theartsdesk in Cambridge: 30th Cambridge Film Festival | reviews, news & interviews
theartsdesk in Cambridge: 30th Cambridge Film Festival
theartsdesk in Cambridge: 30th Cambridge Film Festival
East Anglia's starriest, edgiest 10 days of film opens
Sunday, 19 September 2010
The delectable Louise Bourgoin as Adèle Blanc-Sec
Cambridge is in pre-term cocktail mood, almost. Its Film Festival slips in after Locarno and Venice, and as Toronto ends, and before Rome (increasingly important) and London (internationally a struggler) start. It tilts in the same direction as the aforementioned, with fully fledged art movies, provocative documentaries and work from a dozen language groups or so, though it's very small and many people might not know it exists.
Cambridge is in pre-term cocktail mood, almost. Its Film Festival slips in after Locarno and Venice, and as Toronto ends, and before Rome (increasingly important) and London (internationally a struggler) start. It tilts in the same direction as the aforementioned, with fully fledged art movies, provocative documentaries and work from a dozen language groups or so, though it's very small and many people might not know it exists.
more Film
Fantastic Machine review - photography's story from one camera to 45 billion
Love it or hate it, the photographic image has ensnared us all
If Only I Could Hibernate review - kids in grinding poverty in Ulaanbaatar
Mongolian director Zoljargal Purevdash's compelling debut
The Book of Clarence review - larky jaunt through biblical epic territory
LaKeith Stanfield is impressively watchable as the Messiah's near-neighbour
Blu-ray/DVD: Priscilla
The disc extras smartly contextualise Sofia Coppola's eighth feature
Back to Black review - rock biopic with a loving but soft touch
Marisa Abela evokes the genius of Amy Winehouse, with a few warts minimised
Civil War review - God help America
A horrifying State of the Union address from Alex Garland
The Teachers' Lounge - teacher-pupil relationships under the microscope
Thoughtful, painful meditation on status, crime, and power
Blu-ray: Happy End (Šťastný konec)
Technically brilliant black comedy hasn't aged well
Evil Does Not Exist review - Ryusuke Hamaguchi's nuanced follow-up to 'Drive My Car'
A parable about the perils of eco-tourism with a violent twist
Io Capitano review - gripping odyssey from Senegal to Italy
Matteo Garrone's Oscar-nominated drama of two teenage boys pursuing their dream
The Trouble with Jessica review - the London housing market wreaks havoc on a group of friends
Matt Winn directs a glossy cast in a black comedy that verges on farce
Silver Haze review - daughters of Albion dealing with damage
Vicky Knight and Esmé Creed-Miles shine in a drama inspired by Knight's tragic past
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