sat 20/12/2014

Louise Gray

Louise Gray

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Articles by Louise Gray

Ryoji Ikeda: superposition, Barbican Theatre

It’s not often that a performance’s technological properties leaves you simply slack-jawed. Robert Wilson’s very long Swedish-language version of Strindberg’s A Dream Play did – at the same venue,...

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Hearing Voices: Jocelyn Pook

“I am always fascinated by how much is in a voice, by their textures and qualities,” says composer Jocelyn Pook. “They’re like aural photographs of a person and you recognise them instantly.” We are...

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Cage Rattling, King's Place

In 1991, the Basque performance artist Esther Ferrar wrote a letter to modern music’s inventive genius, John Cage, on the future of anarchism. Ferrar’s letter – written in the year before Cage died...

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Shining moments and star voices in mostly drab Verdi

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Lashings of intrigue but poor pacing mars this pilot episode

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Using 3D technology to revolutionise the way we care for cultural heritage

The Fall, Series 2 Finale, BBC Two

Is this the end for Allan Cubitt's fifty shades of serial killer?

Beeswing

Cerebral wandering through the memories of a wonderfully strange games deve...

Eric and Little Ern, St James Theatre

Affectionate tribute to a great double act