mon 27/05/2024

Liz Thomson

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Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

Billy Bragg in support of The Leadmill, Facebook Live review - a fundraising success of a lounge act

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Album: Steve Earle & The Dukes - Ghosts of West Virginia

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The Shadows at Sixty, BBC Four review - pop's age of innocence

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Album: Fink, Bloom Innocent - Acoustic

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Now is the hour - 103 and trending: Dame Vera Lynn eight decades after her debut

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Clive Davis: The Soundtrack of Our Lives, Netflix review - a friendly provocateur

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Album: Nels Andrews - Pigeon and The Crow

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Album: Pokey LaFarge - Rock Bottom Rhapsody

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Elton John’s iHeart Living Room Concert for America, YouTube review - the real star was a Mayo Clinic doctor named Elvis

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A simple twist of fate - how a chance encounter with 'Joan Baez, Vol 2' 50 years ago led to a festival in Downtown Manhattan

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Rock ‘n’ Roll Island: Where Legends Were Born, BBC Four review - remembering rock's big bang

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The Story of Ready Steady Go!, BBC Four review - when life was fab

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The Indigo Girls, Facebook Live review - lightening the blues

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Reg Meuross and David Massengill, Green Note, Camden review - master craftsmen at work

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Elvis Costello and the Imposters, Eventim Apollo review - and the band played on

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CD: James Taylor, American Standard - a trip down memory lane

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Bluets, Royal Court review - more grey than ultramarine

When does creativity become mannered? When it’s based on repetition, and repetition without development. About halfway through star director Katie...

Sphinx Organization, Wigmore Hall review - black performers...

Kudos to the Wigmore Hall for continuing to make efforts to diversify its roster of performers and repertoire. Last year I reviewed the...

Travels Over Feeling: The Music of Arthur Russell, Barbican...

Last night’s Travels Over Feeling: The Music of Arthur Russell (a concert in part accompanying the recent publication of a book about his...

Album: Richard Thompson - Ship to Shore

Any Richard Thompson appearance comes with a hallmark guaranteeing quality produce – be that an album or a stage show. 

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Music Reissues Weekly: Jon Savage's The Secret Public -...

Jon Savage's The Secret Public How The LGBTQ+ Aesthetic Shaped Pop Culture 1955-1979 accompanies the titular author/...

Jerry’s Girls, Menier Chocolate Factory review - just a para...

Catchy even when the lyrics are at their cheesiest, the Jerry Herman Songbook serves up a string of memorable tunes: you’ll probably find that,...

Punt and Dennis, The Marlowe, Canterbury review - satire and...

Ten years after their last tour Steve Punt and High Dennis are back on the road with We Are Not a Robot. It comes after their long-...

Album: Jihye Lee Orchestra - Infinite Connections

Brooklyn-based composer and bandleader Jihye Lee’s story really does take quite some telling. Having been an indie pop singer in her native...

Furiosa: A Mad Max Saga review - just as mad without Max

In the way of Batman being overshadowed by his villains, in his last outing, Mad Max: Fury Road, the erstwhile hero of George Miller...