Film
Joseph Walsh
It should come as no surprise that the writer of Side Effects and Contagion, Scott Z. Burns, is capable of directing a whip-smart drama like The Report. Known for his collaborations with Steven Soderbergh, most recently on Netflix drama The Laundromat, Burns has made a career of turning complex material into engaging viewing.Echoing All the President’s Men by way of Spotlight, The Report focuses on Daniel Jones (Adam Driver), tasked by US State Senator Dianne Feinstein with investigating the "Enhanced Interrogation Technique" employed by the Read more ...
Demetrios Matheou
Forty years after the classic, multi-Oscar winning Kramer v Kramer comes another divorce drama involving two young Americans and a son caught in the crossfire. And this one is even better. Marriage Story is a sublime film, a heart-breaking, intimate epic. It’s written and directed by Noah Baumbach, the New Yorker whose impressive back catalogue includes The Squid and The Whale (also about divorce), Greenberg and Frances Ha. His new film leaves no stone unturned in its dissection of marital upheaval. And it features superb, deeply moving Read more ...
Demetrios Matheou
Game of Thrones’ Emilia Clarke stars in this awkward but sweet Yuletide romcom as Kate, a chaotic, George Michael obsessed twenty-something in London who’s lost her way following a serious illness. A failed singer, she works in an all-year Christmas shop dressed as an elf, while alienating family, friends and long-suffering boss (Michelle Yeoh) with her boorish behaviour. The clouds lift with the appearance of bicycle courier Tom (Henry Golding, of Crazy Rich Asians), who begins to soften her cynical, self-loathing shell. But is he too good to be true? Given that this is co- Read more ...
Demetrios Matheou
For a sports movie to work for more than just the fans, it has to have drama off the pitch, track or field, with characters to root for, personal demons, a good underdog. Based on a true story that also involves high-speed danger and tragedy, James Mangold’s Le Mans ‘66 duly obliges.Christian Bale and Matt Damon – Batman and Bourne if you will – let their hair down as two motor-racing legends, to the extent that the racing drama doubles as a buddy movie. Unlike 2013's Rush, which covered the personal rivalry between Formula One drivers James Hunt and Nikki Lauda, this film Read more ...
graham.rickson
Karel Zeman’s Invention for Destruction and The Fabulous Baron Munchausen are dizzying romps, whereas his earlier Journey to the Beginning of Time, made in 1955, is disarmingly straightforward – a simple tale of four boys searching for prehistoric life in order to complete a homework assignment. With a minimum of fuss, they board a no-frills wooden boat and row through a cave and down a river, heading further and further back in time. There are a few petty squabbles and a couple of minor examples of what the BBFC used to term “mild peril”. Otherwise, this is joyous, exhilarating fun. Read more ...
Nick Hasted
Ian McKellen, his Mr Holmes director Bill Condon and Helen Mirren play clever, nasty games with conman clichés and presumptions about the elderly in this sometimes absurdly twisty thriller.McKellen’s Roy Courtnay is an irascible, whiskery cad, Mirren’s Betty McLeish the trusting, rich widow he entraps. His slow courting of her in her genteel, suburban estate home is only part of a wide portfolio of dishonesty, aided by his avuncular partner in crime Vincent (Jim Carter), a fake lawyer ever ready with dummy investment papers, whether enticing a widow over cream teas, or luring a businessman Read more ...
Adam Sweeting
Director Roland Emmerich has been trying to make this movie since the 1990s, and battled hard to raise its $100m budget from individual investors. But why? The result is an old-fashioned war film in praise of the heroic American servicemen who defeated the Japanese fleet in the battle of Midway in 1942, which turned the tide of Japan’s imperialist expansion in the Pacific, but while it sticks diligently to the historical facts, it feels bizarrely out of time and out of place. It doesn’t reinvent the war movie, as Spielberg did with Saving Private Ryan or Christopher Nolan did with Dunkirk, Read more ...
Joseph Walsh
"Surreal" is how the man calling himself Nicholas Searle describes the last five years of his life. He began working on his debut novel The Good Liar in 2014 at the age of 57, having recently retired from the Civil Service. The nature of his former employment remains undisclosed. But, the fact that Nicholas Searle is not his real name, gives a clue to the fact his work was in intelligence rather than land registry. Early retirement gave him the opportunity to do something he has always wanted to do – write a novel.He had dabbled in writing but now “wanted to see whether I could or not”. It Read more ...
Demetrios Matheou
Much has been made of Martin Scorsese’s recent dismissal of Marvel films. Putting that debate aside, there’s no escaping the fact that in an era of rapid-fire sequels, with the same ensembles trotted out year after year, there’s far more frisson to be felt when the reunion is after not one or two, but 25 years – and what the filmmakers are seeking to recreate really is movie magic. That’s the case with this reteaming of Scorsese, Robert De Niro and Joe Pesci, who made a trio of classic films together – Raging Bull, Goodfellas and the last, Casino, in 1995. Read more ...
Joseph Walsh
Wild Rose director Tom Harper blends fact with fiction in a charming Victorian ballooning adventure that reunites Eddie Redmayne and Felicity Jones for the first time since The Theory of Everything.Redmayne gives an earnest performance as the real-life James Glaisher, an aspiring aeronaut who aims to vie with the mutton-chopped scientific community by soaring higher than anyone has ever gone before. However, Jones steals the show as Amelia Wren, Glaisher’s derring-do pilot. A fictional wealthy widow, she has little interest in petticoats and doilies, preferring to soar through the heavens, Read more ...
Nick Hasted
Brittany (Jillian Bell) is the unhappily overweight life of the party, numbing her lonely life with booze and acerbic one-liners as she nears 30. Bad medical news makes her obsessively turn to running, eventually entering the New York marathon, with side-effects include an ambiguous romance with slobby fellow house-sitter Jern (Utkarsh Amdudkar).Playwright Paul Downs Callaizzo’s film debut follows in the path of countless more obvious romcoms and ugly duckling tales in showing her redemption, while artfully complicating their clichés. Based loosely on his friend Brittany O’Neill’s jogging Read more ...
Owen Richards
How long can one decision follow you? How long can you hide from it? This is what underpins After the Wedding, a remake of Susanne Bier’s Efter brylluppet. It’s a drama shaped like a thriller, driven by emotion rather than intrigue. We’re introduced to an extraordinary situation and piece the story together as the lies fall away. With powerhouse performances from Julianne Moore and Michelle Williams, it’s an engrossing watch.Isabel (Williams) works at an orphanage in Kolkata, but is called to New York to secure funding from possible benefactor Theresa (Moore). Isabel hopes for a speedy visit Read more ...