Film
Mark Kidel
Just as British pub and punk rock of the mid-to late 1970's ushered in an era of music that referenced the history of pop and thrived on irony, much of the French New Wave, nearly 20 years earlier, looked back as much as forward, an avant-garde anchored like none other before in a sense of cinema history.Breathless (A bout de souffle), Jean-Luc Godard’s first feature, established the genre. The film broke the rules of conventional cinema narrative, in a manner that changed the seventh art forever: jump-cuts, non-sequiturs in the dialogue as well as in the unfolding story. The ripples from Read more ...
graham.rickson
Much has been made of The Ladykillers having being directed by a Scot (Alexander Mackendrick) from a screenplay written by an American (William Rose). This last great Ealing comedy shares its dark tone and leading actor with Robert Hamer’s sublime Kind Hearts and Coronets, but in many respects it stands alone. The Ladykillers is sharp and unsentimental, a brilliant London noir. There’s not a bum note: script, design, casting and pacing are close to perfection, the whole thing wrapped up in just 97 minutes.Rose and MacKendrick’s conceit was to have a genteel old lady defeating a criminal gang Read more ...
Matt Wolf
Adam (Charlie Plummer) is being tested for glaucoma at the start of Words on Bathroom Walls, the director Thor Freudenthal's adaptation of Julia Walton's 2017 Young Adult novel. In fact, the indrawn teenager is suffering from schizophrenia and will soon embark upon a disorienting sequence of events that finds him on meds and then off again, in and out of school, experiencing bullying from a group of boys and the possibility of romance with an especially clever girl. All the while, the frequently straight-to-camera narration promises that a difficult story is not going to go all Hollywood on Read more ...
Graham Fuller
If Shakespeare had lived in post-war Britain, he surely would have dramatised the careers of the three towering contemporaneous Scottish football managers whose visions of how football should be played and its importance to ordinary people left a greater impact on the nation’s selfhood than any 20th century political leader, excepting Churchill.Comprised of archival footage newly galvanised in the cutting room, Jonny Owens’ stirring documentary The Three Kings judiciously balances its accounts of the triumphant reigns of Matt Busby at Manchester United (1945–1969), Bill Shankly at Liverpool ( Read more ...
Markie Robson-Scott
“Alice had not a moment to think about stopping herself before she found herself falling down a very deep well. Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next.” A cosy scene: Anne (the superb Trine Dyrholm: The Legacy; The Commune; Nico, 1988) is reading Alice in Wonderland to her twin daughters in their stylish Danish family house deep in the woods.The Alice-down-the-well analogy could apply to Anne herself. Her marriage to Peter (Magnus Krepper), a hard-working, often absent Read more ...
Joseph Walsh
Zeina Durra’s sophomore feature arrives on our screens a decade on from her debut, The Imperialists Are Still Alive! It was worth the wait. Luxor is a subtle, low-key drama that possesses an atmosphere of meditative calm, exploring a life that has seen too much pain and is desperate to find a way to heal. “Do you ever worry about opening up places that have been laid to rest?” asks Hana (Andrea Riseborough) to her one-time lover and archaeologist, Sultan (Karim Saleh). It goes without saying that it’s a loaded question. Until recently, Hana has been working as a doctor on the Jordanian- Read more ...
Graham Fuller
The cheaply made experimental exploitation indie Dementia (1955) is one of those footnotes in movie history that makes cultists salivate. And with good reason – it’s a wry blend of film noir and horror that makes you wonder if it was a touchstone for Orson Welles’s Touch of Evil (1957) and David Lynch’s Lost Highway (1997) and Mulholland Dr. (2001).The 61-minute movie – which features sound effects but no dialogue – unfolds in real time. In her room in a seedy Hollywood hotel, a psychotic woman (Adrienne Barrett) – called "The Gamin" in the credits – clenches her sheets as she lies in Read more ...
graham.rickson
Raed Andoni’s semi-documentary Ghost Hunting (Istiyad Ashbah) is nominally "about" the Israeli treatment of Palestinian prisoners but is an effective, potent denunciation of human rights abuses across the modern world. Andoni’s booklet introduction includes the sobering statistic that more than four in 10 Palestinian men are, at least once in their lives, arrested or investigated in Israeli prisons, some as young as 12. Andoni himself was held and tortured as a teenager at al-Moscobiya detention centre, and this 2017 semi-documentary is partially an attempt to exorcise his demons. As he puts Read more ...
Graham Fuller
The bleak power of the Australian horror movie Relic, Natalie Erika James’s feature debut, derives from its masterful use of a simple metaphor. The creepy house wherein Kay (Emily Mortimer) and her daughter Sam (Bella Heathcote) first seek and are then stalked by Kay’s enraged elderly mother Edna (Robyn Nevin) is an externalization of Edna’s waning cognitive skills. Many haunted houses in movies can be considered the manifestations of damaged psyches; few have literalized so terrifyingly the division between mental acuity and the void many people fall into before they die.Having learned Read more ...
Joseph Walsh
A long shadow looms over Robert Zemeckis’ new take on Roald Dahl’s classic 1980s book The Witches, starring Octavia Spencer, Anne Hathaway and newcomer Jahzir Bruno. That shadow is cast by Nicholas Roeg’s strange and terrifying 1990 adaptation starring Anjelica Huston, which expertly captured the wicked humour of Dahl’s book. Roeg’s film may have diverted from Dahl’s original plot in some respects, but it shared the author’s peevish delight in terrifying and delighting in equal measure. Zemeckis’ film is a much more bubble-gum affair, made all the worse by an over-zealous Chris Read more ...
Owen Richards
When Mogul Mowgli was first announced, it was fair to expect something of a realist biopic. After all, you had documentary director Bassam Tariq and actor/musician extraordinaire Riz Ahmed helming a film about a British-Pakistani rapper. Even the title is partially taken from one of Ahmed’s songs (“Half Moghul Half Mowgli” by Swet Shop Boys). And then we meet Tuba Tek Singh (pictured above right), a beflowered hallucination of cultural heritage and trauma. This ain’t no realist biopic; it’s something so much more.Ahmed plays Zed, on the precipice of success after years of grinding. We find Read more ...
Saskia Baron
Shirley is one of those films that the mood you’re in when you watch it will dictate whether you think it’s a great psychological horror movie or overheated and pretentious. Go to the cinema wanting to be plunged into a fever dream of gothic Americana, replete with glaucous close ups of Elisabeth Moss as a writer wreaking revenge on her unfaithful husband, and you’ll be more than satisfied. But if you’re hoping for a linear narrative that adheres to the actual biography of Shirley Jackson, the artful elliptical editing which blurs elements from her fiction with cherry-picked aspects of Read more ...