The Secret of Crickley Hall, BBC One | TV reviews, news & interviews
The Secret of Crickley Hall, BBC One
The chills are not multiplying in adaptation of James Herbert's tale of a haunted school
The horror, the horror. Primetime television tends to give a wide berth to things that go bump in the night. However reliable a low-budget option for budding indie filmmakers, the chills are not multiplying on the small screen. There’s no need to call in a special spookologist to work out why. Horror has its own demographic, which won’t tend to curl up on the sofa of a Sunday night for a cosy hour of creaks and shrieks. So The Secret of Crickley Hall, which has slung on a white sheet and crept into the nation’s living room, is a bit of collector’s item.
Adapted by Joe Ahearne (who also directs) from James Herbert’s 2006 novel, it tells of Eve, a telepathically inclined mother (Suranne Jones) spooked by the disappearance of her curly-mopped son from a playground. One second he was on the slide, the next he’d vamoosed. Nearly a year on, the Caleigh family decided to ship out of London for some recuperative rural peace. “It’s a good choice,” said Eve’s well-scrubbed hubby Gabe (Tom Ellis) as they toured their new home. Crickley Hall in Devil’s Cleave did indeed represent a good choice if by good he meant draughty, unfurnished and glaringly haunted. The dog had the right idea, as dogs will in the vicinity of ghosts, and ran off at the first opportunity.
Pretty soon floorboards were doing their thing, doors wafting open, disembodied voices piping up. The viewers discovered what the Caleigh family will no doubt work out for themselves in episode two, that this used to be a wartime school for orphans where a regime of unspeakable cruelty held sway, underpinned by an anti-Zionist belief that the war was the product of a Jewish conspiracy. Gravestones in the local churchyard there was a sharp spike in work for gravediggers in 1943. Mention was made of a flood, while David Warner kept cropping creepily up an ancient gardener Who Was There. Flashbacks found a new teacher (Olivia Cooke) taking up cudgels on behalf of a taciturn Jewish refugee (Kian Parsiani) thwacked on a regular basis by a head (Douglas Henshall, pictured above right) going by the atmospheric name of Cribben. He kept a ledger of beatings administered and threatened to lob untreatable miscreants into the well in the basement.
So is The Secret of Crickley Hall scary? It may spook the dog, but does it also frighten the horses? Barely, it must be said, even in the slightest. There were a couple of nanoseconds when the flesh tingled, usually at the sudden smack of Henshall’s cane, but Ahearne’s arsenal of effects is threadbare and there is far too heavy a reliance on a blaring dissonant soundtrack and creeping cameras. “We’ve got ghosts!” hollered the family’s youngest child in triumph. Maybe, but those bumps in the night could just be the sound of viewing figures thonking on the floor.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 7,000 pieces, we're asking for £2.95 per month or £25 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
Nick Read's long-stretch documentary on remote Russian prison life
Simon Schama campaigns and entertains, but does he explain?
ITV's historical drama is long on intrigue but short on action
Medical drama could have felt tiredly formulaic, but there's freshness in the well-worn tropes
Opening episode of Lord Sugar's business search is a corker
Batman origin story makes a promising start
A history of the Soviet space programme, and the story of one of its more unlikely participants
Maybe the post-Brody 'Homeland' might succeed after all
More tasty treats from the nicest contestants on television (this review contains spoilers)
A cult classic from the golden age of British TV drama
The universe, human life, everything: Brian Cox begins his biggest project yet
Jack Whitehall can write a good joke, but plotting and characterisation are desperate