Film
Kieron Tyler
A mine haunted by spriguns, an orphan menaced by a stranger who vanishes at will and the shadow cast over a village by the Black Death. Each is the backbone for the three films gathered on Scary Stories, the BFI’s fourth collection drawn from the archives of the Children’s Film Foundation (CFF). Although aimed at children, around an hour long and made with limited budgets, these subtle, well-crafted films sold no one short. All three are packed with shocks – and still pack punches for children of all ages.The Man From Nowhere (1976) is Victorian-set gothic of the highest order. On arriving to Read more ...
Karen Krizanovich
An update on Tennessee Williams’ A Streetcare Named Desire, it isn’t essential to have seen that work on stage to enjoy this pithy homage from Woody Allen. However, revisiting the iconic 1951 film version starring Marlon Brando, Vivien Leigh and Kim Hunter could very well make Blue Jasmine even funnier. This is because Allen treats the audience as equals to the tragic in-joke of familial impact and the damage left in its wake.The pivot is a beautiful woman’s perpetually occurring emotional meltdown. Former wealthy Manhattan socialite Jasmine (Cate Blanchett) is the Blanche character, a tall, Read more ...
Giles Terera and Dan Poole
The idea behind Muse of Fire was a simple one. We wanted to spend a year travelling the world and find out from as many sources as we could why Shakespeare is both so loved and so feared. We wanted to try and eradicate our own deep-rooted anxieties and help others to remove theirs. This was the goal. How we would achieve all this was the ordeal. It has been a five-year adventure but now the film is complete and ready for its world premiere at Raindance Film Festival, we can say that every moment of an incredible journey was worth it.Before we became filmmakers we were already Read more ...
Jasper Rees
Sometimes, a little bit of everything amounts to a whole lot of nothing. RIPD features a standard buddy cop caper bolted on to a heaven-can-wait drama channelling a body swap comedy also starring a CGI cartoon element. There’s even a heavy dollop of the old Wild West and a splodge of Armageddon alarmism. You get a grab-bag of half a dozen film styles jostling for attention. It must be like this teaching a classful of needy reception kids with ADD.Hey, that’s the referential world of comics for you. RIPD is the latest graphic novel to move from the two dimensions of the page to the, er, two Read more ...
Kieron Tyler
The Belarusian director Sergei Loznitsa recently made an impact with the powerful In the Fog, a delicately balanced examination of the pressures at play in World War II Russia. Before that, his international calling card was My Joy (2010), a first venture into fiction. Both form part of a prodigious body of work otherwise dedicated to non-fiction. The release of the documentaries Blockade, Landscape and Revue in one package gives non-Russians a first chance to sample what dominates his output.Blockade (2006) takes archive footage of the Leningrad Blockade of 1941 to 1944, when the city was Read more ...
Nick Hasted
Build My Gallows High, Farewell, My Lovely: Cold Comes the Night. The cod-profound, slightly tortured syntax of its title is in the lineage of downbeat pulp fiction Tze Chun’s film aspires to. Its strength is its delineation of a working-class world in upstate New York, where single mother Chloe (Alice Eve) manages a motel popular with prostitutes, her sleazily handsome local policeman ex- Billy (Logan Marshall-Green, pictured below right with Bryan Cranston) takes a cut of the action, and she tries to hang on to her beloved young daughter from a social worker convinced she’s being raised in Read more ...
Matt Wolf
A film once touted as surefire Oscar bait instead looks set to clean up at the Golden Raspberry awards (or Razzies) if this preposterously inept biopic of the world's best-known woman finds the fate it deserves. Cloth-eared, cynical, and not even blessed with a persuasive star turn to show itself off, Diana seems destined to become the stuff of camp: the sort of thing the Prince Charles Cinema might be screening before too long to gleeful hordes chiming in on cue with the script's multiple howlers.It needn't have been this way, of course, given just how much dramatically rich intrigue Read more ...
Tom Birchenough
Kieran Evans’s debut feature, adapted from the novel by Niall Griffiths, achieves a rare and accomplished sense of place in its depiction of Liverpool. It’s a place of chilly but not actually threatening cityscapes, with an air of space and windy sunshine, from which the film’s eponymous protagonists retreat into a private bedroom world.Kelly (Antonia Campbell-Hughes) and Victor (Julian Morris) catch each other’s eye across the dance floor, and they’re soon spiralling into a relationship. It's gradually revealed that she’s been hurt in the past, and has ended up with a very particular way of Read more ...
Tom Birchenough
Eleven life stories, and memories stretching back more than half a century. The protagonists of Sebastian Lifshitz’s Les Invisibles (The Invisible Ones) tell their different stories of growing up homosexual in France in years when their sexual identity was far from accepted by society. What a kaleidoscope of experience they have behind them, how moving a perspective they present as they view the lives they have lived from age. This is a film as much about looking back, about le temps perdu, as it is about the ramifications of sexual orientation.Some talk hesitantly, other unstoppably. They Read more ...
Graham Fuller
The reason to obtain a DVD or Blu-ray disc of Sarah Polley's unforgettable documentary is because making sense of it requires several viewings. What starts out as a straightforward memoir centred on the presence of an absence – her mother Diane, lost to cancer at 54 in 1990, when Sarah was 11 – turns into a kaleidoscopic meta-narrative that makes the Canadian actor-director ponder her motives.The impassive on-screen observer of the perplexing oral history of her engendering, Polley seemingly works from a position of clarity toward the realisation that families are conundrums, for everyone. Read more ...
Kieron Tyler
The malign influence of the big city on countryside folk has fuelled filmmakers since cinema had the means to produce feature-length productions. In 1927, with the America-made Sunrise: A Song of Two Humans, F. W. Murnau brought the disruptive forces of the urban to a farmer in the form of a woman. Following her back to city, he suffered the consequences. In this tradition Metro Manila, filmed in the Philippines, has nothing affirmative to say about the islands’s capital city.Oscar Ramirez (Jake Macapagal) is a rice farmer in the Philippines’ Banaue Province with a wife and two young Read more ...
Beeban Kidron
While newspapers alternately praise and panic about the glittering world of the Internet, there is a generation of children who have grown up with 24/7 connectivity and a smart phone in their hand.Public discourse seems to revolve around "grooming" and "privacy", two issues that embody the fears and concerns of adults. What is less discussed is what it really means to always be on, never alone and increasingly bombarded by a world that has something to sell you and appears to know you better than yourself. A world that is so ubiquitous that it is the first and the last thing you see as you Read more ...