The Killing II, BBC Four | TV reviews, news & interviews
The Killing II, BBC Four
Series two of BAFTA-winning Nordic noir gets off to a flyer
People speak to her. It could be her mother. It could be a colleague. But she doesn’t react, continues what she’s doing. Which, usually, is leaving. It’s welcome back to Sarah Lund, whose watchability is in inverse proportion to her demonstrativeness. As recalcitrant detective Lund, in the second series of Denmark’s The Killing, Sofie Gråbøl is as magnetic as the first time around, whatever she’s wearing. Sweaters be damned, these two opening episodes were up there with the BAFTA-winning first series.
After the lash-ups of the first series – the killing of her detective partner, serial insubordination, time spent on the wrong suspects, pissing off politicians, stalling her partner, alienating her son – Lund’s been banished to Gedser, Denmark’s most southerly town. Town is stretching it a bit, as Gedser is little more than a bunch of houses on an island that fan out from a dock. She checks the documentation of vehicles rolling off the ferry from Germany. Not so much sent to Coventry, more like being despatched for sentry duty in the Hebrides. Nice to see her eating off a plate there, rather than from a saucepan.
Of course, Copenhagen can’t do without her. Lund’s old boss, the even more taciturn Lennart Brix (played with magnificent woodenness by Morten Suurballe) wants her to look over a particularly grisly murder, just to see what she thinks (pictured right: from left, Suurballe, Gråbøl and Mikael Birkkjaer). She thinks loads and is soon convinced it’s not the crime of passion it’s painted as. The top brass haven't much patience, but Brix makes them hear her out.
And of course she’s right and we're pitched into a world where Islamic fundamentalism, politics and a furtive army are soon intertwined. At the first briefing on the crimes that she attends, close to the back of a room, she’s unobtrusive. Yet she’s soon in the field issuing orders and haring off on her own to interview an incarcerated colleague of the series’s second victim, an army man.
Share this article
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £2.95 per month or £25 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
In an evening of unexpected victories, Sky News did surprisingly well
Outstanding legal drama draws to a not-quite-perfect close
Not in Kansas any more – the mezzo who conquered the world
Polish border guard drama captures the zeitgeist
French crime drama finally ditches the red herrings to keep it in the family
Zut. The return of bent fruits, continental chortles and jiggling Euroflesh
Bettany Hughes probes the legacy of the co-author of the Communist Manifesto
Rockers, jazzers, classicists and bluesniks compete for guitar stardom
Anthony Horowitz's moreish Big Pharma drama is light on its feet
Sex, scandal and lots of dressing up in historical Euro-romp
The big hitters from either side of the referendum debate lost to an impressive audience
New series examines the renaissance of the artisan artefact