sat 28/03/2015

Louise Gray

Louise Gray

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Articles by Louise Gray

Ryoji Ikeda: superposition, Barbican Theatre

It’s not often that a performance’s technological properties leaves you simply slack-jawed. Robert Wilson’s very long Swedish-language version of Strindberg’s A Dream Play did – at the same venue,...

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Hearing Voices: Jocelyn Pook

“I am always fascinated by how much is in a voice, by their textures and qualities,” says composer Jocelyn Pook. “They’re like aural photographs of a person and you recognise them instantly.” We are...

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Cage Rattling, King's Place

In 1991, the Basque performance artist Esther Ferrar wrote a letter to modern music’s inventive genius, John Cage, on the future of anarchism. Ferrar’s letter – written in the year before Cage died...

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The fantasy drama returns without much fantasy, or drama

Battlefield: Hardline

Cops n robbers should be a perfect setting for this frantic first-person sh...

Princess Ida, Finborough Theatre

Tweaked plot and lyrics muddy the waters of Gilbert and Sullivan's tri...

CD: The Prodigy - The Day Is My Enemy

The Essex rave juggernaut's sixth is unapologetically ballistic

10 Questions for Artist Marcus Coates

Eccentric visionary talks birds, shamanism, intoxicated animals and the Bri...

Bayadère - The Ninth Life, Shobana Jeyasingh Company, Linbur...

Engaging dance treatment of Indian-European cultural and disciplinary encou...

Defining Beauty: The Body in Ancient Greek Art, British Muse...

More than the sum of its parts: an exploration of how the human form was pe...

Hillary Clinton: The Power of Women, BBC Two

Awkward documentary draws few conclusions from a 20-year fight for women...

Bad Jews, Arts Theatre

Jewish identity is scrutinised in this unflinching, startlingly funny Ameri...

Amadis de Gaule, UCL Opera

Spirited student revival of JC Bach's lovely final opera