact that - apart from a colourful new range of insults the kids casually fire at each other (“numb-chuck”, “toss-piece”) - this could easily be one of Wendy Craig’s naughty but nice TV families, bickering over breakfast and complaining about the burnt fish fingers. Oh and look, there’s John Sessions playing the quirky buffoon of a vicar.

Andrew Maxwell, Assembly ****

Thank goodness for a performer like Andrew Maxwell. The Edinburgh Fringe opens just as parts of the UK take a mad pill and start shopping outside normal opening hours. Most comics ignore the mayhem, while some insert a clever line or two, but Maxwell ditches his opening 15 minutes and writes completely fresh material about the state of Britain today in the light of the riots in England.

Thank goodness for a performer like Andrew Maxwell. The Edinburgh Fringe opens just as parts of the UK take a mad pill and start shopping outside normal opening hours. Most comics ignore the mayhem, while some insert a clever line or two, but Maxwell ditches his opening 15 minutes and writes completely fresh material about the state of Britain today in the light of the riots in England.

Josie Long, Pleasance Dome **

Last year, Josie Long, famous for her whimsical comedy and fey delivery, decided to get serious. Disheartened by the election result, she started to do political comedy, but sadly her level of analysis was along the lines of: “Anyone who voted Tory in May's election is a fucking cunt.” One year on in The Future is Another Place, the level hasn't been raised.

Chris Ramsey, Pleasance Courtyard ****

It's easy to see why the Edinburgh Comedy Awards panel shortlisted South Shields comic Chris Ramsey. He's personable, very funny, has a well-constructed show - and is destined for a big television career any day soon.

Sam Simmons, Gilded Balloon ****

Sam Simmons clocks a young girl in the front row and stops the show. “How old are you?” the Aussie comic asks. “Ten,” comes the reply, and he suggests to her mother that this may not be the show for them, so they leave. And just in good time, as what follows is a load of cock and balls as Simmons is dressed in vest and pants which, after he is drenched during a gag, become increasingly, er, figure-hugging.

Luke Haines, Cabaret Voltaire ****

If the cards had fallen differently Luke Haines might have been as big as Blur. As frontman of The Auteurs he was briefly tipped for Britpop greatness, so it is no surprise that he likes the idea of alternative histories. This special show, The North Sea Scrolls, was all about them, as Haines, former Microdisney linchpin Cathal Coughlan, writer Andrew Mueller and cellist Audrey Riley mixed spoken word with punchy lo-fi melodies.

Kieran and the Joes, The Store ****

Kieran and the Joes are a three-man sketch group (Kieran Hodgson, Joe Markham and Joe Parham, working with co-writer Tom Meltzer) who are young, personable and very neatly dressed in shirts and ties - but while they may appear clean-cut their comedy veers nicely towards the dark.

Adam Riches, Pleasance Courtyard ****

From the moment Adam Riches bursts onto the stage, spewing his business cards around as a manic showbiz agent who wants to sign up everyone and everything - including even the venue's walls and floor - this is a show of hyper energy and absurdist comedy.