Film
emma.simmonds
Few modern figures can match the towering legacy of civil rights luminary Martin Luther King, and any filmmaker should be rightly intimidated when approaching a biopic. Undaunted, Ava DuVernay has created something remarkable. She pitches her film perfectly, presenting an intimate portrait of a man struggling to live up to his own legend and maintain the momentum of a movement, filtered through the powerful story of a series of initially small, eventually seminal protests in the town of Selma, Alabama.Beginning in 1964, it follows King's receipt of the Nobel Peace Prize with a crime of Read more ...
Matt Wolf
The images have a painterly precision in Uberto Pasolini's Still Life, as one might expect from a writing-directing effort from the onetime producer of The Full Monty that co-opts a style of painting as its title. Lead actor Eddie Marsan is often positioned at the centre of the shot, the meticulous visuals of a piece with a movie about a 44-year-old man who is himself fastidious to a fault as he goes about his job. That said employment has involved 22 years at Kennington Council tracing the relatives of people who have passed away means that John May (Marsan) spends a lot of time thinking Read more ...
Jasper Rees
When a film is all about unreliable narrators, it’s difficult to talk about it without ruining things for others. But it’s also a problem for filmmakers. When Gillian Flynn’s bestselling Gone Girl (1.2 million in UK paperback) was recalibrated by the author for the cinema, it was possible for the marketing material to refer to no more than the first 54 minutes of the movie. So explains director David Fincher in the commentary which is this release’s only extra. If they gave the game away, he adds, it wouldn’t be worth making the film.For Gone Girl first timers, there’s plenty to feast on in a Read more ...
Graham Fuller
One of the tacit jokes in John and Roy Boulting’s I’m All Right, Jack concerns the parentage of Liz Fraser’s Cynthia. How could the lugubrious communist shop steward Fred Kite (Peter Sellers) and his pocket battleship missis (Irene Handl) have produced a daughter so resplendently lovely – and so aflame with desire for a dithering toff like their lodger Stanley Windrush (Ian Carmichael)? The answer is: even they were young once.Learning that her dad has evicted Stanley for breaking a strike Fred called at his sweet factory, Cynthia starts bawling. “W-what am I to do with his suspenders?” she Read more ...
Matt Wolf
The director Stephen Daldry has always worked beautifully with young actors, whether on film or stage, so it's not difficult to see what might have drawn him to Trash, the Richard Curtis-scribed adaptation of the Andy Mulligan novel about life on the Rio de Janeiro scrapheaps. An opportunity for three Brazilian unknowns to take centre-screen in a film spoken almost entirely in Portuguese, the movie gives an instant career to its three male newcomers while otherwise remaining mired in the feel-good Hollywood muck that even the most elaborate change in locale can't shift.Equal parts adventure Read more ...
Tom Birchenough
With its combination of a Tom Waits lament and visuals tracking over art works by Viennese modernists like Klimt and Schiele, the opening of Nicolas Roeg’s 1980 Bad Timing stays in the memory – its mood remains just there. The territory is defined gradually: variations on obsession, sexual but not exclusively. One line in the script suggests “lineaments of gratified desire”, though the elements of gratification here remain dubious for all concerned.Bad Timing came at the end of Roeg’s glorious 1970s, after Performance, Walkabout and Don’t Look Now. He came on a variation of the script through Read more ...
Veronica Lee
Imitation is the sincerest form of flattery, the saying goes – and Kingsman: The Secret Service is a cracking part-homage, part-pastiche of the James Bond franchise (and other British spy movies) done with knowing comedy, élan and obvious affection. It's based on The Secret Service comic book created by Dave Gibbons and Mark Millar, and is directed by Matthew Vaughn (Kick-Ass, X-Men First Class), and here he reunites with Jane Goldman, who also provided scripts for his previous works.It's about a British spy organisation staffed mostly by Savile Row-suited toffs, including the impeccably Read more ...
Nick Hasted
Thomas Pynchon and PT Anderson: too good to be true? News that the director of There Will Be Blood and The Master was adapting America’s greatest and most hiply profound living novelist certainly sounded like a heavenly equation. Better yet, Anderson had chosen Pynchon’s most consistently funny and approachable novel, Inherent Vice, in which the author had effectively passed around a convivial and especially mind-blowing joint to his fans, as a reward for braving the heaving banquet of his preceding, testing masterpiece, Against the Day. With Anderson also coming off his own furthest-out film Read more ...
graham.rickson
Boyhood is an intimate film on an epic scale. Twelve years zoom past in 189 minutes, as we follow Mason Evans Jr.'s journey from primary school pupil to university student. That the film exists at all seems miraculous; you admire the producers’ nerve in funding such an open-ended project, and director Richard Linklater’s luck in securing a loyal cast willing to commit for 12 years. Especially the two young leads; Linklater’s daughter Lorelei as Mason’s sister Samantha must have been a known quantity, but watching six-year-old Ellar Coltrane mature into such an engaging, confident screen Read more ...
emma.simmonds
Following the critical and commercial hits Wreck-It Ralph and Frozen, Disney's latest is a film which will win you over with its charming WALL-E-esque antics, oddball coupling and simple slapstick before it – somewhat annoyingly – reveals itself as a kids' first comic book movie, entering the superhero movie stratosphere by transforming into an origin story for the titular crime-fighting team.Based on a little known Marvel comic series and directed by Don Hall and Chris Williams, Big Hero 6 is set in the fictional mash-up city San Fransokyo – a pleasing blend of ornate Eastern- Read more ...
Tom Birchenough
More than once in André Singer’s documentary Holocaust: Night Will Fall – marking in advance the 70th anniversary, on 27th January, of the liberation of Auschwitz, having added that explanatory first word to the title with which the film was released in cinemas last year – his interviewees describe their experience as like “looking into hell”. We hear phrases like “world of nightmare”, “utter shock”, “beyond describing” repeatedly, uttered by the first Allied soldiers to enter the German concentration camps at the end of World War Two.We, the general viewer, have had seven decades to Read more ...
ellin.stein
Charlie Lyne’s Beyond Clueless, a Kickstarter-funded film essay about the deeper meaning of post-1990 coming-of-age movies, aspires to be one of those Arena programs that takes a fresh look at a seemingly trivial or minor pop form to reveal deeper truths about the culture at large. Don’t get me wrong – I love teen movies and I think there’s a rich seam here to be mined. Unfortunately, because his analysis lacks rigour and is almost as superficial as the movies themselves, there are few insights here the perceptive viewer won’t have already gleaned for him/herself.Lyne draws on clips from some Read more ...